The Ugly Stepsister (2025)
96%
“To [director Emilie Blichfeldt’s] credit, she goes all in, and her audaciously militant vision suggests a director whose name is soon to be catnip for actors who like to pester their agents for challenging new projects.” –
Deadline Hollywood Daily
Apr 24, 2025
Full Review
Deeper (2025)
“In the end, that’s what the film will leave you thinking about: the human cost of progress. “They should know when enough is enough,” says Fiona. “But will they?”” –
Deadline Hollywood Daily
Apr 1, 2025
Full Review
October 8 (2024)
72%
“Sachs’s emotive and disturbing film doesn’t find many answers to the questions it poses, and is mostly preaching to the converted, but it does shine a much-needed light on a growing, malignant problem.” –
Deadline Hollywood Daily
Mar 20, 2025
Full Review
Timestamp (2025)
“Should the war in Ukraine seem too far away for your sympathy, Timestamp is a reminder -- and a warning -- that it can come to all of us.” –
Deadline Hollywood Daily
Mar 19, 2025
Full Review
The Surrender (2025)
82%
“Though it delivers some quite serious wince-inducing gore, The Surrender never loses sight of its sincere emotional core” –
Deadline Hollywood Daily
Mar 10, 2025
Full Review
Chaos: The Manson Murders (2025)
56%
“Morris seems to realize very early on -- if he didn’t know already -- that this is a story that will never end, and he embraces O’Neill’s uncertainty.” –
Deadline Hollywood Daily
Mar 8, 2025
Full Review
Ghost Boy (2025)
“At an ambitious 95 minutes, Ghost Boy tends to lag in places, but both director and narrator are aware of their story’s potential to get stuck in a groove, and both are there to pick up the slack whenever it’s needed. ” –
Deadline Hollywood Daily
Mar 8, 2025
Full Review
The Message (2025)
92%
“Though his film could certainly use a little more in the way of narrative and perhaps even context, Fund is probably right to err on the side of mystery.” –
Deadline Hollywood Daily
Feb 22, 2025
Full Review
Girls on Wire (2025)
55%
“There’s a lot to keep up in the air here, with or without wires, and Qu’s film doesn’t quite fly... There is something substantial at its heart, however, and the subtext of Girls on Wire is more powerful than what passes as the plot. ” –
Deadline Hollywood Daily
Feb 18, 2025
Full Review
OBEX (2025)
100%
“As in even the most sophisticated role-playing games, the best part is in the journey, not so much the destination.” –
Deadline Hollywood Daily
Feb 6, 2025
Full Review
Plainclothes (2025)
79%
“The smoldering chemistry between the two is palpable, and Blyth is especially good as a young man wrestling with his identity. Plainclothes, though, is not strictly a coming-out movie, it’s a relatable story about infatuation and heartbreak.” –
Deadline Hollywood Daily
Jan 28, 2025
Full Review
The Wedding Banquet (2025)
88%
“You won’t cry laughing but you may laugh crying. This, one suspects, is what Andrew Ahn was gunning for all along.” –
Deadline Hollywood Daily
Jan 28, 2025
Full Review
Ricky (2025)
89%
“[Stephan James] is the centerpiece of this more than promising debut, giving a generous, humble performance that ensures the real message of the movie gets through. ” –
Deadline Hollywood Daily
Jan 27, 2025
Full Review
Brides (2025)
83%
“For those inclined to lean in, Brides is an admirable attempt to humanize a difficult subject and go some way towards humanizing the hot-button topic of online radicalization.” –
Deadline Hollywood Daily
Jan 26, 2025
Full Review
Bubble & Squeak (2025)
35%
“You can reasonably argue that it’s a one-joke movie. That joke, though, is often hilarious and even somewhat cautionary; you will never travel with cabbages in your carry-on ever again.” –
Deadline Hollywood Daily
Jan 26, 2025
Full Review
The Thing with Feathers (2025)
53%
“As a work of art, The Thing with Feathers is something special, a fantastic calling card for an auteur in waiting. As a movie, however, it won’t (and maybe can’t) be for everyone.” –
Deadline Hollywood Daily
Jan 26, 2025
Full Review
The Ballad of Wallis Island (2025)
97%
“[Carey Mulligan] brings her usual guest-star wattage, which shines brightly enough to counterbalance what might otherwise have been just a maudlin tale of lonely men and their music.” –
Deadline Hollywood Daily
Jan 26, 2025
Full Review
By Design (2025)
71%
“Both specific in its intent and mischievously opaque in its execution, this willfully strange art project can switch from flip to serious in the blink of an eye, using a terrific cast to weave a trance-like state of oddness.” –
Deadline Hollywood Daily
Jan 24, 2025
Full Review
SLY LIVES! (aka The Burden of Black Genius) (2025)
92%
“The archive material is stunning, not just in the live footage from the good old days when Stone actually showed up to play but also in the news clips that act as a stark reminder of the dark side of the ’60s.” –
Deadline Hollywood Daily
Jan 24, 2025
Full Review
The Fire Inside (2024)
93%
“Thankfully, director Rachel Morrison resists the urge to confect extraneous drama, relying instead on its two excellent leads to carry the story to the last round.” –
Deadline Hollywood Daily
Dec 27, 2024
Full Review
Nosferatu (2024)
84%
“It’s adult in its themes and concept, but at the same time it’s also a surprisingly enjoyable Christmas treat for goths graduating from Tim Burton and looking for a drop of the harder stuff. ” –
Deadline Hollywood Daily
Dec 2, 2024
Full Review
All God's Children (2024)
“All God’s Children is unusual in that, although it, too, is very much in and about the present moment, it’s a film that’s also in dialogue -- thoughtfully, and powerfully -- with the past.” –
Deadline Hollywood Daily
Nov 25, 2024
Full Review
Venom: The Last Dance (2024)
40%
“It’s not the best of its kind, but by no means the worst, and even when the inevitable war breaks out between humans, xenophages and symbiotes, Marcel orchestrates the action in a surprisingly comprehensible style...” –
Deadline Hollywood Daily
Oct 23, 2024
Full Review
That Christmas (2024)
67%
“... As twee as it is, Last Christmas proves that [Richard Curtis] is the best at what he’s good at, and it’s nice to have him around. ” –
Deadline Hollywood Daily
Oct 21, 2024
Full Review
Joy (2024)
91%
“Although there is certainly chemistry in the central pairing, Joy is more of an offbeat buddy movie, which is emphasized by the introduction of obstetrician Patrick Steptoe, played rather wonderfully by Bill Nighy. ” –
Deadline Hollywood Daily
Oct 18, 2024
Full Review
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