This isn't the first documentary made by people without the journalist gene, but their lack of initiative is appalling.

| Jun 3, 2020

An on-the-spot chronicle of a journalistic scandal...

| Original Score: 4/5 | May 17, 2019

Voyeur makes apt use of a storytelling device more commonly associated with fiction: the unreliable narrator.

| Aug 28, 2018

There were so many different turns from where the documentary started to where it ended, it was actually really fascinating.

| Aug 28, 2018

If documentaries are supposed to highlight shadowed parts of society, Voyeur shines a light on a decidedly disturbing and dark story.

| Dec 19, 2017

Documentary directors Myles Kane and Josh Koury skillfully reflect this game of complicity and suspicion, alternating interviews and scenes of daily life. [Full review in Spanish]

| Dec 11, 2017

I still heartily recommend Voyeur on the strength of its subject matter, as it transcends any quibbles I have with the execution.

| Dec 10, 2017

Voyeur also gains whole other layers beyond what directors Myles Kane and Josh Koury likely intended, simply because of the time in which it's being released.

| Original Score: 3/5 | Dec 8, 2017

Offbeat, mature docu has lots of sex, language.

| Original Score: 3/5 | Dec 5, 2017

By the film's end you may well find yourself shocked that both men allowed the directorial duo to keep filming for as long as they did.

| Original Score: B- | Dec 2, 2017

The result is a remarkable profiling of two people who, Voyeur suggests, have far more in common than either would imagine.

| Original Score: A- | Dec 2, 2017

These cameramen are journalists.

| Dec 2, 2017

The film is a bit of self-referential jumble which works best as a thinkpiece about the Faustian deal between writer and subject.

| Original Score: 3/5 | Dec 2, 2017

The documentary is fascinating in an admittedly prurient way for the first half or so, then shifts and becomes compelling in an even larger, more relevant context.

| Original Score: 3/4 | Dec 1, 2017

Enthralling look at literary lion Gay Talese.

| Nov 30, 2017

In that discomfortingly close range between the unlikeliest of friends, and between rapture and repulsion, the film finds its compelling edge.

| Nov 30, 2017

Uneven but often strangely compelling.

| Original Score: 3/4 | Nov 30, 2017

The question of what exactly to do with all this material escapes the filmmakers, just as it did Talese.

| Nov 30, 2017

Ostensibly a portrait of looking, the movie only sees its own reflection.

| Original Score: C | Nov 30, 2017

It's an entertainingly desperate joust, playing out beneath defiantly unattractive lighting.

| Nov 30, 2017