Ali Wong: Single Lady (2024)
86%
“Not all divorcées will find themselves as sought-after as Wong did in the immediate aftermath, and almost none will turn their saga into an account this entertaining. “Single Lady” is far from a how-to guide, but it’s a riveting testimonial.” –
Variety
Oct 8, 2024
Full Review
Matt Rife: Lucid - A Crowd Work Special (2024)
“Though he’s a competent facilitator, Rife never generates the electricity of true, transcendent spontaneity. The framing itself is fairly trite.” –
Variety
Aug 15, 2024
Full Review
David Holmes: The Boy Who Lived (2023)
94%
“The documentary works to introduce its audience to Holmes, who proves deserving of the spotlight. But they’ll go in knowing Radcliffe already, and as a result, it’s the star who feels most illuminated by The Boy Who Lived.” –
Variety
Nov 17, 2023
Full Review
John Mulaney: Baby J (2023)
86%
“Performances like “Baby J” are the only insight into his mindset we’re likely to get for the foreseeable future, even as they pointedly remind us they’re just that: a performance.” –
Variety
Apr 25, 2023
Full Review
RRR (2022)
96%
“In a movie that also includes Bheem battling a tiger with his bare hands and an aerial rescue involving a motorcycle, “Naatu Naatu” may be the most impressive action sequence. ” –
The Ringer
Mar 10, 2023
Full Review
Magic Mike's Last Dance (2023)
48%
“Magic Mike turned itself into an unlikely franchise dedicated to promoting women’s pleasure, but in the end, it overcomplicated its appeal...” –
The Ringer
Feb 17, 2023
Full Review
80 for Brady (2023)
59%
“A dubiously effective branding exercise wrapped in a highly effective distraction...” –
The Ringer
Feb 4, 2023
Full Review
The Menu (2022)
88%
“Marketed as an upscale spin on horror, The Menu interrogates a culture that has taken the chef from faceless grunt to something of a cult leader.” –
The Ringer
Nov 22, 2022
Full Review
Sharp Stick (2022)
50%
“Even as Sharp Stick deals with extremely adult material, it adopts a purposeful innocence that makes Dunham’s latest work less counterintuitive than it might seem.” –
The Ringer
Oct 11, 2022
Full Review
Catherine Called Birdy (2022)
89%
“Catherine Called Birdy establishes Dunham as a continued creative force...” –
The Ringer
Oct 11, 2022
Full Review
The Resort (2021)
37%
“The Resort’s straightforwardness seems to free up its goofier side, starting with the performances.” –
The Ringer
Jul 30, 2022
Full Review
Tig Notaro: Drawn (2021)
100%
“Like most comedy specials, Drawn is a way to burnish and evolve a comic's persona-helping fans get to know them better, even when they can't actually see them.” –
The Ringer
Jul 26, 2021
Full Review
Bo Burnham: Inside (2021)
95%
“The auteur can't help but take the pandemic personally in his new comedy special, but really what he's describing is the near-universal feeling of despair in 2020. And that feels good.” –
The Ringer
Jun 11, 2021
Full Review
Sarah Cooper: Everything's Fine (2020)
67%
“Everything's Fine is yet more proof of the challenge of satirizing our chaotic world, and why traditional forms keep coming up short...” –
The Ringer
Oct 30, 2020
Full Review
“Like all the best gambits, The Golden One's form follows its function: reflecting the singularity of a particular creative life.” –
The Ringer
Feb 29, 2020
Full Review
Jenny Slate: Stage Fright (2019)
100%
“In her willingness to invite others into her romantic, family, and interior lives, Slate gives the distinct impression she's not performing at all.” –
The Ringer
Oct 25, 2019
Full Review
Dave Chappelle: Sticks & Stones (2019)
42%
“Sticks and Stones is designed to generate inflammatory coverage... It's a symbiotic cycle with no end in sight, and it's become the last thing a beloved provocateur should ever want to be: predictable.” –
The Ringer
Aug 29, 2019
Full Review
Tig Notaro: Boyish Girl Interrupted (2015)
100%
“Simply surviving what Notaro has is inspirational in and of itself, of course. But Boyish Girl Interrupted puts the machinery required to translate those experiences into great comedy on full display. It's almost awe-inspiring. But mostly, it's funny.” –
Flavorwire
Aug 2, 2019
Full Review
Bo Burnham: Make Happy (2016)
100%
“A shockingly prickly, frequently meta medley of stand-up and song that challenges Burnham's fans more than it caters to them.” –
The Ringer
Jul 15, 2019
Full Review
Ali Wong: Baby Cobra (2016)
100%
“Cobra is a contradiction in terms , and the sly, surface-level hypocrisy is part of Wong's genius, building to one of the most skillful closers in recent memory.” –
The Ringer
Jul 12, 2019
Full Review
Chelsea Peretti: One of the Greats (2014)
100%
“One of the Greats opens with a montage that styles Peretti after her idols, and the special itself is filled with cutaways to Peretti in character, often as a clown. It's a fittingly weird and inventive approach for someone like Peretti.” –
The Ringer
Jul 12, 2019
Full Review
John Mulaney: The Comeback Kid (2015)
100%
“Watch for the laughs, but also the pleasure of watching a masterful entertainer grow into his talents.” –
The Ringer
Jul 11, 2019
Full Review
Anthony Jeselnik: Thoughts and Prayers (2015)
100%
“The final third of Thoughts and Prayers is a thrilling break from his established pattern, a near-20-minute meditation on public performance of sympathy in the wake of tragedy.” –
The Ringer
Jul 11, 2019
Full Review
Hannibal Buress: Comedy Camisado (2016)
100%
“Comedy Camisado is a reminder that underneath it all, Buress is one of the best stand-ups working today, with a relaxed, beta-male vibe that belies his near-total unflappability.” –
Flavorwire
Jul 9, 2019
Full Review
Aziz Ansari: Right Now (2019)
84%
“Ansari flips from being the subject of uncomfortable questions to decisively weighing in on those same dilemmas. It's an abrupt and audacious switch... Regardless, at BAM, Ansari manages to carry the audience right along with him.” –
The Ringer
Jul 9, 2019
Full Review
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