Andrew Chan
Andrew Chan's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Spring Fever (2009)
47%
“In his determination to position the film as a universal love story, Lou sacrifices the political engagement and specificity that makes the work of queer auteurs... so valuable” –
Film Comment Magazine
Mar 5, 2024
Full Review
Magic Mike's Last Dance (2023)
48%
“To the trilogy’s detriment, Last Dance chooses to regard Mike's booing-up as the ultimate, inevitable pursuit. His male apprentices never become anything more than ciphers; his burgeoning partnership with them is an untapped source of drama and pathos.” –
4Columns
Feb 17, 2023
Full Review
Center Stage (1992)
100%
“Few biopics have so eloquently interrogated the very foundations of the genre: our desire for intimacy with the stars and our sense of being entitled to knowledge of their personal lives.” –
4Columns
Mar 5, 2021
Full Review
Sister Act 2: Back in the Habit (1993)
19%
“A singer's movie for the ages, one with virtually no contemporary rivals. It feels like a film that could have been made only by people who understand on an intuitive level why we sing in the first place.” –
4Columns
Feb 5, 2021
Full Review
The Clock (1945)
100%
“Like all the best melodramas, it shows us how society is set up to keep our hopelessly ambiguous interior worlds in check. But all you have to do is look at Garland to feel that racing pulse beneath the skin...she knew that love is anxiety.” –
4Columns
Apr 10, 2020
Full Review
Vitalina Varela (2019)
95%
“Vitalina Varela, for all the psychic and economic devastation it depicts, is beautiful to the point of being ravishing.” –
4Columns
Feb 21, 2020
Full Review
Parasite (2019)
99%
“At the core of this film is an us-vs-them solidarity that makes even its most contrived narrative payoffs reverberate with emotional authenticity.” –
4Columns
Oct 4, 2019
Full Review
Hotel by the River (2018)
96%
“For all its solemn beauty, Hotel by the River is lax and under-imagined compared to Hong's masterpieces.” –
Film Comment Magazine
Mar 21, 2019
Full Review
Ash Is Purest White (2018)
99%
“Ash becomes Jia's most resonant work in at least a decade, a film in which the warring impulses within a single character cut through the noise of big themes and national metaphors.” –
4Columns
Mar 15, 2019
Full Review
If Beale Street Could Talk (2018)
95%
“We're constantly reminded of what so many movies revolving around themes of oppression fail to acknowledge: that even under threat, love can still feel like love-which is to say, like a state of rapture.” –
4Columns
Nov 30, 2018
Full Review
Daughter of the Nile (1987)
100%
“Daughter of the Nile represents something special: the kind of modestly crafted masterpiece a director makes just before he comes into recognition of his own stature.” –
Film Comment Magazine
Nov 3, 2017
Full Review
The Ornithologist (2016)
87%
“The Ornithologist, is no less attuned to the shock and awe of corporeal experience, but here the fixation is couched in an almost overpowering serenity.” –
Film Comment Magazine
May 5, 2017
Full Review
Kaili Blues (2015)
97%
“Yet the voice resonating behind these familiar motifs is one of such dazzling originality, it's hard to emerge from this waking dream of a film without feeling the shock of the new.” –
Film Comment Magazine
May 3, 2016
Full Review
Miles Ahead (2016)
74%
“Don Cheadle's flimsily conceived Miles Davis passion project...never lingers in the mind long enough to do the music much damage...The film is undone not by its interpretation of Davis's legacy but by its caper plot.” –
Film Comment Magazine
Mar 17, 2016
Full Review
Freeheld (2015)
49%
“Only a country where marriage equality is a foregone conclusion could produce a film about gay politics bled of all rage and resentment.” –
Film Comment Magazine
Sep 14, 2015
Full Review
What Happened, Miss Simone? (2015)
90%
“It's disappointing to watch the film fall into Behind the Music conventionality, employing a perfunctory alternation of talking heads and archival material despite the fact that so much once-rare footage can now be seen on YouTube.” –
Film Comment Magazine
Jul 1, 2015
Full Review
Broken Embraces (2009)
82%
“Though the film offers nothing new for the eyes, its wordiness ultimately acts as a complement rather than a drawback to Almodóvar's masterful storytelling.” –
Film Comment Magazine
Sep 24, 2014
Full Review
The Wind Rises (2013)
88%
“Apart from its handcrafted visuals, which are as lovely and painstakingly precise as anything in the Ghibli canon, the film feels sapped of conflict and energy” –
Film Comment Magazine
Feb 25, 2014
Full Review
August: Osage County (2013)
67%
“Designed as one big, sloppy thesp-a-thon, the film adaptation of August: Osage County interprets one of the past decade's most overly hyped dramas with the conviction usually lavished on top-drawer Eugene O'Neill.” –
Film Comment Magazine
Jan 14, 2014
Full Review
Ondine (2009)
70%
“Things start to go awry when we realize that the film's emotional sensitivity doesn't go much deeper than its moody surfaces.” –
Film Comment Magazine
Nov 13, 2013
Full Review
Last Train Home (2009)
100%
“Rivaling China's finest documentarians, first-time director Lixin Fan begins his Last Train Home with a handful of unshakable images.” –
Film Comment Magazine
Nov 12, 2013
Full Review
Final Sale (2011)
- -
“Few films have so vividly re-created the sensation of having known another human being for one's entire life, while simultaneously evoking the suspicion that all along one has loved a stranger.” –
Film Comment Magazine
Nov 5, 2013
Full Review
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