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Andrew Dignan

Andrew Dignan's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Hurry Up Tomorrow (2025) 15% “The film itself would be almost admirable in its nakedly confessional and self-excoriating qualities if only it weren’t so derivative, shallow, and dull.” – In Review Online May 19, 2025 Full Review Clown in a Cornfield (2025) 73% “The problem is that the film is caught in the no man’s land between knowingly janky and actually clever; it doesn’t upend clichés or moldy tropes, but, rather, merely presents them with an archness that plays as snickering or, worse, above it all.” – In Review Online May 7, 2025 Full Review Sinners (2025) 97% “[Coogler's] new film, Sinners, an original period horror, [is] both a culmination of a decade spent refining his voice on the largest scale imaginable as well as a reintroduction to a filmmaker we barely know.” – In Review Online Apr 17, 2025 Full Review Ash (2025) 72% “It has the outer shape of something fun, but all the parts inside are assembled incorrectly.” – In Review Online Apr 3, 2025 Full Review Freaky Tales (2024) 74% “The film, an anthology built around four loosely connected urban legends, amounts to little more than the sum total of its references; a not-so-secret handshake with film geeks that can barely conceal how impressed it is with itself.” – In Review Online Apr 2, 2025 Full Review Death of a Unicorn (2025) 54% “Broadly conceived, self-satisfied with its bushel of low-hanging fruit, and consistently underwhelming as an outré comedy, creature-feature, and earnest reconciliation drama...” – In Review Online Mar 25, 2025 Full Review Planet B (2024) - - “It’s still all the drudgery, manpower, and warehousing of prison, only the film gets to stage scenes of confinement at a swank Airbnb in the south of France.” – In Review Online Mar 12, 2025 Full Review Black Bag (2025) 96% “there's a certain restlessness to Black Bag, as well as the familiar sensation that the director has already moved on to whatever is next on his plate... [but] Black Bag is both smartly cast... and sexy in the too rare, old-fashioned way.” – In Review Online Mar 11, 2025 Full Review The Gorge (2025) 63% “As an exercise in Lovecraftian horror, it’s a hoot. [It] gradually doles out morsels of tangible information, but it weaponizes our curiosity and anxieties of the unknown for longer than one might reasonably expect.” – In Review Online Feb 28, 2025 Full Review The Monkey (2025) 78% “It’s all in good fun provided you’ve got the stomach for it... but the law of diminished returns kicks in after the third or fourth time watching someone combust into a cloud of red mist and body parts.” – In Review Online Feb 25, 2025 Full Review Wolf Man (2025) 49% “Wolf Man is so theme-first and underwhelming in the particulars that it barely functions as either a drama or horror film. It's so preoccupied with what it means to be perceived as a monster that it never quite gets around to being monstrous.” – In Review Online Feb 4, 2025 Full Review Companion (2025) 93% “Forgive the mixed metaphor, but the film functions primarily as a pot boiler where most of the fun is in figuring out what’s in the pot.” – In Review Online Feb 4, 2025 Full Review Nosferatu (2024) 84% “With everything in Nosferatu designed to within an inch of its life, Depp’s livewire performance at least lends a hint of actual danger and spontaneity to what is an otherwise very handsome but entirely moribund film.” – In Review Online Dec 24, 2024 Full Review The Brutalist (2024) 93% “The film has the shape and interiority of great literature, yet the language it speaks with is entirely cinematic.” – In Review Online Dec 17, 2024 Full Review Nickel Boys (2024) 91% “It places us not just in the shoes of characters who have been through something unimaginable, but in their confused mindsets as well. The result is as exhilarating as it is heartbreaking.” – In Review Online Dec 12, 2024 Full Review Maria (2024) 75% “No amount of artful obfuscation can conceal how overwhelmingly common and reductive the film is.” – In Review Online Dec 11, 2024 Full Review Juror #2 (2024) 93% “Juror #2 tends to play better as it turns over in your head afterward rather than while watching it.” – In Review Online Nov 4, 2024 Full Review Parthenope (2024) 46% “For all of its surface-level pleasures, the film often amounts to simply posing the facile question: “What if a woman were both beautiful and intelligent?” Will wonders never cease!” – In Review Online Nov 1, 2024 Full Review A Real Pain (2024) 96% “There is an overdetermined quality to the film’s writing... but also a canny recognition of the value of traditions and gestures (futile and otherwise) in connecting us to our pasts.” – In Review Online Oct 31, 2024 Full Review Black Box Diaries (2024) 99% “The film leans heavily on inference rather than unearthing actual smoking guns... which can make it feel like the film is chasing its own tail in trying to prove the existence of a conspiracy.” – In Review Online Oct 22, 2024 Full Review Woman of the Hour (2023) 91% “The filmmakers may believe they’re giving voice to frustration at errors of omission, but it plays almost as unearned superiority.” – In Review Online Oct 14, 2024 Full Review The Apprentice (2024) 83% “Abbasi reserves most of his sympathies for America, which still suffers the consequences of Cohn’s lessons. The film is urgent in its message, but also entirely obvious.” – In Review Online Oct 11, 2024 Full Review Piece By Piece (2024) 83% “Piece By Piece remains an odd alchemy of boringly conventional celebrity-documentary that plays all the hits — literally in this instance — and irreverent, occasionally visually spectacular yet rudimentary-looking display of animation.” – In Review Online Oct 9, 2024 Full Review Saturday Night (2024) 78% “The film attempts to distill the show’s ineffable greatness, free-wheeling sense of reinvention... [but] amounts to little more than fan service.” – In Review Online Oct 8, 2024 Full Review Sketch (2024) 100% “The derivative nature of Sketch, which feels very mid-'80s Amblin-adjacent, limits the film’s ambitions somewhat, but... in its particulars and execution, it’s better than it arguably needed to be.” – In Review Online Sep 17, 2024 Full Review
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