Parade: Queer Acts of Love & Resistance (2025)
6/10
“Like many films that try to cram a lot of history into a minimal amount of time, this latest work from veteran filmmaker Noam Gonick could stand from a bit more breadth, but the stories contained within are ones that bear repeating and remembrance.” –
The Gate
Apr 28, 2025
Full Review
Marlee Matlin: Not Alone Anymore (2025)
96%
7/10
“But beyond the obvious profiling of its subject, Marlee Matlin: Not Alone Anymore is the rare example of a biographical documentary that’s as formally interesting and stylish as it is informative and blunt.” –
The Gate
Apr 28, 2025
Full Review
Paul (2025)
9/10
“While there’s unquestionably a sexual element to Paul, the film is uniquely inspiring in its tenderness and willingness to showcase BDSM adjacent lifestyles as healing, consensual, and therapeutic.” –
The Gate
Apr 22, 2025
Full Review
Elli and the Ghostly Ghost Train (2024)
6/10
“Based on a book by author Klaus Baumgart, this Canadian-German co-production... is lightweight, but endearing. It’s comforting, sufficiently silly, and does everything it needs to succeed.” –
The Gate
Apr 18, 2025
Full Review
The Ugly Stepsister (2025)
96%
7/10
“Bleak and blackly comedic, The Ugly Stepsister succeeds at making the viewer squirm in their seat while having a devilishly fun time doing so.” –
The Gate
Apr 18, 2025
Full Review
The Courageous (2024)
6/10
“Gordon pushes the boundaries of a viewer’s understanding, but whether or not that connects with everyone who views The Courageous is debatable.” –
The Gate
Apr 18, 2025
Full Review
Sinners (2025)
98%
10/10
“A movie that fires on all possible cylinders [while offering] more food for thought than most “prestige” projects ever could, Sinners is a masterpiece. It’s as close to a perfect cinematic experience as one could ever hope to get.” –
The Gate
Apr 17, 2025
Full Review
The Wedding Banquet (2025)
88%
7/10
“The Wedding Banquet, while not a perfect film, is a best case scenario for a remake.” –
The Gate
Apr 17, 2025
Full Review
Warfare (2025)
92%
8/10
“The plot is survival. The unit of soldiers is the only character. And as a depiction of the chaos of battle, it has a degree of subtlety that makes a major impression on the viewer and balances out all of its brutal violence and grief.” –
The Gate
Apr 10, 2025
Full Review
Sacramento (2024)
86%
7/10
“Built around a complex male friendship that’s both nurturing and toxic at the same time... Angarano’s second feature effort examines failed coping mechanisms and unchecked neuroses with intimate, amusing detail and a warm heart.” –
The Gate
Apr 10, 2025
Full Review
The Amateur (2025)
60%
5/10
“Stuck somewhere between being a clone of Three Days of the Condor and Death Wish at the same time, The Amateur doesn’t satisfy as a smart spy thriller or a dumb, bloodlust driven bit of exploitation.” –
The Gate
Apr 9, 2025
Full Review
Drop (2025)
84%
6/10
“While it’s all in good fun and worth buying the ticket and taking the ride, just sit back and don’t try to think to hard about all of this works and any of the logic behind it. This isn’t that kind of movie. ” –
The Gate
Apr 9, 2025
Full Review
Freaky Tales (2024)
73%
5/10
“An openly eclectic, genre hopping bunch of odds and ends set in 1987 Oakland, California, Freaky Tales has a good amount of style and boosterism, but almost nothing else of note.” –
The Gate
Apr 4, 2025
Full Review
A Nice Indian Boy (2024)
96%
8/10
“A Nice Indian Boy has all the elements of a classically executed culture clash romance with a pleasing amount of cliche defying backstory that makes the whole thing a considerably more original than a run of the mill crowd pleaser.” –
The Gate
Apr 4, 2025
Full Review
Darkest Miriam (2024)
85%
9/10
“Part thriller, part romance, part social critique, and a character study through and through, Darkest Miriam is the sort of quiet film that wraps the viewer in layers of detail without making things obvious.” –
The Gate
Mar 28, 2025
Full Review
Death of a Unicorn (2025)
54%
4/10
“It’s a sliver of a good idea that feels like it was made before it was ready to be filmed. It’s as fun and lively as a lecture on business ethics and nowhere near as potentially enlightening.” –
The Gate
Mar 27, 2025
Full Review
Misericordia (2024)
95%
10/10
“French filmmaker Alain Guiraudie’s masterfully paced and executed Misericordia is the rare example of a thriller that wants you to laugh along with it.” –
The Gate
Mar 27, 2025
Full Review
The Penguin Lessons (2024)
80%
6/10
“It’s an easy film to like, even if the viewer feels like a lot is being left on the table by taking a safer path to its conclusion.” –
The Gate
Mar 27, 2025
Full Review
Disney's Snow White (2025)
40%
3/10
“This isn’t a film the viewer engages with. It’s just something that plays in the background, whether you’re in a crowded theatre or at home folding laundry. It’s soulless content that will fail to engage in any environment.” –
The Gate
Mar 21, 2025
Full Review
The Alto Knights (2025)
39%
6/10
“It will never go down as anyone’s favourite entry into the genre or one of the best from the star or director, but when viewed in a charitable way (meaning you only want to be suitably entertained), it’s a pretty good time.” –
The Gate
Mar 21, 2025
Full Review
Opus (2025)
41%
4/10
“One thing is for certain: Opus is a bad movie. But it’s a bad movie with good ideas, which makes things all the more frustrating when it doesn’t come together.” –
The Gate
Mar 14, 2025
Full Review
Black Bag (2025)
96%
8/10
“While Black Bag is a film that rewards and values the viewer’s intelligence, it’s also a profoundly enjoyable work that will leave those who like this sort of film leaving the theatre with an ear-to-ear grin.” –
The Gate
Mar 14, 2025
Full Review
Seven Veils (2023)
77%
8/10
“Seven Veils, blends modern reality, classicism, and meta-commentary into a a tightly formed, estimable package. ” –
The Gate
Mar 7, 2025
Full Review
The Rule of Jenny Pen (2024)
71%
9/10
“Horror is often a young person’s game, but with his second feature film New Zealander Ashcroft uses age to his utmost advantage.” –
The Gate
Mar 7, 2025
Full Review
Night of the Zoopocalypse (2024)
96%
7/10
“Night of the Zoopocalypse is an engaging blend of silly and spooky that should delight and amuse the post-toddler/pre-teen crowd nicely.” –
The Gate
Mar 6, 2025
Full Review
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