Blue Moon (2025)
96%
“Running a brisk 100 minutes, “Blue Moon” is an unreservedly stagey affair – matching form with content to follow an unhappy man for whom all the world’s a stage right before his curtains fall.” –
TheWrap
Feb 18, 2025
Full Review
Mickey 17 (2025)
77%
“A teen-idol turned auteur-darling turned action-lead, Pattinson could easily call comedy his true calling, here delivering an elastic physical performance as dexterous as Jim Carrey in his prime. ” –
TheWrap
Feb 15, 2025
Full Review
Babygirl (2024)
76%
“Like a sheep in wolf’s clothing, Halina Reijn’s surprisingly genteel Babygirl might bare the occasional fang, but it doesn’t have much bite.” –
TheWrap
Dec 20, 2024
Full Review
The Brutalist (2024)
93%
“Taken as a whole, The Brutalist both mourns and celebrates American ambition -- the ambitions of an immigrant class trying for a new life with no guarantee of success, and the ambitions of a filmmaker filling a canvas with a lifetime of obsessions. ” –
TheWrap
Dec 12, 2024
Full Review
Nonostante (2024)
C+
“If not quite working on the same level as Kore-eda’s 1998 masterpiece, “Nonostante” still circles around similar conclusions, understanding that the artistic urge to capture and enshrine connects to a sentiment commonly offered in mourning.” –
IndieWire
Sep 12, 2024
Full Review
Youth (Homecoming) (2024)
94%
B+
“While Youth (Homecoming) certainly benefits from the seven hours of weaving-machine whir that preceded, the film quite ably stands alone. ” –
IndieWire
Sep 7, 2024
Full Review
Broken Rage (2024)
86%
B+
“Starting from a drier deadpan before rebooting into unbridled absurdity, Broken Rage is a concise lesson in parody, creating a simple form and then breaking it with the subtle force of a mallet smashing a watermelon.” –
IndieWire
Sep 7, 2024
Full Review
Beetlejuice Beetlejuice (2024)
75%
“Few would mistake Beetlejuice Beetlejuice for a confessional or particularly self-revealing work, but it does hew closer to that original artistic spark that dimmed once the director became a trademark.” –
TheWrap
Aug 28, 2024
Full Review
Emilia Pérez (2024)
72%
“The themes are broad and brassy as the film that explores them, and all the better still.” –
TheWrap
Aug 8, 2024
Full Review
Megalopolis (2024)
45%
“The film is expertly assembled and sleepily directed all at once; it wows with its imagination and erudition all while leaving you little more than bemused.
” –
TheWrap
Aug 8, 2024
Full Review
All We Imagine as Light (2024)
100%
“Taking place almost entirely at night, the film’s Mumbai first-half swings to a jazzy piano score, finding squalor and grandeur as two sides of the same coin.” –
TheWrap
Aug 8, 2024
Full Review
The Seed of the Sacred Fig (2024)
97%
“Rasoulof channels both the vigor of Iranian youth protesting their repressive state and the violence said state enacts on those who dare to stand up into an allegorical thriller that rarely leaves a middle-class family home.
” –
TheWrap
Aug 8, 2024
Full Review
Limonov: The Ballad of Eddie (2024)
65%
“This ballad finds a groove and rides it out, showcasing the director’s chops and the star’s commitment while shining little new light on the ostensible subject.” –
TheWrap
Aug 8, 2024
Full Review
Marcello Mio (2024)
50%
C
“All dressed up with nowhere to go, Marcello Mio uses the lead as a prop for nostalgia and stand-in for this or that Fellini homage. ” –
IndieWire
May 21, 2024
Full Review
The Second Act (2024)
74%
B-
“With a barely-there narrative even by Dupieux’s own standard, The Second Act still wrangles a few winning reveals, building to a most savage punchline.” –
IndieWire
May 14, 2024
Full Review
Treasure (2024)
42%
“The self-contained “Treasure” ambles along on the strength of a fine, self-contained script and two winning performers, without ever reflecting or commenting on the historical weight it sets out to explore.” –
TheWrap
Feb 27, 2024
Full Review
Another End (2024)
29%
“Rather than interrogating the very world it creates, “Another End” hews another, easier path, turning around familiar notions of star-crossed romance resonating from beyond the afterlife” –
TheWrap
Feb 27, 2024
Full Review
Cuckoo (2024)
79%
“Viewed under the right conditions — that is to say, late at night, in a certain headspace and surrounded by an audience of fellow travelers ready to take the ride – “Cuckoo” will offer an awful lot of big-screen fun. ” –
TheWrap
Feb 27, 2024
Full Review
Small Things Like These (2024)
94%
“The quiet register encourages our own reflections on the very moral concerns time and circumstance have made unavoidable in the present day each and every day.” –
TheWrap
Feb 27, 2024
Full Review
Club Zero (2023)
65%
“A horror film told in bright lights and marzipan colors, a dark comedy that rarely gets around to making you laugh — writer/director Jessica Hausner’s “Club Zero” is a tough nut to crack.” –
TheWrap
Nov 14, 2023
Full Review
The Taste of Things (2023)
97%
“Never has such cheesy dialogue left this reviewer so giddy...don’t forget — cheese is a delicacy in France.” –
TheWrap
Sep 20, 2023
Full Review
Memory (2023)
85%
““Memory” simply cuts through the problem with clipped efficiency, once more shedding prior expectation for a deeper — and deeply moving — third act that finds two broken sorts piecing themselves together again. ” –
TheWrap
Sep 10, 2023
Full Review
Hit Man (2023)
95%
“The comedy is a deliriously entertaining star vehicle for actor Glen Powell” –
TheWrap
Sep 10, 2023
Full Review
The Killer (2023)
85%
“This being a David Fincher joint, the answers aren’t pretty, while the images are nearly always sublime. ” –
TheWrap
Sep 3, 2023
Full Review
The Palace (2023)
10%
“The director’s changing circumstance feels directly relevant to the cast he could assemble for this humorless black comedy, and to the build of unyielding grotesquery that makes the film feel like a giant middle finger to the world.” –
TheWrap
Sep 2, 2023
Full Review
No Reviews Yet
Load More
Something went wrong.. try again