Nope (2022)
83%
3/5
“There’s obviously a lot of ideas going on, references, all that jazz, but it’s a frustrating experience, a film of diminishing interest as it plods along.” –
Film Mafia
Aug 25, 2022
Full Review
Crimes of the Future (2022)
80%
3/5
“Cronenberg’s dialogue here is typically ludicrous but once you get lulled into it, the film becomes a little like a perverse warm bath, sweeping you into its bonkers world.” –
Film Mafia
Aug 25, 2022
Full Review
Emergency (2022)
91%
3.5/5
“The central conceit – which I won’t spoil here – is treated matter-of-factly, which is itself the shocking thing.” –
Film Mafia
Aug 9, 2022
Full Review
What Josiah Saw (2021)
91%
3.5/5
“Pure, raw, undiluted American Gothic with all the trimmings. Here is a vibe, a voice, a style and a mood, all of a piece, managing to wear its influences proudly yet roll them into something original and fresh. ” –
Film Mafia
Aug 9, 2022
Full Review
Official Competition (2021)
96%
3/5
“Cruz gives a great performance.” –
Film Mafia
Jul 12, 2022
Full Review
Full Time (2021)
98%
3.5/5
“One thing’s for sure: it’ll make you feel less bad about not living in Paris.” –
Film Mafia
Jul 12, 2022
Full Review
Ali & Ava (2021)
94%
3.5/5
“The screenplay doesn’t break new ground – this is highly trod territory, British regional social realism through and through – but the direction is intricate and thoughtful and the performances tremendous.” –
Film Mafia
Jul 12, 2022
Full Review
Elvis (2022)
77%
4.5/5
“You spend the first half in awe of Baz but the second in awe of Butler, and that’s a compliment to both.” –
Film Mafia
Jun 23, 2022
Full Review
A Hero (2021)
97%
4/5
“Farhadi’s typical themes of responsibility, morality, personal ethics and the law all get a full workout here.” –
Film Mafia
Jun 7, 2022
Full Review
The Innocents (2021)
97%
3/5
“To get performances like this from a cast this young is no small achievement ... strong on tone and vibe and features some genuinely creepy moments.
” –
Film Mafia
May 16, 2022
Full Review
Petite Maman (2021)
97%
5/5
“A perfect, gentle jewel, precise, concise, warm, heartfelt, witty, moving and ultimately profound. Sciamma’s direction is sublime and her writing heartfelt. In its modest ambition, Petite Maman achieves a kind of delicate monumentality. Do not miss it.
” –
Film Mafia
May 5, 2022
Full Review
The Unbearable Weight of Massive Talent (2022)
87%
2.5/5
“While Nicholas Cage and Pedro Pascal give amiable performances, the script consistently lets them down with references rather than honest jokes.” –
Film Mafia
Apr 21, 2022
Full Review
Happening (2021)
99%
3.5/5
“Joins the other movies of its kind on the tougher side of the ledger: more 4 Months, Three Weeks and Two Days than Never Rarely Sometimes Always.” –
Film Mafia
Apr 10, 2022
Full Review
The Good Boss (2021)
92%
4/5
“Javier Bardem, the good boss himself, is superb. In almost every scene of the movie, he displays enormous range while also presenting a highly specific character. Hes one of the most versatile - and, simply, one of the best - screen actors working today.” –
Film Mafia
Apr 10, 2022
Full Review
Kimi (2022)
92%
3/5
“The prolific auteur is in full neo-Roger Corman mode here, riffing on our fears but delivering, in this instance, an elevated B-Movie, clearly intended, and enjoyable, as such.” –
Film Mafia
Feb 21, 2022
Full Review
Flee (2021)
98%
4/5
“Beautiful, heartbreaking and eye-opening. This is the nuts and bolts of European human trafficking, finding the universal in the personal, and reminding you how lucky you have it.” –
Film Mafia
Feb 21, 2022
Full Review
Aline (2021)
56%
3/5
“Bizarre in conception and often bonkers in execution, its also truly compelling, partly as train wreck and partly as an honest-to-goodness offbeat oddity.” –
Film Mafia
Feb 21, 2022
Full Review
Drive My Car (2021)
97%
4/5
“Its a beautifully crafted, moving, elegant and at times drily funny tale, superbly acted.” –
Film Mafia
Feb 10, 2022
Full Review
Benedetta (2021)
84%
3/5
“They just tend not to make em like this anymore.” –
Film Mafia
Feb 10, 2022
Full Review
The Eyes of Tammy Faye (2021)
67%
4/5
“Chastain declares her intentions (to be awesome!) in a single, long close-up that opens the film, and she doesn't disappoint ... but Garfield's portrayal of the deeply complicated Jim sneaks up on you, growing more intriguing, sly and effective as he ages.” –
Film Mafia
Jan 25, 2022
Full Review
Spencer (2021)
83%
4/5
“Stunning to look at and, with Jonny Greenwood's score, dreamy, evocative and haunting. At times it feels like a horror movie, a Polanski-like mental descent. Don't come for any kind of history lesson; come for the vibe.” –
Film Mafia
Jan 25, 2022
Full Review
West Side Story (2021)
91%
4/5
“Technically dazzling and musically delightful, if emotionally rather unengaging.” –
Film Mafia
Dec 22, 2021
Full Review
Bergman Island (2021)
84%
3.5
“The scenes with Krieps and Roth are terrific, and deeply chucklesome for cinephiles.” –
Film Mafia
Dec 22, 2021
Full Review
The Worst Person in the World (2021)
96%
3.5/5
“An international career-making performance by Renate Reinsve.” –
Film Mafia
Dec 22, 2021
Full Review
Licorice Pizza (2021)
90%
4.5/5
“It's a warm, warm movie, often very funny, thoroughly engaging and impeccably crafted, no less thematically rich than any of his films. For what themes are greater than love and friendship?” –
Film Mafia
Dec 13, 2021
Full Review
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