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Drew Gregory

Tomatometer-approved critic
Publications:

Reviews

Movies 온라인카지노추천 Shows
The Ugly Stepsister (2025) 96% “One of the best horror films of the decade so far.” – Autostraddle Feb 3, 2025 Full Review Heightened Scrutiny (2025) 92% “As a trans person, there’s a comfort in hearing the facts laid out so clearly and with such feeling. ” – Autostraddle Feb 3, 2025 Full Review Plainclothes (2025) 79% “While this disinterest in policing isn’t inherently a problem, it does leave the film’s most interesting thematic threads unexplored.” – Autostraddle Feb 3, 2025 Full Review Power Alley (2023) “Throughout the film, easy narrative choices are resisted for the unexpected and more effective.” – Autostraddle Feb 1, 2025 Full Review You Are Not Me (2023) 100% “While the Get Out comparisons are inevitable, the film this most recalls is actually Brian Yuzna’s 1989 masterpiece Society.” – Autostraddle Feb 1, 2025 Full Review Rains Over Babel (2025) 91% “This is a very sincere film about life and death and self-acceptance, but it’s also endless fun.” – Autostraddle Feb 1, 2025 Full Review Come See Me in the Good Light (2025) 100% “It’s a tender look at two queer people in love and a celebration of the desire to live.” – Autostraddle Feb 1, 2025 Full Review LUZ (2025) 44% “At times the dialogue is blunt, the script not quite as remarkable as the style, but I still found myself fully connected to these people and their searching.” – Autostraddle Feb 1, 2025 Full Review GEN_ (2025) 100% “The best compliment I can give GEN_ is that it’s kind of boring.” – Autostraddle Jan 31, 2025 Full Review Sauna (2025) 91% “I’m not criticizing a good movie because of how it tells a trans story. I’m criticizing a mediocre movie because a trans story that may seem fresh to some is all it has to offer.” – Autostraddle Jan 31, 2025 Full Review Bunnylovr (2025) 55% “Katarina Zhu’s feature debut is at its best when it leans into the boundaries of its character’s self-destruction.” – Autostraddle Jan 31, 2025 Full Review Omaha (2025) 88% “Every narrative and formal choice made in Omaha feels manufactured to make the audience cry rather than to deepen its characters and serve the story.” – Autostraddle Jan 31, 2025 Full Review Where the Wind Comes From (2025) 100% “The characters are often kept in the lower half of the frame as if Guellaty and DP Frida Marzouk are leaving space for their dreams.” – Autostraddle Jan 31, 2025 Full Review Cactus Pears (2025) 100% “There have been many films about queer people returning to their family homes, but few with this amount of tender specificity. ” – Autostraddle Jan 31, 2025 Full Review Sorry, Baby (2025) 95% “While the smart script and strong performances are easy to praise, the filmmaking is just as noteworthy. The form isn’t showy, but it is skilled.” – Autostraddle Jan 31, 2025 Full Review The Virgin of the Quarry Lake (2025) 79% “This is a challenging, at times nasty, film, but it’s not cynical. When all humanity seems lost, Casabé returns to the faces of her talented performers to reveal the conflict beneath their harsh choices. ” – Autostraddle Jan 31, 2025 Full Review Coexistence, My Ass! (2025) 92% “Part of me wishes the first half of the film matched the complexity and craft of the second, but I also think, as is, the film is something of a magic trick.” – Autostraddle Jan 31, 2025 Full Review Stroking an Animal (2023) “Stroking an Animal is an arthouse movie that reflects the messiness of real queer lives. Tender and sexy, joyous and melancholy, this is queer cinema in its purest form.” – Autostraddle Jan 24, 2025 Full Review Fanatical: The Catfishing of Tegan and Sara (2024) 94% “The film makes sure not to pass judgment on any of the victims of the Tegan impersonator, but it does reveal the gaps in some of their expectations of Tegan vs. the real lived experiences of the artist.” – Autostraddle Oct 17, 2024 Full Review Megalopolis (2024) 45% “I don’t compare Francis Ford Coppola’s decades-long passion project to Jennifer Lopez’s visual album as a critique. Both projects are self-funded tributes to the power of love and marriage that lead with gargantuan sincerity and bonkers visual effects.” – Autostraddle Sep 30, 2024 Full Review French Girl (2024) 25% “I just can’t believe this movie came out this year instead of twenty years ago. ” – Autostraddle Sep 30, 2024 Full Review I'll Be Right There (2024) 86% “Since this is an actor-driven film, the flat visuals and standard formal approach would be fine if it weren’t for a distracting score that feels like iMovie temp music titled Indie Dramedy.” – Autostraddle Sep 30, 2024 Full Review Bird (2024) 86% “Bird is Andrea Arnold’s most ambitious work. It also might be her truest masterpiece.” – Autostraddle Sep 14, 2024 Full Review The Shrouds (2024) 74% “With every passing moment of the often enthralling, occasionally tedious new film from David Cronenberg, it becomes more confounding, more perverted, and, ultimately, more accomplished.” – Autostraddle Sep 13, 2024 Full Review Diciannove (2024) “Unfortunately, Tortorici’s story is not as exciting as his craft.” – Autostraddle Sep 13, 2024 Full Review
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