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Elisabeth Vincentelli

Elisabeth Vincentelli's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Movies 온라인카지노추천 Shows
The Shrouds (2024) 74% ““The Shrouds” is overstuffed and often clunky, but if there is a takeaway, it’s that some men engage with technology to disengage with reality. And that is more unsettling than any body horror.” – New York Times Apr 17, 2025 Full Review O'Dessa (2025) 38% “Is a cliché turned on its head still a cliché? “O’Dessa” will keep you wondering, and that counts for something.” – New York Times Mar 20, 2025 Full Review The Electric State (2025) 15% “The movie is obvious, garish and just plain dumb.” – New York Times Mar 13, 2025 Full Review Bridget Jones: Mad About the Boy (2025) 88% “Almost a quarter of a century in, the Bridget Jones movies are coalescing into an evocative portrayal of a character coming to terms with both her imperfections and her strengths in real time.” – New York Times Feb 13, 2025 Full Review Ad Vitam (2025) 43% “The minimal plot purports to endorse spartan storytelling, but after a promising start the movie detours into an overlong flashback. ” – New York Times Jan 13, 2025 Full Review Sabbath Queen (2024) 100% “But we also watch [Lau-Lavie] talk about many events, like becoming a father or cofounding the aforementioned experimental Lab/Shul initiative, while he is still in the middle of experiencing them, rather than speaking with the benefit of hindsight.” – New York Times Nov 21, 2024 Full Review AfrAId (2024) 23% “This scenario’s predictability could be forgiven were the movie effective on any level, but it just isn’t, from Cho and Waterston’s wooden performances to jump scares that would not startle Scooby-Doo.” – New York Times Aug 30, 2024 Full Review Caligula: The Ultimate Cut (2023) 65% “If there is one thing that is likely to never change about this movie, it’s that it will never be consensual, even among those who made it. ” – New York Times Aug 15, 2024 Full Review A Quiet Place: Day One (2024) 86% “Indeed, the action set pieces are fine but also perfunctory... “Day One” is on much surer ground when dealing with the quiet that bookends the storms.” – New York Times Jul 1, 2024 Full Review The Watchers (2024) 33% “Fanning often deploys an unsentimental reserve that's very effective from a dramatic standpoint. Here, it provides a steady counterpoint to the predictably bananas plot. ” – New York Times Jun 11, 2024 Full Review The Great Lillian Hall (2024) 87% “Besides its elegant handling of the parallels between Lillian's character and her own life, the movie's most interesting gambit is the way it breaks from the lazy habit of portraying stars as narcissistic, destructive monsters.” – New York Times May 31, 2024 Full Review Indigo Girls: It's Only Life After All (2023) 93% “Existing fans will be mesmerized, but non-fans like me should also get a kick out of “It’s Only Life After All.”” – New York Times Apr 10, 2024 Full Review Yannick (2023) 94% “Dupieux’s fans will be happy to know that his surreal humor is gloriously intact, while newcomers might find in this movie a gateway into one of contemporary cinema’s most idiosyncratic universes.” – New York Times Apr 4, 2024 Full Review Limbo (2023) 91% “Sen, who also handled both the black-and-white cinematography and the editing, has a terrific eye for shot composition and sets a deliberate pace that feels implacable rather than merely slow.” – New York Times Mar 21, 2024 Full Review Waitress: The Musical (2023) 100% “This is Bareilles’s show in every way. While she doesn’t quite match the emotional subtlety of Jessie Mueller, who originated Jenna, she has grown in leaps and bounds as an actress and provides a warm anchor for the movie.” – New York Times Dec 7, 2023 Full Review Dicks: The Musical (2023) 68% “Despite brief instances when it spills into surreal madness, most notably in a scene set in a sewer, the film is rudderless — which is a polite way to say limp.” – New York Times Oct 5, 2023 Full Review Rotting in the Sun (2023) 82% “By the end, it’s the film’s point that has turned murky.” – New York Times Sep 7, 2023 Full Review Bottoms (2023) 91% “For most of its tight running time, “Bottoms” hovers on the cusp of greatness.” – New York Times Aug 24, 2023 Full Review Gray Matter (2023) 17% ““Gray Matter” is by-the-numbers, by-committee product.” – New York Times Jul 13, 2023 Full Review Joy Ride (2023) 90% “The seams show only toward the end, when the film’s pace slackens, but even then, the cast’s chemistry and flawless timing hold steady.” – New York Times Jul 6, 2023 Full Review Taylor Mac's 24-Decade History of Popular Music (2023) 100% “Offers a necessarily abridged look at Mac’s towering achievement, which showcased an incredible range as an interpreter, a theatrical gusto and a mischievous, often biting humor. ” – New York Times Jun 27, 2023 Full Review The Perfect Find (2023) 72% “It is saved by two fleet-footed leads who have mastered the two steps forward, one step back dance at the heart of romantic comedy.” – New York Times Jun 23, 2023 Full Review All Man: The International Male Story (2022) 95% “The film is more dutiful than artful, ticking one box after another, a tendency that is especially obvious when it ventures to the dark side...” – New York Times Jun 6, 2023 Full Review Kandahar (2023) 45% “Not only is the pace tepid at best, but Tom is a bore, with at least three characters more intriguing than he is.” – New York Times May 25, 2023 Full Review Unfinished Business (2022) 90% “It's hard to begrudge "Unfinished Business" for emphasizing empowerment and sisterhood, but these women deserved more. They can take it.” – New York Times May 11, 2023 Full Review
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