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Henry Stewart

Henry Stewart's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Biography:

Henry was born and raised in Brooklyn, where he still lives today. He held a Bachelor's degree in philosophy, but sold it when he discovered that the paper it was printed on was actually more valuable. He now has a Master's degree in journalism, equally worthless.

Favorites:

Vertigo, Annie Hall, City Lights

Critics' Group:
Location:

Bay Ridge, NY

Reviews

Movies 온라인카지노추천 Shows
The Wanting Mare (2020) 80% 3/4 “It's as if Nicholas Ashe Bateman is commenting on a distinctly American suburban malaise, using a fictional place, digitally made, to get at a real, painful truth about being stuck in a place you didn't choose, amid circumstances you didn't create.” – Slant Magazine Feb 4, 2021 Full Review Synchronic (2019) 78% 2/4 “About a drug that sends its users back in time for seven minutes, the film holds your hand and walks you through its chronology mazes.” – Slant Magazine Oct 20, 2020 Full Review Antebellum (2020) 31% 3/4 “This is film that employs imaginative twists to illuminate the racism that's entrenched in American history and society.” – Slant Magazine Sep 9, 2020 Full Review The Beach House (2019) 81% 2/4 “The character drama becomes afterthought as it's superseded by action.” – Slant Magazine Jul 6, 2020 Full Review All Summers End (2017) 20% 1/4 “This dippy chronicle of one consequential summer trades not in a nostalgia born of genuine lived experience, but of cinematic clichés.” – Slant Magazine May 12, 2020 Full Review Vivarium (2020) 73% 2/4 “This a parable about adulthood boasts deeply cynical takes on home, community, and childrearing.” – Slant Magazine Mar 21, 2020 Full Review The Hunt (2020) 57% 2/4 “The film was almost canceled for being too partisan, so it's ironic to discover that it's practically apolitical.” – Slant Magazine Mar 11, 2020 Full Review The Lodge (2019) 75% 2.5/4 “t's best appreciated not with the parts of your brain responsible for reason and judgment, but in the unthinking terror centers, where the film's style of God-fearing fanaticism also resides.” – Slant Magazine Jan 31, 2020 Full Review I See You (2019) 73% 3/4 “The film's tone is extremely eerie, with creeping camera movements, striking imagery, abrupt edits, and a delicately sinister score.” – Slant Magazine Nov 29, 2019 Full Review Trick (2019) 38% 0/4 “Patrick Lussier's film is an incompetent, nihilistic exercise in gore and pseudophilosophy.” – Slant Magazine Oct 14, 2019 Full Review It: Chapter Two (2019) 62% “The film argues we're stronger and better when we're home, building communities that can oppress the oppressors and build up so-called "losers."” – Slant Magazine Sep 5, 2019 Full Review Don't Let Go (2019) 42% 2/4 “Would that Jacob Estes had kept the particulars of his murder mystery as intricate as the sci-fi of his main characters' communion.” – Slant Magazine Aug 30, 2019 Full Review Scary Stories to Tell in the Dark (2019) 78% 2.5/4 “Once it gets past what feels like submission to genre demands, the drama reaffirms its focus on the central themes.” – Slant Magazine Aug 8, 2019 Full Review The Art of Self-Defense (2019) 83% 2/4 “Riley Steans is careful to vindicate karate itself, which might please its admirers but leave everyone else feeling indifferent.” – Slant Magazine Jul 9, 2019 Full Review Ma (2019) 55% 1/4 “In the end, the filmmakers settle for stigmatizing victimhood, abusing Sue Ann almost as much as her former tormentors.” – Slant Magazine May 29, 2019 Full Review Us (2019) 93% 3.5/4 “Jordan Peele's follow-up to Get Out unnervingly speaks to the issues affecting a divided nation.” – Slant Magazine Mar 20, 2019 Full Review Happy Death Day 2U (2019) 72% 3/4 “Christopher Landon's heady and entertaining sequel is a multiverse murder mystery rooted in experimental physics.” – Slant Magazine Feb 13, 2019 Full Review The Prodigy (2019) 44% 2/4 “The filmmakers fail to realize that the darkest horror here doesn't lie in the triumph of true evil, but in seeing how far a regular family will go to protect itself before doing the right and necessary thing.” – Slant Magazine Feb 6, 2019 Full Review The Vanishing (2018) 84% 3/4 “The Vanishing seems truly troubled by its action violence in a way that many similar thrillers aren't.” – Slant Magazine Dec 30, 2018 Full Review Ralph Breaks the Internet (2018) 88% 3/4 “When Ralph Breaks the Internet ignores the glittering marvels of the internet and focuses on the rapport between its two leads, it's deeply moving.” – Slant Magazine Nov 14, 2018 Full Review Apostle (2018) 79% 2/4 “The film's victims are simply pawns in a super-gory bacchanal, which is aesthetically striking but emotionally dull.” – Slant Magazine Oct 11, 2018 Full Review Lizzie (2018) 66% 3/4 “The film moves evenly toward a conclusion that feels as inevitable as it does inescapable, while providing a plausible framework for the still-mysterious true crime.” – Slant Magazine Sep 12, 2018 Full Review Peppermint (2018) 13% 1/4 “If much of Pierre Morel's work to this point scanned as tongue-in-cheek, this one feels like a raspberry.” – Slant Magazine Sep 6, 2018 Full Review Hot Summer Nights (2017) 46% 1/4 “Like the teenagers at its center, Hot Summer Nights tries too hard to look cooler than it ever could be.” – Slant Magazine Jul 20, 2018 Full Review Unfriended: Dark Web (2018) 60% 3/4 “The film is preposterously conceived, but writer-director Stephen Susco so tightly, excitingly executes it that you hardly notice.” – Slant Magazine Jul 14, 2018 Full Review
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