Star Wars: Episode II - Attack of the Clones (2002)
61%
“The computer-generated effects dazzle, and the story, while complicated in the manner of a comic-book serial, clips along at a decent pace.” –
Washington Post
Apr 23, 2025
Full Review
Scream 2 (1997)
82%
“Please remember that although this is a nifty, even satiric example of the slasher genre, it's still a slasher movie and not for the weak of stomach, the nightmare-prone or teens whose parents don't want them seeing screen violence. ” –
Buffalo News
Feb 6, 2025
Full Review
Missing Link (2019)
88%
2.5/4
“"Missing Link" does not lay an egg by any means. It is visually stunning, with well-realized characters and humor that really does work.” –
Washington Post
Apr 12, 2019
Full Review
Isn't It Romantic (2019)
70%
3/4
“[A] visually and verbally ingenious sendup of romantic comedies that wears its candy heart on its sleeve.” –
Washington Post
Feb 13, 2019
Full Review
The Cable Guy (1996)
56%
“That said, Carrey's wild-eyed performance as a lonely and disturbed cable 온라인카지노추천 installer occasionally verges on brilliance. But it's not acting, it's just inspired mugging.” –
South Florida Sun-Sentinel
Dec 12, 2018
Full Review
Moll Flanders (1996)
46%
“The plot hinges on rather too much coincidence, and some lines of the British-accented dialogue garble on the soundtrack, but the film offers charming performances and a vivid sense of time, place and human dignity.” –
South Florida Sun-Sentinel
Dec 12, 2018
Full Review
Smallfoot (2018)
76%
3/4
“This entertaining fantasy has intellectual ballast, but it's cleverly disguised.” –
Washington Post
Sep 27, 2018
Full Review
The House With a Clock in Its Walls (2018)
65%
2.5/4
“It's a throwback to an earlier era of filmmaking, in which the benefits of new technology are neatly disguised in old-school storytelling.” –
Washington Post
Sep 19, 2018
Full Review
Kin (2018)
36%
2/4
“Although "Kin" doesn't cut it, some of its ideas are worthy of further development.” –
Washington Post
Aug 30, 2018
Full Review
Dog Days (2018)
63%
2.5/4
“As a cinematic mutt, it possesses a certain scruffy charm, as long as you're in the mood to forgive its lapses.” –
Washington Post
Aug 9, 2018
Full Review
Blumhouse's Truth or Dare (2018)
15%
1.5/4
“The privileged protagonists of "Truth or Dare" are neither interesting nor likable. They don't even seem worthy of the academic degrees they're getting.” –
Washington Post
Apr 11, 2018
Full Review
Finding Your Feet (2017)
70%
2.5/4
“This dramedy about middle-class Londoners in their 60s and 70s getting on with life has a genial watchability - even a stubborn relevance - thanks to its crackerjack ensemble cast, who play characters just eccentric enough to keep things tasty.” –
Washington Post
Apr 4, 2018
Full Review
Peter Rabbit (2018)
64%
2/4
“The hybrid of live action and animation is quite handsomely rendered and amusing, as it happens. But its creators overindulge, to the point of crassness, in cliches drawn from action movies and pop culture.” –
Washington Post
Feb 8, 2018
Full Review
Bilal: A New Breed of Hero (2015)
58%
2/4
“Suffers from a confusing narrative and a style of computer animation that blurs the lines between the real and the animated in a way that evokes the discomfiting artifice of "The Polar Express."” –
Washington Post
Feb 1, 2018
Full Review
Maze Runner: The Death Cure (2018)
43%
2/4
“The overlong movie lurches from chase to battle to soul-searching quietude - and then back again - in frustratingly generic action-movie style. It's just one darn thing after another.” –
Washington Post
Jan 25, 2018
Full Review
Jumanji: Welcome to the Jungle (2017)
77%
“It is smarter and more humorous than the first movie, and its digital effects - which include stampeding albino rhinos and mountain-scraping aerobatics - are far snazzier, as one would expect.” –
Washington Post
Dec 20, 2017
Full Review
Ferdinand (2017)
70%
3.5/4
“In the title role, wrestler-turned-actor John Cena gives Ferdinand just the right balance of sweetness and strength. He becomes the wholly convincing center of the parable.” –
Washington Post
Dec 14, 2017
Full Review
The Star (2017)
45%
2/4
“The movie is sincerely Christian in its outlook, while also a slapstick animal 'toon. It's a mix that works only intermittently. But when it doesn't pop, it thuds.” –
Washington Post
Nov 16, 2017
Full Review
Goodbye Christopher Robin (2017)
64%
2.5/4
“Though "Goodbye Christopher Robin" has moments of delight and even profundity, and looks PBS-pretty, too often it stumbles.” –
Washington Post
Oct 12, 2017
Full Review
Captain Underpants: The First Epic Movie (2017)
87%
3/4
“In an increasingly mean-spirited world, the spirit of fun and kindness in "Captain Underpants" is simply a tonic.” –
Washington Post
Jun 1, 2017
Full Review
Diary of a Wimpy Kid: The Long Haul (2017)
19%
2/4
“The ratio of giggles to groans runs about 50/50.” –
Washington Post
May 18, 2017
Full Review
Obit. (2016)
93%
3.5/4
“It is fascinating to watch the writers in "Obit" strive to do right by their subjects, warts and all.” –
Washington Post
May 11, 2017
Full Review
Angkor Awakens: A Portrait of Cambodia (2016)
93%
3/4
“It is the Cambodian voices that give "Angkor Awakens" a welcome glimmer of light.” –
Washington Post
May 4, 2017
Full Review
Born in China (2016)
83%
2/4
“With "Born in China," Disneynature continues its tradition of ascribing human traits and emotions to wild creatures in ways that flirt with artificiality.” –
Washington Post
Apr 20, 2017
Full Review
Dig Two Graves (2014)
71%
2.5/4
“The story takes improbably lurid turns and sometimes tangles its thread. Yet at every twist, it is saved by the moral weight of the tale, the gorgeous, haunted vistas in Eric Maddison's cinematography and the solidly credible, equally haunted acting.” –
Washington Post
Mar 23, 2017
Full Review
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