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Jon Dieringer

Jon Dieringer's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Introduction (2021) 81% “Hong's films are seemingly guided by the faith that ... discomfort can ripen with comic pleasure and, if you look hard enough, shiver with the profound.” – Screen Slate Jan 24, 2022 Full Review Borat Subsequent Moviefilm (2020) 85% “Borat Subsequent Moviefilm is undisguised liberal agitprop. But for most people the important question is: does Borat still say "mai waif," and is it still funny?” – Screen Slate Oct 21, 2020 Full Review Feels Good Man (2020) 95% “The filmmakers are keen to balance both the micro and macro threads of Pepe's story: Furie's personal loss and redemption arc, and the vast phenomena of memes and online culture.” – Screen Slate Sep 11, 2020 Full Review Empty Metal (2018) 83% “Empty Metal attacks big questions with a heavy aesthetic arsenal.” – Screen Slate Dec 5, 2019 Full Review The Irishman (2019) 95% “Scorsese's most ambitious attempt to map the machinations of organized crime onto postwar American history.” – Screen Slate Sep 28, 2019 Full Review Pain and Glory (2019) 96% “An advanced-career masterpiece of self-reflection.” – Screen Slate Sep 27, 2019 Full Review The Whistlers (2019) 83% “One of the most droll and purely pleasurable films to emerge from the Romanian New Wave.” – Screen Slate Sep 27, 2019 Full Review Joker (2019) 68% “A joyless film with the wit and emotional intelligence of a school shooter manifesto.” – Screen Slate Sep 25, 2019 Full Review Edogawa ranpo taizen: Kyofu kikei ningen (Horrors of Malformed Men)(Horror of a Deformed Man) (1969) 100% “As a cinematic rendering of the gothic, fetishistic, horrific, and sublime - erotic, grotesque nonsense - it is unparalleled.” – Screen Slate Jul 23, 2019 Full Review Surfer (2018) - - “It deserves to be widely celebrated, counter to its panning by Variety's Joe Leydon.” – Screen Slate Mar 27, 2019 Full Review Shirkers (2018) 99% “The film is pervaded by an alternately whimsical and agonizing sense of mystery, one steeped in contradictions of accomplishment and missed opportunity.” – Screen Slate Mar 1, 2019 Full Review Minding the Gap (2018) 100% “This may stand as the definitive portrait of young life in the post-industrial midwest circa now.” – Screen Slate Mar 1, 2019 Full Review Ray & Liz (2018) 94% “Misguided in a way that only artist-made features can be.” – Screen Slate Mar 1, 2019 Full Review Vox Lux (2018) 62% “[The second half] of the film is meandering and pointless, underlining previously nuanced themes ... without meaningful development nor surprises.” – Screen Slate Mar 1, 2019 Full Review Sambizanga (1973) 100% “Once seen, never forgotten: as cinema and politics, Sambizanga is unimpeachable.” – Screen Slate Mar 1, 2019 Full Review Birds of Passage (2018) 96% “Passage is best when it manages to balance a perceptive and sensitive approach to Wayuu customs with the trappings of smart genre cinema.” – Screen Slate Mar 1, 2019 Full Review Runaway Train (1985) 83% “It's one of the most beautiful and slickly produced pieces of reactionary junk food cinema ever made, and it's glorious.” – Screen Slate Mar 1, 2019 Full Review Personal Problems (1980) 100% “It's a necessary work, and one of the major repertory revivals of this or any other year.” – Screen Slate Mar 1, 2019 Full Review The Unicorn (2019) 100% “A moving and frequently harrowing portrait of a family riven by peculiar and obscure traumas ... Transfixing and inspiring.” – Screen Slate Mar 1, 2019 Full Review
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