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Kathy Michelle Chacón

Kathy Michelle Chacón's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
One to One: John & Yoko (2024) 89% B+ “One To One: John & Yoko is a welcome addition to the ubiquitous Beatles canon. ” – AV Club Apr 8, 2025 Full Review The Devil's Bath (2024) 91% 7.5/10 “The Devil’s Bath is not an easy watch, but its discomfort, its unsettlement, its genuine curiosity for the complexities of the human condition all make the film and its raw protagonist worth spending time with.” – Paste Magazine Jun 26, 2024 Full Review Anselm (2023) 98% 8.7/10 “Anselm combines the filmmaker’s technical mastery with a deep curiosity for his subject to create an experience that is as thought-provoking as it is immersive.” – Paste Magazine Dec 7, 2023 Full Review Waiting for the Light to Change (2022) 82% 7.1/10 “Its success lies in its use of tone and setting to create a mood piece that bottles feelings of angst and uncertainty. To capture the spirit of a generation in existential peril in your feature debut is a victory in itself.” – Paste Magazine Oct 18, 2023 Full Review A Haunting in Venice (2023) 75% 7.0/10 “Without doubt the most visually and thematically interesting work of Branagh’s Poirot series thus far.” – Paste Magazine Sep 13, 2023 Full Review Ernest & Celestine: A Trip to Gibberitia (2022) 100% 7.5/10 “With all its rebellious encouragement and unique visual flair, Ernest & Celestine: A Trip to Gibberitia crafts a moral tale undoubtedly worth the watch.” – Paste Magazine Aug 30, 2023 Full Review Barbie (2023) 88% 9.1/10 “Like its protagonist, Barbie is all the things all at once. Funny. Sentimental. Entertaining. Confrontational. Celebratory. Heartfelt. Heartbreaking. Kooky. Emotional.” – Paste Magazine Jul 21, 2023 Full Review Corsage (2022) 86% 8.3/10 “The intimate details of Empress Elisabeth’s life have routinely provided the world with bewilderment and amusement. Rarely, though, have they inspired the sort of empathetic character study present in Marie Kreutzer’s Corsage.” – Paste Magazine Jan 5, 2023 Full Review Babylon (2022) 57% 8.5/10 “Through all its filth, cynicism and poison-inked vengeance, Babylon cannot help but to be a devoted worshiper at the altar of cinema—and its admiration proves infectious.” – Paste Magazine Dec 24, 2022 Full Review Guillermo del Toro's Pinocchio (2022) 96% 9.4/10 “I don’t typically advise listening to crickets, but believe Sebastian J., because the story of Pinocchio has never been told quite like this.” – Paste Magazine Dec 9, 2022 Full Review Glass Onion: A Knives Out Mystery (2022) 91% 8.0/10 “In Glass Onion, everything is more. More jokes. More self-reflexivity. More twists and turns. And, undeniably, more fun.” – Paste Magazine Nov 25, 2022 Full Review Bardo, False Chronicle of a Handful of Truths (2022) 60% 9.7/10 “A deeply moving cinematic experience that entangles threads of Mexican history with one man’s surreal odyssey through life, death, success and grief.” – Paste Magazine Nov 22, 2022 Full Review Mickey: The Story of a Mouse (2022) 89% 6.2/10 “For Disney fans, the film’s insider access and easygoing themes will make it an enjoyable watch. For Disney skeptics, the overtly positive Disney-centered, Disney-made, Disney-streamed documentary can perfectly validate skepticism.” – Paste Magazine Nov 16, 2022 Full Review The School for Good and Evil (2022) 38% 3.5/10 “Netflix's latest venture into the teen fantasy market is an agonizing two-and-a-half-hour experience drawn out by lackluster VFX and familiar narrative elements.” – Paste Magazine Oct 21, 2022 Full Review Rosaline (2022) 75% 6.5/10 “Rosaline gets some things absolutely right—the casting of Dever, the use of music to lampoon genre clichés, its creative point of view—but it misses the mark it establishes for itself.” – Paste Magazine Oct 18, 2022 Full Review Mona Lisa and the Blood Moon (2021) 74% 7.6/10 “Amirpour's punchy follow-up to The Bad Batch entwines threads of horror, thriller, fantasy, comedy and drama to stitch together a trippy tapestry of New Orleans’ French District.” – Paste Magazine Sep 27, 2022 Full Review
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