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Katie Duggan

Tomatometer-approved critic
Biography:

Katie is a writer and critic from New Jersey who has contributed reviews and essays for publications including Screen Queens, Film Daze, and Cleo Journal. Find Katie on Twitter @realkatieduggan.

Reviews

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Deadline (1981) “The anthology structure can feel fragmented and the statement this film is ultimately trying to make on the horror genre gets buried under all the severed limbs. But we're here for blood, and we certainly receive a healthy infusion.” – Film Daze Nov 8, 2023 Full Review Boys from County Hell (2020) 82% “This tale of aimless youth finding purpose in slaying the undead will leave you thirsty for more of its black comedy, monster mayhem, and gruff Irish fathers.” – Film Daze Apr 22, 2021 Full Review Woodlands Dark and Days Bewitched: A History of Folk Horror (2021) 100% “Running at over three hours long, this film is as much a crash-course seminar introducing viewers to this mode of filmmaking as it is an indoctrination into the deliciously wicked cult of folk horror.” – Film Daze Apr 3, 2021 Full Review Cuadecuc, Vampir (1970) “Radically experimental Catalan filmmaker Pere Portabella creates a mesmerizingly metacinematic vampire story like no other.” – Film Daze Mar 22, 2021 Full Review Identifying Features (2020) 97% “Valadez showcases a carefully crafted aesthetic emphasizing isolation in this debut feature, and there are plenty of "identifying features" that signal she is a remarkable talent to follow.” – Film Daze Feb 9, 2021 Full Review Starstruck (1982) 83% “Gillian Armstrong's 80s Musical 'Starstruck' is a Fever Dream” – Film Daze Dec 27, 2020 Full Review Wolfman's Got Nards (2018) 100% “Wolfman's Got Nards is a joyful celebration of a movie capable of touching countless lives and unleashing the kid in all of us.” – Film Daze Dec 27, 2020 Full Review Wander Darkly (2020) 75% “Wander Darkly is a fragmented and twisting story about a couple that shows us all the little pieces of happiness, sadness, anger, and love that form their realistic relationship, it sees the light.” – Film Daze Dec 27, 2020 Full Review Dinner in America (2020) 91% “Dinner in America gets in your face, in your head, and under your skin with its tunes and thunderous characters, serving up a feast for the senses in a feast for the senses a delicious helping of anarchic energy.” – Film Daze Dec 27, 2020 Full Review A Ghost Waits (2020) 96% “While it's not loud and in-your-face in its spooks, A Ghost Waits has an irreverence and sweetness to its tale that's determined to bring a warm smile to your face if it doesn't chill you to the bone.” – Film Daze Dec 27, 2020 Full Review Detention (2019) 86% “This game adaptation may be no fun for the characters forced to face each additional horror, but it offers viewers a supernatural thrill facing off against the most menacing ghosts of history.” – Film Daze Dec 27, 2020 Full Review Def by Temptation (1990) 75% “Def by Temptation is a striking work of Black horror, endlessly cool in its groovy soundtrack, vibrant colors, and bloody boldness, and we wouldn't mind giving into its temptations, even if it spells our doom.” – Film Daze Dec 27, 2020 Full Review Nomadland (2020) 93% “Zhao's powerfully poetic drama cements her as a groundbreaking talent, shaking the earth with her work's hushed intensity.” – Film Daze Dec 27, 2020 Full Review French Exit (2020) 65% “With a surreal sense of humor and flirtations with the supernatural, French Exit takes us to a heightened realm where the Prices are always out of step with reality and perform an offbeat dance of death and destitution with style.” – Film Daze Dec 27, 2020 Full Review I Carry You With Me (2020) 97% “Iván and Gerardo's story is riveting enough to make a gripping documentary as it is, and even as the format and aesthetic approach changes, it remains a tear-jerker. Ewing's astute eye for real emotion allows the love to come across in every moment.” – Film Daze Dec 27, 2020 Full Review Days (2020) 96% “The latest from the great Taiwanese filmmaker Tsai Ming-liang is nearly wordless, but needs no dialogue to express sexual tension and suppressed desire.” – Film Daze Dec 27, 2020 Full Review Beginning (2020) 91% “A harrowing revelation of a film, Beginning leaves us with ample spiritual uncertainty for its characters, but is undoubtedly the start of something major from Dea Kulumbegashvili.” – Film Daze Dec 27, 2020 Full Review Night of the Kings (2020) 96% “Here, the men of MACA live to tell their own tales - and we had better listen.” – Film Daze Dec 27, 2020 Full Review The Human Voice (2020) 97% “Each word is scorching, and Swinton never chews the decadent scenery... even though there is plenty of it to chew on.” – Film Daze Dec 27, 2020 Full Review Isabella (2020) 85% “In a potent meditation on perspective, Piñeiro creates a gorgeous atmosphere as the actors get lost in their roles, and in one another, beckoning us into the beautiful purple haze with them.” – Film Daze Dec 27, 2020 Full Review The Last City (2020) “Emigholz is a master architect even if the layout of his dream logic isn't always visible to his audience as he carries us into seemingly endless dimensions that keep opening up in front of us.” – Film Daze Dec 27, 2020 Full Review Rose Plays Julie (2019) 95% “This slow-burn thriller, with immersive and aura-generating visuals, is led by riveting performances from Skelly and Brady, and dives into a deeply unsettling situation.” – Film Daze Dec 27, 2020 Full Review Anything for Jackson (2020) 97% “The film raises a sharp critique of privilege and which lives are worth prioritizing versus which lives are disposable in service of others.” – Film Daze Nov 17, 2020 Full Review Sputnik (2020) 87% “Abramenko takes on the epic space narrative with fresh eyes and a steady hand. Sputnik has a professional finish even as it has a bit of a B-movie plot, and each stylistic influence is nodded to with profound affection.” – Film Daze Sep 22, 2020 Full Review Survival Skills (2020) 88% “While still finding its footing, Armstrong's style is freaky, funny, and a bit foreboding. The distinct mix of tones and visual aesthetics signal that he is an imagination to watch out for; there is surely more weirdness from where this came from.” – Film Daze Sep 22, 2020 Full Review
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