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Kimberley Jones

Tomatometer-approved critic
Publications:

Reviews

Movies 온라인카지노추천 Shows
The Wedding Banquet (2025) 88% 3/5 “In a film that pays sweet tribute to chosen families, these three actors [Yuh-Jung, Chen & Gladstone] elevate their less-tested colleagues.” – Austin Chronicle Apr 17, 2025 Full Review Make Me Famous (2021) 100% “Juicy archival footage of stylish scenemakers and art shows held in tenement slums is paired with dishy interviews with Brezinski’s contemporaries.” – Austin Chronicle Apr 7, 2025 Full Review The Friend (2024) 84% 2.5/5 “The Friend is all soft edges.” – Austin Chronicle Apr 3, 2025 Full Review Secret Mall Apartment (2024) 100% 3.5/5 “Secret Mall Apartment – a seriously fun film – commits in kind.” – Austin Chronicle Apr 3, 2025 Full Review Bob Trevino Likes It (2024) 95% 3/5 “Best to meet Bob Trevino on its own terms – with open arms and an unjudgey heart.” – Austin Chronicle Mar 27, 2025 Full Review Eephus (2024) 100% 4/5 “Eephus is suffused with a sincere love for baseball but not overburdened with holiness about the game.” – Austin Chronicle Mar 20, 2025 Full Review Black Bag (2025) 96% 3.5/5 “At a silkily dispatched hour and a half, Black Bag is perfectly portioned and entertaining as all get-out.” – Austin Chronicle Mar 12, 2025 Full Review Mickey 17 (2025) 77% “Everybody here is going for broke, from Naomi Ackie’s force-of-nature turn as Mickey’s lover to Mark Ruffalo as the mission’s rich... eugenicist leader, all veneers and fake tan, to Bong himself, nimbly snaking between class satire and creature feature. ” – Austin Chronicle Mar 6, 2025 Full Review My Dead Friend Zoe (2024) 95% 3.5/5 “Morales is a stealth stunner, going the distance from comic relief to the film’s emotional crux.” – Austin Chronicle Mar 3, 2025 Full Review Love Me (2024) 47% 3/5 “Stewart and Yeun hold the eye, but the film overinvests in their human avatars.” – Austin Chronicle Jan 31, 2025 Full Review I'm Still Here (2024) 97% 3.5/5 “Through the meat of the movie, I’m Still Here is unassailable: a gripping story, sensitively performed, with outstanding production and costume design effectively reproducing the era. ” – Austin Chronicle Jan 31, 2025 Full Review Hard Truths (2024) 95% 4/5 “Hard Truths is in fact quite generous in its exploration of a woman in profound pain, and you want to meet it with the same compassion.” – Austin Chronicle Jan 24, 2025 Full Review Soundtrack to a Coup d'État (2024) 97% 4/5 “Soundtrack to a Coup d’Etat relates not just Lumumba’s assassination but the larger role the Congo, a nation rich with natural resources, played in the Cold War, and the so-called Congo Crisis’ surprising intersections with midcentury American jazz. ” – Austin Chronicle Jan 7, 2025 Full Review A Complete Unknown (2024) 82% 2.5/5 “Problem is, it’s an intentionally opaque characterization, in a film overcrammed with musical performances – onstage, in the studio, on the bed noodling on a new song – which basically means half the movie is like watching pretty good karaoke. ” – Austin Chronicle Jan 7, 2025 Full Review The Brutalist (2024) 93% 4.5/5 “It’s a gorgeous piece of filmmaking, with Corbet and co-writer Mona Fastvold cannily writing in opportunities for cinematographer Lol Crawley to razzle-dazzle.” – Austin Chronicle Dec 12, 2024 Full Review All We Imagine as Light (2024) 100% 3.5/5 “Small in its movements and thoughtful in its observations, All We Imagine As Light is quietly resonant.” – Austin Chronicle Dec 12, 2024 Full Review Bird (2024) 86% 4/5 “What struck me more was the film’s interpretation of Bailey’s coming of age not as something to be mourned or that comes on too soon. Instead, it’s an activation.” – Austin Chronicle Dec 4, 2024 Full Review A Real Pain (2024) 96% 3.5/5 “These characters have become so dear; I longed for something more climactic, more cathartic for them. Still, for the time we have with them, they make terrific company.” – Austin Chronicle Nov 14, 2024 Full Review Time Travel Is Dangerous (2024) 82% “The Eighties aesthetic runs throughout, and spiritually, Time Travel Is Dangerous! is something of an 8-bit charmer, full of practical effects and the anything-goes wackiness that engined action-comedies of the era. ” – Austin Chronicle Oct 28, 2024 Full Review Look Back (2024) 100% 3.5/5 “The heady buzz of creation. The stillness of grief. The heart-expanding-five-times-its-size joy of a perfect day with a friend. It’s all there. I just wanted more of it.” – Austin Chronicle Oct 17, 2024 Full Review Saturday Night (2024) 78% 3/5 “The glibly entertaining Saturday Night presents like we’re all friends – the clubhouse vibes make for a fun hang...” – Austin Chronicle Oct 10, 2024 Full Review The Outrun (2024) 82% 4/5 “Ronan, and her empathic director, catch without words the sensation of when someone who has been buried under unfathomable pain and grief and trauma discovers they still have the capacity for joy. I” – Austin Chronicle Oct 3, 2024 Full Review Lee (2023) 67% 2/5 “While that may have been true to Miller’s nature, the gritted-teeth one-noteness of it is exhausting. ” – Austin Chronicle Sep 26, 2024 Full Review Seeking Mavis Beacon (2024) 75% 3.5/5 “Seeking a woman denied a voice, Jones has made herself the star of her own film, doing all sorts of things, like roller skating and consulting a tarot reader, that will make doc purists clutch their pearls, a sidelong pleasure of the piece. ” – Austin Chronicle Sep 12, 2024 Full Review Will & Harper (2024) 99% 3.5/5 “Harper and Will both come off like good eggs, and the tears wept on both side are liable to goose sincere tears of your own.” – Austin Chronicle Sep 12, 2024 Full Review
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