Grease (1978)
66%
“Grease's pop sociology is plainly unconscious, since the film is totally unable to show the difference between noting camp and being it. ” –
Maclean's Magazine
Feb 8, 2024
Full Review
Alien (1979)
93%
“Often unintentionally funny, plotted more for convenience than sense, motivated by nothing other than money, Alien is expensive, silly, schlock. ” –
Maclean's Magazine
Nov 16, 2023
Full Review
The Color Purple (1985)
73%
“The Color Purple is the story of one woman's growth against incredible odds. But Spielberg glosses over his heroine's transformation. Instead, he has concentrated on making his movie pretty and palatable.” –
Maclean's Magazine
May 25, 2023
Full Review
An American Tail (1986)
77%
“Designed to appeal primarily to children, An American Tail is a film that grown-ups will also enjoy.” –
Maclean's Magazine
May 18, 2023
Full Review
Superman II (1980)
83%
“Both the writing and the opticals are fiendishly clever and chock-full of dry, sly wit that is never gratuitously employed. ” –
Maclean's Magazine
May 3, 2023
Full Review
Raiders of the Lost Ark (1981)
94%
“It sends your mind on vacation, allowing you to submit without a care to the sensual. That sensuality, surrounding its audience in a way that the visual and aural puniness of 온라인카지노추천 never can, is as big and busy as the circus, and as grand as opera.” –
Maclean's Magazine
May 3, 2023
Full Review
Indiana Jones and the Temple of Doom (1984)
77%
“Temple of Doom attempts to be light entertainment. But its soul is dark, and it never stops to recognize any spontaneous emotion.” –
Maclean's Magazine
Apr 18, 2023
Full Review
Thief (1981)
80%
“As the fearless thief who doesn’t give a damn, Caan gives a sturdy, well-felt performance. And Thief, except for an aggressive and benumbing score by Tangerine Dream, delivers the action goods with style.” –
Maclean's Magazine
Jul 7, 2022
Full Review
Tess (1979)
81%
“[Tess] is as good an adaptation of Hardy as one is likely to get, or for that matter want. Beauteous and with the flowing rhythms of the novel, Tess apprehends Hardy’s tragic and theatrical view of life with consummate ease. ” –
Maclean's Magazine
Jun 16, 2022
Full Review
Excalibur (1981)
72%
“Excalibur is a miracle of pacing and seductive rhythm.” –
Maclean's Magazine
Jan 3, 2022
Full Review
The Secret of NIMH (1982)
93%
“A delicately etched, old-fashioned movie such as The Secret of NIMH seems reassuring and somewhat refreshing right now; it connects to the past.” –
Maclean's Magazine
Nov 9, 2021
Full Review
All the Right Moves (1983)
61%
“Although the characters are not especially interesting in themselves, their predicament is, and it is one that untold others share.” –
Maclean's Magazine
Sep 8, 2020
Full Review
Superman III (1983)
29%
“The film's predecessors were extremely smooth renderings of the comic strip material, but Superman III looks as chintzy as a Grade-B movie serial.” –
Maclean's Magazine
Aug 13, 2020
Full Review
The Karate Kid Part II (1986)
45%
“As enjoyably manipulative movies go, The Karate Kid, Part II pulls few punches.” –
Maclean's Magazine
Aug 12, 2020
Full Review
Innerspace (1987)
82%
“Noisy, witless and filled with unimpressive simulations of human tissue, Innerspace is a perfect example of small minds finding a suitable subject.” –
Maclean's Magazine
Aug 6, 2020
Full Review
The Natural (1984)
83%
“The script is one shockingly drab line after another, and nothing in the expensive 1930s period design can cover up the shabbiness of the moviemaking.” –
Maclean's Magazine
Jul 15, 2020
Full Review
Heaven Can Wait (1978)
86%
“What sounds excruciatingly whimsical has been woven into one of the funniest and gentlest movies since the '40s.” –
Maclean's Magazine
Jul 13, 2020
Full Review
Sophie's Choice (1982)
74%
“The amazing intimacy Pakula creates with the audience ultimately makes Sophie's Choice the best film of the year.” –
Maclean's Magazine
Jun 17, 2020
Full Review
Chan Is Missing (1982)
96%
“Director Wayne Wang has a lot to learn about cutting, pacing, composition and telling a story. What saves him, and his movie, is his ability to tell good anecdotes.” –
Maclean's Magazine
May 12, 2020
Full Review
The River (1984)
27%
“If all the exquisite visuals are not cloying enough, the audience must cope with the sweetness of Tom and Mae, two of the least interesting characters one is likely to encounter.” –
Maclean's Magazine
Apr 17, 2020
Full Review
Windows (1980)
20%
“The story, by Barry Siegel, thrives on the most primitive devices of plot construction and the characters are painfully porous.” –
Maclean's Magazine
Feb 22, 2020
Full Review
Love on the Run (1979)
62%
“Love on the Run seems to have been made on the run and for no reason other than to make a movie.” –
Maclean's Magazine
Feb 14, 2020
Full Review
The Innocent (1976)
79%
“The Innocent is fulsomely stamped with Visconti's style -- seldom has such lumbering been made to look so lovely. But the movie's blood runs cold: it's wordy and ponderous.” –
Maclean's Magazine
Feb 14, 2020
Full Review
Gandhi (1982)
89%
“As a whole, Gandhi is never less than intelligent in dealing with the events and facts with which it chooses to deal, and there is never a boring moment.” –
Maclean's Magazine
Feb 6, 2020
Full Review
Chariots of Fire (1981)
84%
“While the audience doesn't fully experience the spookiness of the sports arena where pain and ecstasy shake hands, it is given more than gratuitous glimpses into the lives of two young men out to better their best.” –
Maclean's Magazine
Feb 5, 2020
Full Review
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