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Mallory Andrews

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Possessor: Uncut (2020) 94% “Cronenberg's germ of a thesis in Possessor about the precarious boundaries between our various identities is still one that I find compelling despite the film's shortcomings in fully exploring them.” – Cinema Scope Jul 12, 2021 Full Review Blood Quantum (2019) 90% “Despite the tonal awkwardness, it is undeniable that Barnaby has, in his words, "indigenized zombies" and confronted viewers with uncomfortable truths about Canada's history...” – Cinema Scope Sep 17, 2020 Full Review Knuckle City (2019) 100% “Leading man Mantsai is an especially riveting screen presence, solid as a one-two punch.” – Cinema Scope Sep 7, 2019 Full Review Murmur (2019) 100% “The film is methodical but never plodding or unengaging, working as both a character study and a procedural documentary about the day-to-day of shelter caretaking.” – Cinema Scope Sep 7, 2019 Full Review Black Conflux (2019) 100% “Black Conflux shines when it shows, less so when it tells...nevertheless, Dorsey is clearly a filmmaker to keep an eye on in future.” – Cinema Scope Sep 6, 2019 Full Review The Third Wife (2018) 88% “It is commendable that Mayfair deftly enables May and her sister-wives to explore their own agencies and sexualities without ever using their suffering as window dressing to illustrate the film's gritty authenticity.” – Cinema Scope Sep 11, 2018 Full Review One Last Deal (2018) 82% “His eventual redemption in the eyes of his family (and God?) is predictable. In other words...meh.” – Cinema Scope Sep 11, 2018 Full Review Halloween (2018) 79% “While some of the in-jokes and nostalgic mood-setting come off as a little too pleased with their own cleverness, the real effectiveness of this iteration of Halloween is the engagement with the franchise's treatment of PTSD.” – Cinema Scope Sep 11, 2018 Full Review Retrospekt (2018) 33% “As a study in trauma, Retrospekt is unfortunately shallow, leaning too hard into its narrative conceit to carry the film to its predictable conclusion.” – Cinema Scope Sep 10, 2018 Full Review Kingsway (2018) 45% “Kingsway suffers from complete tonal whiplash.” – Cinema Scope Sep 8, 2018 Full Review Blind Spot (1947) 80% “Billed as an indictment of social services and mental-health institutions, the film's depiction of grief is dully one-note.” – Cinema Scope Sep 6, 2018 Full Review Ava (2017) 97% “Foroughi's shrewd filmmaking uses the frame to advantage: the tightening of Ava's constraints is matched by the tightening of the mise en scène around her.” – Cinema Scope Aug 16, 2018 Full Review Shoplifters (2018) 99% “As an observer of the various dimensions and dynamics of families, [director Kore-eda Hirokazu] is a modern master.” – Cinema Scope Jul 5, 2018 Full Review Clouds of Sils Maria (2014) 91% “Clouds of Sils Maria is a career best for Stewart, going toe-to-toe with the always formidable Binoche.” – Cinema Scope Sep 25, 2017 Full Review Women He's Undressed (2015) 91% “Women He's Undressed strives to be a cheeky jaunt through Orry-Kelly's illustrious career, but the man himself would undoubtedly be horrified to have been caught dead in this off-the-rack dreck.” – Cinema Scope Sep 25, 2017 Full Review We Monsters (2015) “None of the characters react in ways that are recognizably human, nor even recognizably sociopathic in the case of Fautz's terrible histrionics as the eternally pouty Sarah.” – Cinema Scope Sep 25, 2017 Full Review Spear (2015) “Spear plays out like a minimalist musical.” – Cinema Scope Sep 25, 2017 Full Review Keeper (2015) “Despite its carefully applied art-house sheen-naturalistic long takes, shallow depth of field, and subdued palette-Keeper is nothing more than rote baby-mama drama.” – Cinema Scope Sep 25, 2017 Full Review Ninth Floor (2015) 100% “Ninth Floor is worth a look-especially considering how the decades-old news footage looks painfully similar to contemporary images of racial unrest in Ferguson and beyond.” – Cinema Scope Sep 25, 2017 Full Review Summertime (2015) 92% “Overall, the film is a fairly typical retread of the lesbian-falls-for-straight-woman narrative.” – Cinema Scope Sep 25, 2017 Full Review In the Blood (2014) “If the contrast between bad man-child/good doctor is supposed to be complex and compelling, it's all over too quickly to leave any lasting impression. T'is but a flesh wound.” – Cinema Scope Sep 25, 2017 Full Review Forever Pure (2016) “That it is a female eye peering into the dark side of male-dominated sports fandom is especially compelling, as it astutely appreciates how quickly macho posturing can into heinous bullying.” – Cinema Scope Sep 25, 2017 Full Review City of Tiny Lights (2016) 61% “There's hardboiled and then there's just a waste of perfectly good eggs; City of Tiny Lights is regrettably the latter.” – Cinema Scope Sep 25, 2017 Full Review A Decent Woman (2016) 60% “It is fun at first, but the gag eventually wears thin.” – Cinema Scope Sep 25, 2017 Full Review Tulipani: Love, Honour and a Bicycle (2017) 50% “Tulipani, Love etc. mistakes whimsicality for significance.” – Cinema Scope Sep 25, 2017 Full Review
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