Phil Hoad
Phil Hoad's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Kaiju No. 8: Mission Recon (2025)
4/5
“There is little that is new here for connoisseurs of the likes of My Hero Academia. But it is underpinned by a pressing social anxiety... And Kamiya and Miya execute it all with an addictive punky relish.” –
Guardian
Apr 15, 2025
Full Review
Time Travel Is Dangerous (2024)
82%
4/5
“If the resulting low-budget assemblage still bears these nametags and has the odd stray thread showing, it also has a persistent charm of its own.” –
Guardian
Apr 15, 2025
Full Review
A Knight's War (2024)
3/5
“With its sisyphean vibe and implacable mood, it also owes a fair bit to the Dark Souls video games; though it’s not a masterpiece on that level, it nevertheless has a grim self-conviction that grips despite its low-budget limitations.” –
Guardian
Apr 7, 2025
Full Review
Sebastian (2024)
75%
3/5
“With the film partly caught in this self-referentiality, it doesn’t develop much beyond a vague treatise on the cost of pseudonymous exploitation. At least the director’s identification with his lead character results in a strong performance from Mollica.” –
Guardian
Apr 2, 2025
Full Review
Ne Zha 2 (2025)
96%
4/5
“If the story is Chinese, this rather token plea in favour of misunderstood outsiders and acknowledging difference feels pure Hollywood. But so overwhelming is the artistry, it barely matters. ” –
Guardian
Mar 20, 2025
Full Review
The Sinking of the Lisbon Maru (2023)
4/5
“The film’s only real flaw is an occasional sentimentality; it could have done without the syrupy torch song over the roll call of the fallen. Otherwise it’s potent stuff” –
Guardian
Mar 20, 2025
Full Review
People (2024)
4/5
“It’s raw but epic film-making with an instinctive grasp of the obscenity of war.” –
Guardian
Mar 19, 2025
Full Review
The Bayou (2024)
2/5
“Directors Taneli Mustonen and Brad Watson show bursts of proficiency, with drone shots of metallic-looking glades and interesting tilt-shift effects for the plane crash. But they are alongside some of the most laughable practical effects imaginable.” –
Guardian
Mar 17, 2025
Full Review
Antidote (2024)
4/5
“Hopping between location-stamped world cities like a Hollywood thriller, the film has a Michael Mann-like dynamism and pathos in detailing the emotional cost of this defiance.” –
Guardian
Mar 13, 2025
Full Review
Satu - Year of the Rabbit (2024)
3/5
“Sonepho has a kind of stubborn wisdom beyond his years that -- in tandem with equally resolute Saysana as his chaperone -- sustains this moving parable about self-responsibility.” –
Guardian
Mar 11, 2025
Full Review
Don't Turn Out the Lights (2023)
2/5
“Fickman ends up buried by the cliches he’s invited over the threshold.” –
Guardian
Mar 10, 2025
Full Review
Grey Matter (2023)
1/5
“[A] well-meaning but hapless sub-Hallmark comedy-drama – whose attempts to sweeten the subject matter with humour only serve to direct it towards every cliche-branch on its way down the tree of trite life lessons.” –
Guardian
Mar 3, 2025
Full Review
Food for Thought (2025)
2/5
“While the broad-brush ideas about meat-eating’s environmental and health impacts are bandied about, there’s no real examination of why underlying attitudes shifted, and how further inroads can be made.” –
Guardian
Feb 26, 2025
Full Review
Dragon Ball Z: Battle of Gods (2013)
89%
3/5
“Some of the character-work is a touch scratchy, but it is counterbalanced by animation whose mischievous dynamism fits this outlandish jamboree... This has cosmic charm aplenty.” –
Guardian
Feb 26, 2025
Full Review
Intercepted (2024)
100%
4/5
“A bleak and searing wiretap into Putin’s warping effect on his people and the psychology of power.” –
Guardian
Feb 18, 2025
Full Review
The Dead Thing (2024)
83%
3/5
“The slasher-type direction increasingly taken by the film is a bit silly and awkwardly executed. This is where the film’s Lynchian effects seem most cut-and-pasted. Hunt, though, gives an excellent performance in the lead role” –
Guardian
Feb 12, 2025
Full Review
Mom (2024)
73%
3/5
“If the film is frustratingly nebulous as its layers of reality intermingle, it is a neonatal nightmare that undoubtedly envelops you in its feelbad embrace.” –
Guardian
Feb 11, 2025
Full Review
Scarlet Winter (2022)
2/5
“Scarlet Winter feels more like a logistical exercise in arranging these story shards than one that uses these angles to cast illuminating light on the characters.” –
Guardian
Feb 5, 2025
Full Review
Dark Match (2024)
68%
2/5
“Energetically executed in order to hide an essentially knuckle-trailing concept (true to the wrestling tradition, to be fair), it somehow ends up less fun than it should be.” –
Guardian
Jan 27, 2025
Full Review
Elevation (2024)
55%
3/5
“Prospective future instalments might want to aim higher than mere competency.” –
Guardian
Jan 27, 2025
Full Review
Two of a Kind (2024)
2/5
“The film doesn’t lean into the potential farce whirlwind presented by this tangle of lovers and their problems; instead it gets bogged down in heavy-handed messaging about the likes of social-media superficiality and couples not listening to each other.” –
Guardian
Jan 22, 2025
Full Review
Dead Before They Wake (2025)
2/5
“Here is a vigilante thriller co-directed, written by and starring prolific low-budget Scottish film-maker Nathan Shepka, which has a kind of grim integrity despite the uneven acting and numerous rough edges.” –
Guardian
Jan 21, 2025
Full Review
Grafted (2024)
77%
3/5
“Some subtext would have been nice, but skin-deep does the job, too.” –
Guardian
Jan 21, 2025
Full Review
Catching Dust (2023)
75%
4/5
“Though Catching Dust eventually settles into a more conventional noir register, Gatt commits to his characters and follows them to unlikely destinations.” –
Guardian
Jan 14, 2025
Full Review
Survive (2024)
71%
3/5
“This directorial pep, along with invested performances across the board, allows Survive to build a sense of family vulnerabilities that is rawer than the standard cheap audience-identification tactics usually used in blockbuster disaster movies. ” –
Guardian
Jan 7, 2025
Full Review
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