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Rich Cross

Rich Cross's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Movies 온라인카지노추천 Shows
Sew Torn (2024) 95% 4/5 “While Connolly is great as the resourceful dressmaker, it’s the supporting ensemble of weird and wonderful characters which makes Sew Torn shine.” – Starburst Apr 25, 2025 Full Review Shudderbugs (2022) 3/5 “Shudderbugs deserves attention for its inventive and emotionally perceptive approach to the craft of atmospheric indie filmmaking.” – Starburst Apr 3, 2025 Full Review Die Alone (2024) 80% 4/5 “Writer-director Lowell Dean is an auteur with an eye for the twisted and macabre, and Die Alone mixes moments of explosive and bloody violence with periods of reflective restraint.” – Starburst Feb 28, 2025 Full Review Listen Carefully (2023) 50% 3/5 “It’s an entertaining flight of fancy. What weakens the impact is that the fractured narrative – which continually resets the story – ends up leaving everything feeling arbitrary and inconsequential. ” – Starburst Feb 28, 2025 Full Review Blackwater Lane (2024) 11% 2/5 “Unfortunately, despite the potential of the premise, there's little in Blackwater Lane to get the blood pumping. Characterisation remains superficial, so it's hard to invest in anyone's fate. ” – Starburst Jan 27, 2025 Full Review Into the Deep (2025) 24% 2/5 “Despite the inclusion of its three storytelling novelties (shark-phobic diver, presence of Jaws‘ icon Dreyfuss, and drug pirates), Into the Deep relies on the familiar shark tale template.” – Starburst Jan 23, 2025 Full Review Come Home (2023) 3/5 “Come Home eschews all the predictable through-the-window voyeurism and serial killer ‘jump scare’ clichés to offer a slow-burn and off-kilter tale of supernatural malevolence deep in the American wilderness.” – Starburst Jan 23, 2025 Full Review Clawfoot (2023) 2/5 “The repeated lurches in tone flatten the impact of the dark comedy, the jump scares and the gruesome blood-letting. Little of the story lands convincingly, and everything ends up feeling as soulless as Janet’s taste in home decor. ” – Starburst Oct 23, 2024 Full Review Nobody Is Crazy (2019) 3/5 “While the pacing meanders occasionally, this remains interesting, unformulaic filmmaking, told from an often neglected narrative perspective.” – Starburst Jul 10, 2024 Full Review Homesick (2015) 3/5 “Berger is good as the brooding, emotionally inarticulate Henrik, while Wilmann is even better as the self-destructive but endearing Charlotte. It's a well-shot and evocative film, with a tight narrative focus on its extended familial ensemble.” – Starburst Jun 12, 2024 Full Review In Flames (2023) 95% 3/5 “Zarrar Kahn evokes the hectic, crowded life of the city and the emptiness of the countryside and coast with an unromantic sense of realism. ” – Starburst Jun 3, 2024 Full Review Hoard  (2023) 94% 4/5 “This is unusual, unsettling, and irresistibly vivid, next-generation British filmmaking.” – Starburst May 23, 2024 Full Review Green Room (2015) 90% 5/5 “Committed performances, sharp dialogue, a gripping blend of the visceral and the heartfelt, and a credible sense of authenticity all add up to deliver an indie-grindcore night out to remember.” – Starburst Mar 18, 2024 Full Review The List (2022) 2/5 “The patchy acting talents of the small ensemble, the uneven pacing, and the over-reliance on static dialogue all reduce the impact of the promising premise.” – Starburst Mar 4, 2024 Full Review The Lodge (2019) 75% 5/5 “With deserved confidence, this salutary tale takes its characters well beyond the point of no return.” – Starburst Feb 6, 2024 Full Review Roadkill (2024) 3/5 “If you’re prepared to come along for the ride, it’s a diverting enough journey which whizzes by in 90 minutes.” – Starburst Dec 27, 2023 Full Review Leave the World Behind (2023) 74% 4/5 “Leave the World Behind downplays Alam’s magical realism to deliver a more grounded account of the unravelling of present-day America. ” – Starburst Dec 27, 2023 Full Review Three Blind Mice (2023) 2/5 “There's no shortage of gushing blood... But writer David Malcolm and director Pierre B fail to build anything like a coherent mythology. ” – Starburst Oct 16, 2023 Full Review 15 Cameras (2023) 67% 2/5 “[Cam's] voyeurism is framed as a kind of lecherous ‘prank’, with which the viewer is made complicit. For a film all about observation, that’s a pretty big thing to lose sight of.” – Starburst Oct 13, 2023 Full Review Antichrist (1974) 14% 3/5 “The special effects are predictably dated, and the score by Ennio Morricone and Bruno Nicolai is unexceptional, but the family home where most of the action takes place has a suitably oppressive and claustrophobic atmosphere. ” – Starburst Oct 2, 2023 Full Review Outpost (2022) 70% 3/5 “Outpost is a great-looking film.” – Starburst Sep 13, 2023 Full Review The Hanged Girl (2023) 2/5 “No one’s character journey makes sense, and none of the script’s wider themes is developed, so they end up being left (in an oddly fitting way) hanging.” – Starburst Aug 30, 2023 Full Review Frontier(s) (2007) 62% 5/5 “Landing somewhere between Delicatessen and The Texas Chain Saw Massacre, this neo-nazi-cannibal bloodfest still possesses an impressive, distinctive spirit of its own. ” – Starburst Jul 17, 2023 Full Review I'll Be Watching (2023) 2/5 “Elisa Manzini and Sara Sometti Michaels deserve credit for taking inspiration from contemporary social concerns, it’s disappointing to see them produce a story that feels anything but groundbreaking.” – Starburst Jun 26, 2023 Full Review Everything Will Be Fine in the End (2023) 100% 4/5 “Despite the film’s upbeat title, there’s as much tragedy and loss as there is hope in Bartone’s unformulaic and rewarding tale.” – Starburst Jun 16, 2023 Full Review
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