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Rohan Naahar

Tomatometer-approved critic
Biography:

Rohan Naahar is based out of New Delhi, India, and has been reviewing films and television shows for over half-a-decade. He is a member of the Film Critics Guild of India, and has written for the Hindustan Times and the Indian Express.

Reviews

Movies 온라인카지노추천 Shows
Bullet Train Explosion (2025) 67% “The villain’s motivations might seem incredible, but they reframe what was a rather universal action movie into a singularly Japanese story. Ideas of honour and shame are brought up, as is generational trauma and loneliness.” – The Indian Express Apr 27, 2025 Full Review Fight or Flight (2025) 92% “Fight or Flight borrows liberally from B-movies past, struggling and failing to come up with something novel. It isn’t a long movie, but it doesn’t feel as short as its 90-minute run-time might suggest either.” – The Indian Express Apr 27, 2025 Full Review Sinners (2025) 98% “Is it a stretch to draw a parallel between culture-appropriating, bloodsucking white vampires and Marvel Studios? Not really.” – The Indian Express Apr 27, 2025 Full Review Chhaava (2025) 33% “It is ironic that at a time when the CBFC is taking active measures to prevent films from causing religious or political disharmony, a movie that actually encourages right-wing buffoonery is being celebrated as the industry’s saviour.” – The Indian Express Apr 20, 2025 Full Review G20 (2025) 58% “G20 is a glorified bargain bin movie — the kind of movie for which Amazon should be paying you, and not the other way around.” – The Indian Express Apr 13, 2025 Full Review Officer on Duty (2025) “The most misogynistic piece of mainstream Indian cinema since the Kamal Haasan-starrer Vikram, the police procedural Officer on Duty joins the recent Marco in pushing Malayalam cinema in the wrong direction.” – The Indian Express Apr 13, 2025 Full Review Deva (2025) 46% “It’s a movie in service of its star, a movie that panders to an obsolete audience instead of pushing them towards the path of progress.” – The Indian Express Apr 13, 2025 Full Review Loveyapa (2025) 60% “Devoid of any personality whatsoever, mired in tired tropes, and tonally shrill to the point of being violent, Loveyapa is a particularly unbearable example of older folks trying (and failing spectacularly) to understand the younger generation.” – The Indian Express Apr 13, 2025 Full Review Holland (2025) 21% “In Holland, Mimi Cave flexes technique like a male filmmaker — she combines the high camp of Todd Haynes’ May December with the suburban paranoia of a Stephen King adaptation — and so, it is only fair that she be criticised like a dude-bro director would.” – The Indian Express Mar 28, 2025 Full Review Emergency (2024) 30% “It's a fallacy that Kangana Ranaut is a good actor. In her Indira Gandhi biopic Emergency, she proves that she's a poor director as well.” – The Indian Express Mar 20, 2025 Full Review The Electric State (2025) 15% “The Electric State is the kind of movie that seems to get longer while you’re watching it. No matter how deep into it you are — it could be the end of the first act or the second — it always feels like there’s an hour still left. ” – The Indian Express Mar 15, 2025 Full Review Rekhachithram (2025) “Director Jofin T Chacko observes the doctrines of police procedurals, pays due respect to them, and then sends the movie down an altogether unexpected path in the final 30 minutes.” – The Indian Express Mar 15, 2025 Full Review Nadaaniyan (2025) 13% “Ineptly put together, lacking any insight whatsoever into the human experience, Nadaaniyan is a blot on Karan Johar’s career as a film producer, and one of the most questionable originals ever produced by Netflix India.” – The Indian Express Mar 15, 2025 Full Review Picture This (2025) 45% ““Give me a rom-com for the people who watched Emily in Paris and thought that it was great,” you could command ChatGPT, and Picture This would probably pop out on the other side.” – The Indian Express Mar 8, 2025 Full Review Superboys of Malegaon (2024) 88% “An act of cinematic piracy can fuel the theatrical ecosystem. One cannot survive without the other.” – The Indian Express Mar 1, 2025 Full Review Mrs. (2023) 82% “Despite being a remake, Mrs is able to craft an identity of its own, difficult as the same task might be for its protagonist.” – The Indian Express Mar 1, 2025 Full Review Broken Rage (2024) 86% “We live in a world where Mr Beast's show gets more respect from Amazon Prime Video than Japanese icon Takeshi Kitano's new film.” – The Indian Express Mar 1, 2025 Full Review Marco (2024) “What’s striking about Marco isn’t its provocative violence — ideas are always more potent than empty visuals — but how dramatically inert it is.” – The Indian Express Feb 19, 2025 Full Review Queer (2024) 77% “A vibrant and sometimes venomous adaptation of William S Burroughs' novel, Luca Guadagnino's latest film features a magnetic central performance by Daniel Craig.” – The Indian Express Feb 14, 2025 Full Review The Gorge (2025) 63% “The Gorge will probably satisfy fans of genre cinema, but it strains to bridge the gap between experimentation and execution.” – The Indian Express Feb 14, 2025 Full Review I Want to Talk (2024) 70% “ Ironically enough, I Want to Talk doesn’t seem to know what it wants to say.” – The Indian Express Jan 25, 2025 Full Review Rifle Club (2024) “Rifle Club is a bold display of originality. Like Ben Wheatley’s Free Fire and the Kevin Smith’s Red State — two recent movies that feature Heat-level gunfights — Rifle Club invites a deeper analysis of its themes precisely because of how lean it is. ” – The Indian Express Jan 25, 2025 Full Review Back in Action (2025) 28% “Cameron Diaz's first film in over a decade is one of those dime-a-dozen espionage potboilers that seem to have been created by a disgruntled AI assistant.” – The Indian Express Jan 25, 2025 Full Review Blink (2024) 89% “Blink is a breathtaking achievement in documentary filmmaking. Barely a moment is wasted, almost as if the movie, like its subjects, values the preciousness of time.” – The Indian Express Jan 13, 2025 Full Review Wallace & Gromit: Vengeance Most Fowl (2024) 100% “Released on Netflix, the film is a pure nostalgia trip for fans who grew up with their charming adventures, replete with quirky household gizmos, absurd villains, and more cheese than you’d find in a Frenchman’s larder.” – The Indian Express Jan 13, 2025 Full Review
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