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Sophie Maxwell

Sophie Maxwell's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
On the Divide (2021) 100% 3/5 “Directors Maya Cueva and Leah Galant offer a glimpse of a story that demands a greater and deeper focus. Nonetheless, On the Divide is a well-paced and riveting film about nothing short of life and death.” – One Room With A View Apr 1, 2022 Full Review Lamb (2021) 86% 4/5 “An unusual story, wonderful acting and a delightfully odd atmosphere make Lamb one to catch.” – One Room With A View Dec 17, 2021 Full Review The Djinn (2021) 86% 3/5 “The Djinn is a thoughtful and well-designed piece of contemporary horror, with a moving lead performance from Ezra Dewey.” – One Room With A View Sep 15, 2021 Full Review The 8th (2020) 100% 4/5 “The 8th explains its subject clearly without condescension or assumption of knowledge, with stylish use of found footage, digital inserts and illustration that enrich the storytelling.” – One Room With A View Jun 1, 2021 Full Review The Banishing (2020) 65% 3/5 “While not quite delivering on its promises, The Banishing is a solid gothic horror which is elevated above B-movie status by its thoughtful visuals and skilful spooks.” – One Room With A View Apr 16, 2021 Full Review Godzilla vs. Kong (2021) 76% 3/5 “Without an engrossing plotline, it's hard to see where the franchise will take us next, but this instalment is the escapist action film we all needed.” – One Room With A View Apr 6, 2021 Full Review Shook (2021) 53% 3/5 “A few truly tense scenes, a good central performance and an interesting blend of real life and digital experiences make Shook worth a watch, but it remains firmly in the camp of horror B-movies.” – One Room With A View Feb 18, 2021 Full Review Zanka Contact (2020) 83% 3/5 “Zanka Contact is a stylish and exciting watch, delivered with great acting and a catchy theme song, but its tonal shifts and messy plot mean that it never quite finds its feet.” – One Room With A View Oct 21, 2020 Full Review Possessor: Uncut (2020) 94% 4/5 “For all its many strengths, the pacing and storytelling leave a little to be desired -- but there's plenty here to get a sublime science-fiction thrill from.” – One Room With A View Oct 21, 2020 Full Review New Order (2020) 67% 2/5 “A promising start to New Order and some decent performances fail to drag this politically vacuous mess from a gory and belligerent gutter.” – One Room With A View Oct 21, 2020 Full Review Ultraviolence (2020) 83% 5/5 “Ultraviolence is a piece of evidence, an accusation, and a call for the remembrance of those killed by untouchable police.” – One Room With A View Oct 15, 2020 Full Review Time (2020) 98% 4/5 “Time is an atmospheric and poetic feature that artfully conveys a family's endless waiting and equally infinite determination in the face of political erasure and systemic racism.” – One Room With A View Oct 12, 2020 Full Review The Unfamiliar (2020) 11% 2/5 “It really is the case of character development and context being sacrificed in place of jump scares and arbitrary exoticism in this scary but over-familiar horror.” – One Room With A View Sep 14, 2020 Full Review Me and the Cult Leader (2020) 100% 4/5 “This is a moving and challenging film that showcases the importance of conversation in recovery from individual and national trauma.” – One Room With A View Jun 29, 2020 Full Review Sisters with Transistors (2020) 97% 4/5 “Sisters With Transistors is an audio-visual tasting platter, offering a poetic and engaging selection of thoughts and sounds from the last century, and inspiring its viewers to delve deeper into the history of electronic music.” – One Room With A View Jun 22, 2020 Full Review Rojo (2018) 96% 4/5 “Rojo is a tense portrait of an era seen through one ordinary citizen. Its ambiguity touches on the frustrating, but the atmosphere offers a haunting insight into a complex national struggle.” – One Room With A View Sep 3, 2019 Full Review The Brink (2019) 84% 3/5 “[The Brink's] observational style is undoubtedly problematic. Despite this, the film's behind-the-scenes focus on the rise of European fascism makes for important, if nerve-jangling, viewing.” – One Room With A View Jun 17, 2019 Full Review XY Chelsea (2019) 65% 2/5 “XY Chelsea commits neither to being a portrait of Manning nor to investigating the aftermath of her political actions. Instead it floats dreamily between the two, never quite getting to the bottom of the many questions it raises.” – One Room With A View Jun 13, 2019 Full Review Border South (2019) - - 4/5 “Without sanitizing the horrors of life on the trail, [Raúl O. Paz] Pastrana shows the resilience of those many thousands who are forced to make an impossible choice in the hope of a better future.” – One Room With A View Jun 13, 2019 Full Review Tolkien (2019) 51% 3/5 “Tolkien is a pleasant watch. Its earnestness might not be to all tastes, but perhaps that is a reasonable reflection of Middle Earth: a serious world in which romance and friendship are all that is left to believe in.” – One Room With A View May 6, 2019 Full Review A Cambodian Spring (2017) 95% 4/5 “A heart-breaking account of the slow struggle of poverty, featuring local activists whose bravery is a humbling testament to the strength of these communities.” – One Room With A View Feb 12, 2019 Full Review In the Fade (2017) 75% 4/5 “Its mature and delicate exploration of human emotion makes it a moving watch, and it avoids the trap of excessive sentimentality or violence in its portrayal of a survivor yearning for justice.” – One Room With A View Feb 12, 2019 Full Review Escape Room (2019) 51% 2/5 “Escape Room manages to deliver even less than it offers, and with an already low bar, the exciting design and good performances cannot salvage this messy horror.” – One Room With A View Feb 12, 2019 Full Review The Heiresses (2018) 97% 5/5 “It's a quiet, beautiful film, which joyfully explores its theme of attraction and love among women.” – One Room With A View Feb 11, 2019 Full Review
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