Logout (2024)
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“Atanu Mukherjee’s editing moves the 108-minute movie along briskly, while Khan holds your attention on screen. He is Pratman—arrogant, stylish, entitled, insecure, validation-seeking, remorseful—and he adeptly transitions through myriad shifting emotions.” –
Livemint
May 3, 2025
Full Review
Thunderbolts* (2025)
88%
“The humour, juxtaposed with some introspection, offers just enough to make Thunderbolts* a satisfying experience, even if it falls short of building the franchise it both teases and promises.” –
Livemint
May 2, 2025
Full Review
Phule (2025)
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“The film progresses through key life moments, almost as if visually and dutifully depicting Wikipedia entries for the Phules.” –
Livemint
Apr 28, 2025
Full Review
Jaat (2025)
45%
“[Sunny Deol's] soft-spoken dialogue delivery and suitability to playing an older hero, combined with Hooda’s performance as a chilling antagonist, aren’t strong enough to carry the weight of loud, crude, brutal and, ultimately, puffed up mess.” –
Livemint
Apr 11, 2025
Full Review
Chhorii 2 (2025)
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“Where the filmmaking scores is in the production: a dungeon that is a maze of horrors, the lighting and camerawork, the eerie music that sets the mood. ” –
Scroll.in
Apr 11, 2025
Full Review
TEST (2025)
20%
“While Nayanthara and Madhavan offer some engaging moments, the film ultimately delivers a disappointing result.” –
Livemint
Apr 7, 2025
Full Review
Disney's Snow White (2025)
40%
“In an attempt to put a stamp on it, the writer and director have simply impaired a classic and created a musical fantasy that is not much better than a dank, 109-minute-long summer camp stage show.” –
Livemint
Mar 24, 2025
Full Review
Be Happy (2025)
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“The script gets something right in the father-daughter bond but doesn’t excavate the depth and complexities of single parenting, grief and trauma.” –
Livemint
Mar 17, 2025
Full Review
Mere Husband Ki Biwi (2025)
27%
“The drama in Mere Husband Ki Biwi is heightened, but not punchy, and the few and flat gags just don’t land. ” –
Livemint
Feb 24, 2025
Full Review
Bridget Jones: Mad About the Boy (2025)
88%
“Despite its flaws, the movie will resonate with long-time fans of the franchise, providing enough nostalgic moments and crackling humour to be a satisfying farewell to a well-worn romcom.” –
Livemint
Feb 19, 2025
Full Review
Captain America: Brave New World (2025)
47%
“While the performances by Ford, Mackie, and Ramirez are solid, the film as a whole struggles with moments of blandness and does not successfully create a distinct enough personality for the new Captain America.” –
Livemint
Feb 15, 2025
Full Review
Loveyapa (2025)
60%
“Khan and Kapoor are easy with one another but in a film that feels more like a comic strip.” –
Livemint
Feb 10, 2025
Full Review
The Mehta Boys (2024)
100%
“...Irani delicately conveys the subtleties of a man confronting the erasure of his independence. Writer, director, producer and actor on his 116-minute debut feature – Irani wears all the hats with poise and executes his vision unassumingly and patiently.” –
Scroll.in
Feb 7, 2025
Full Review
The Storyteller (2022)
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“The relaxed narrative pace is a blip in an otherwise satisfying retelling of a classic fable that is equally about outwitting another and surmounting self-imposed impediments.” –
Livemint
Feb 4, 2025
Full Review
Sweet Dreams (2025)
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“Low on production values, high on schmaltz (dialogues by Alka Shukla and Mukherjee), punctuated with a few surprises, this love story would have benefitted from a better soundtrack, crisper writing and more inventive storytelling.” –
Livemint
Feb 4, 2025
Full Review
A Real Pain (2024)
96%
“Eisenberg tenderly and firmly directs the movie, entering the Holocaust experience through a comic road trip, speaking of modern life and several unmined feelings that continue to haunt third generation Americans.” –
Livemint
Jan 28, 2025
Full Review
Mufasa: The Lion King (2024)
56%
“The script is safe and unoriginal, the voice talent is passable and while the scenes of the creatures racing through fields and prancing through canyons are fine, the drama peaks in the water bodies and on snow-capped mountains. ” –
Livemint
Jan 15, 2025
Full Review
Agni (2024)
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“Dholakia’s film is most moving when it captures the warm camaraderie between the officers in the fire station, and their bond when they mourn the loss of a colleague” –
Livemint
Jan 15, 2025
Full Review
Girls Will Be Girls (2024)
100%
“[Shuchi Talati] wonderfully crafts a film that dwells on girlhood, the mother-daughter relationship and the quiet, personal moments – like dancing alone to a song – when girls can be themselves, unfettered by expectations, rules and gendered power games.” –
Scroll.in
Dec 30, 2024
Full Review
Singham Again (2024)
33%
“Offsetting Singh’s wildness is Devgn’s unmoving performance, Kumar’s disinterested appearance and Padukone’s insufficient presence.” –
Livemint
Nov 4, 2024
Full Review
Bhool Bhulaiyaa 3 (2024)
43%
“High on concept, low on mood, scares, gags and wit. ” –
Livemint
Nov 4, 2024
Full Review
Vicky Vidya Ka Woh Wala Video (2024)
10%
“The climax becomes a platform to preach about privacy, women's rights and dignity. It's a testing monologue, adding to the already tiresome screenplay.” –
Livemint
Oct 15, 2024
Full Review
Sector 36 (2024)
47%
“The police work is scanty, the punishments are fleetingly mentioned, yet the makers suggest that this is indeed how the Nithari murders and investigation panned out. ” –
Livemint
Sep 17, 2024
Full Review
Yeh Ballet (2020)
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“In spite of the clunky Bollywood-ised music and songs, their skills are given form by the choreographers. Channelled by Taraporevala’s cautious direction, the hard work, talent and the boyish attitude of the lead actors and dancers give some intensity...” –
Scroll.in
Aug 28, 2024
Full Review
Khel Khel Mein (2024)
78%
“Barring a few songs that slacken the narrative and a little preaching, Mudassar Aziz’s script and direction keep things moving along jauntily, even if in most scenes the actors are seated around a dining table.” –
Livemint
Aug 19, 2024
Full Review
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