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Víctor López G.

Tomatometer-approved critic
Biography:

Originally from León, Spain, Víctor moved to Barcelona to attend film school at ESCAC, specializing in fiction directing. Passionate about technology, cinematography, and its relationship to storytelling, he works as a critic and analyst focusing on technical topics at Espinof. Currently, in addition to his work on feature films and other different projects, he is committed to exploring new formats of film criticism and education by creating content on social media platforms like TikTok, where he has already gathered over 225000 followers.

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Reviews

Movies 온라인카지노추천 Shows
Paddington in Peru (2024) 93% “It works perfectly well in general terms, has its charm and virtues —most of them inherited—but it reaches our cinemas after losing a good amount of its magic along the way.” – Espinof Feb 25, 2025 Full Review The Monkey (2025) 78% “A whole festival for refined palates and stomachs hardened by horror. Cinema capable of brightening your day, your week, and your month—even if it's through sheer atrocities.” – Espinof Feb 25, 2025 Full Review Captain America: Brave New World (2025) 48% “The film directed by Julius Onah is the worst it could have been: one that is neither good nor bad and that, quite simply, just exists.” – Espinof Feb 22, 2025 Full Review Flow (2024) 97% “An unquestionable masterpiece, with all the magic and depth that the great icons of the medium have progressively lost as they were consumed by the industry” – Espinof Feb 22, 2025 Full Review The Brutalist (2024) 93% “It is, quite easily, one of the best and greatest films of the 21st century. At least during its first half, which is brilliant and flawless in every aspect.” – Espinof Feb 22, 2025 Full Review Wolf Man (2025) 50% “It is condemned to that limbo where all those movies that we watch, enjoy, and almost immediately forget go due to their rushed and almost anecdotal narrative.” – Espinof Feb 22, 2025 Full Review Den of Thieves: Pantera (2025) 62% “It won’t change your life and might be forgotten in a few days, but it can turn a bad day around like few others—reminding us how satisfying a solid, no-frills thriller can be when everyone else is chasing perfection.” – Espinof Feb 22, 2025 Full Review A Real Pain (2024) 96% “A subtle film that, without making itself noticed, slowly carves its way into the viewer’s heart, likely leaving a mark for a long time. This is ultimately possible thanks to its thematic richness and the sensitivity with which it articulates its ideas.” – Espinof Feb 22, 2025 Full Review Nosferatu (2024) 84% “A new gem of the genre that proves how little it matters to return to a story we know inside out when it's told with such mastery and personality.” – Espinof Dec 27, 2024 Full Review Emilia Pérez (2024) 71% “A dazzling exercise that manages to overshadow the overflowing talent in each and every one of its departments with its main asset: a creative freedom that is as overwhelming as it is exciting.” – Espinof Dec 27, 2024 Full Review Conclave (2024) 93% “A high-voltage suspense exercise with an ecclesiastical twist, incredibly sharp, unexpectedly hilarious, and rounded with a discourse much more incisive than one would expect from its apparent lightness.” – Espinof Dec 27, 2024 Full Review Gladiator II (2024) 70% “It is a relentless entertainment, but ultimately it rises as a Colosseum-sized "yes, but no".” – Espinof Dec 27, 2024 Full Review Terrifier 3 (2024) 78% “The biggest drawback in Terrifier 3 is its role as a transitional chapter leading to an inevitable fourth installment which, if it continues along the current trend, could become a slasher cathedral remembered by future generations of fans.” – Espinof Dec 27, 2024 Full Review Transformers One (2024) 89% “While the youngest members of the household will enjoy a good dose of uplifting stories and fun for all audiences, adults will find a veiled sociopolitical backdrop, filled with class struggles and a robotic proletarian-Marxist revolution.” – Espinof Dec 27, 2024 Full Review MaXXXine (2024) 72% “A De Palma-esque thriller with notes of horror drenched in blood, neon signs, and grime, which, in addition to cementing Mia Goth as, arguably, the greatest scream queen of the moment, proves that perfect trilogies do exist.” – Espinof Dec 27, 2024 Full Review Alien: Romulus (2024) 80% “A seventh installment that lands straight in the top 3 of the prolific cinematic IP, though it can't avoid making certain concessions that will likely alienate the most purist fans. ” – Espinof Dec 27, 2024 Full Review Love Lies Bleeding (2024) 94% “The revenge story, besides being archetypal, is tremendously familiar. The good thing, and what makes it shine, is that it has rarely been brought to the screen in such a special, unbound, and unique way.” – Espinof Aug 1, 2024 Full Review Monkey Man (2024) 89% “Nowadays, the best thing an action movie like this can do is offer a unique and as intimate —for its creator— as possible proposal, and 'Monkey Man' exudes enough care scene after scene to allow Dev Patel's figure to be projected in each of its frames. ” – Espinof Aug 1, 2024 Full Review Dicks: The Musical (2023) 68% “It is clear that, if it finds its ideal viewer, this cult-potential oddity can be a real delight, but those who don't play along will probably end up loathing it. ” – Espinof Aug 1, 2024 Full Review Argylle (2024) 33% “It doesn't take any of its aspects seriously, which allows it to exude freshness when crafting its many gags and evolving a plot that pushes the suspension of disbelief to its limits. ” – Espinof Aug 1, 2024 Full Review Immaculate (2024) 71% “it offers an hour and a half of the most intense experience filled with horror, creepy nuns, a few scares, and a touch of gore that makes it an ideal title for a perfect midnight session. ” – Espinof Aug 1, 2024 Full Review Furiosa: A Mad Max Saga (2024) 90% “It is more ambitious [than Fury Road] in narrative and dramatic terms, more unleashed visually, and deeper emotionally, but less visceral and relentless in its conception of action and its language. ” – Espinof Aug 1, 2024 Full Review Bad Boys: Ride or Die (2024) 65% 7/10 “Bilall Fallah and Adil El Arbi have unleashed themselves in a movie that is bigger, crazier, and more adrenaline-fueled than its predecessor, fully taking ownership without holding back and offering a 100% 'Bad Boys' show. ” – Espinof Aug 1, 2024 Full Review A Quiet Place: Day One (2024) 86% 8/10 “The film is another example that well-rounded characters, with earthly problems and goals and with whom it is easy to empathize, are much more important than any contemporary summer blockbuster's special effects. ” – Espinof Aug 1, 2024 Full Review Twisters (2024) 75% 8/10 “Not only has it emerged as an almost perfect summer popcorn entertainment; it has also managed to capture the essence of the blockbuster from the 80s and especially the 90s, in a way we thought impossible to replicate after 'Top Gun: Maverick'.” – Espinof Aug 1, 2024 Full Review
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