Sinners (2025)
98%
“With Sinners, the director is playing a different game. He’s forcing the broad mainstream audience he’s cultivated to meet him fully on his own eccentric terms. That the results are imperfect doesn’t matter because they’re so often exhilarating. ” –
The Ringer
Apr 18, 2025
Full Review
Disney's Snow White (2025)
40%
1/4
“There’s nothing magical in Marc Webb’s movie, but it nevertheless feels uncanny; spending $250 million to make a film in which absolutely nothing works is a kind of dark art in and of itself.” –
Toronto Star
Mar 19, 2025
Full Review
The Electric State (2025)
15%
“Recycled, self-cannibalizing slop, a dystopian action movie for dystopian times, the cinematic equivalent of Soylent Green. ” –
The Ringer
Mar 15, 2025
Full Review
Mickey 17 (2025)
77%
“For the first time in his career, Bong seems to have conflated pushiness with momentum.” –
The Ringer
Mar 7, 2025
Full Review
The Monkey (2025)
79%
“It’s one thing to try to create a goofy, gory crowd-pleaser; it’s another to steadily bleed the enjoyment out of the equation by making the movie in question as smug and unpleasant as possible.” –
The Ringer
Feb 22, 2025
Full Review
Captain America: Brave New World (2025)
48%
“If Brave New World isn’t the worst movie ever released under the Marvel banner, it might just be the dullest -- a humorless, grayed-out vision of contractual obligation featuring actors who look like they’d rather be anywhere else.” –
The Ringer
Feb 19, 2025
Full Review
The Gorge (2025)
63%
1.5/4
“It’s a meet-cute romantic comedy trying to hold hands with a sci-fi action thriller, and its reach exceeds its grasp.” –
Toronto Star
Feb 13, 2025
Full Review
Better Man (2024)
88%
“Regardless of how much Better Man actually works, it’s one of the only recent movies made at its budget level with a genuinely interesting relationship between its form and content. ” –
The Ringer
Jan 23, 2025
Full Review
Nosferatu (2024)
84%
“Nosferatu is gorgeous yet inert, the cinematic equivalent of an exquisite corpse: There’s no point in driving a stake through a heart that isn’t beating in the first place.” –
The Ringer
Dec 31, 2024
Full Review
A Complete Unknown (2024)
82%
“The film’s structure aims for the long, winding lines of a ballad, but the overall effect is more like a series of catchy, finger-picked jingles; we go behind the music without getting inside of it.” –
The New Republic
Dec 23, 2024
Full Review
The Room Next Door (2024)
81%
“The insistence on political and ethical declarations not only forecloses the possibility of audience interpretation but defuses Almodóvar’s ribald sense of humor, swapping out playful provocation for hectoring. ” –
The New Republic
Dec 19, 2024
Full Review
The Brutalist (2024)
93%
“Because so much of The Brutalist is impressive it’s hard to completely write it off for its flaws. At the same time, the general quality of its craftsmanship can’t quite obviate the hollowness of the entire enterprise.” –
The Ringer
Dec 19, 2024
Full Review
Blitz (2024)
81%
“Blitz knows what it's doing and why, but its compromises may be more self-deceiving than subversive. Cloaking himself more heavily than ever in populist hand-me-downs, McQueen gets swallowed up by his own brilliant disguise. ” –
The Ringer
Dec 4, 2024
Full Review
Gladiator (2000)
80%
“The same sturdy conventionality that made Gladiator a hit means that it’s built to last without standing particularly tall. With apologies to Ridley Scott, it holds up fine without echoing into eternity. ” –
The Ringer
Nov 21, 2024
Full Review
Here (2024)
37%
“Here, adapted by Zemeckis with Eric Roth from Richard McGuire’s acclaimed 2014 graphic novel, is as flavorless and fungible as a freshly packaged loaf of Wonder Bread.” –
Reverse Shot
Nov 21, 2024
Full Review
Juror #2 (2024)
93%
“That Juror No. 2 manages to work so well as a movie of ideas without ever really breaking its stride (or a sweat) as a piece of entertainment is testament to Eastwood’s formidable populist instincts.” –
The Ringer
Nov 4, 2024
Full Review
Rumours (2024)
75%
“Symbolism is a slippery slope, and at its core Rumours is less allegorical than it is surrealist: What makes it so enjoyable is the way that the characters take even the wackiest developments in stride. ” –
The New Republic
Nov 3, 2024
Full Review
Saturday Night (2024)
78%
“Jason Reitman’s movie is an ode to Lorne Michaels, afraid to take even small risks.” –
The New Republic
Oct 25, 2024
Full Review
Joker: Folie à Deux (2024)
31%
“The decision to turn the sequel into a musical-slash-courtroom-drama is as perplexing as it sounds—and the results are so bad, they’re actually fascinating...” –
The Ringer
Oct 4, 2024
Full Review
Rebel Ridge (2024)
95%
“With a whip-smart plot, a strong lead in Aaron Pierre, and a standout villain in Don Johnson, director Jeremy Saulnier has done it again.” –
The Ringer
Sep 18, 2024
Full Review
The Shrouds (2024)
73%
“Like 2022’s superb Crimes of the Future, The Shrouds serves as a reminder that, at 81 years old, Cronenberg is still one of the world’s great filmmakers: bold, uncompromising, clever, and fearless.” –
The Ringer
Sep 18, 2024
Full Review
Cloud (2024)
89%
“Cloud is a sophisticated send-up of social commerce culture...” –
The Ringer
Sep 18, 2024
Full Review
Presence (2024)
88%
“Presence feels like a limber but limited exercise in cinematic problem-solving rather than a genuine experiment in terror.” –
The Ringer
Sep 18, 2024
Full Review
Ick (2024)
71%
“Ick cements Kahn as one of our most iconoclastic entertainers. It’s a movie whose silliness is worth taking seriously.” –
The Ringer
Sep 18, 2024
Full Review
Anora (2024)
93%
“At this point in his career, Baker has cultivated his own style of breathless, relentlessly pressurized urban realism, and Anora is as assured a piece of filmmaking as you’re likely to see this year. ” –
The Ringer
Sep 18, 2024
Full Review
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