Alex Bentley
Tomatometer-approved critic
Biography:
Alex Bentley has been writing movie reviews for over 20 years, working primarily in the Dallas, Texas area. He currently works for the news/entertainment website CultureMap, which he has been with since 2012, and he previously worked for the website Pegasus News, which was purchased by the Dallas Morning News.
The Legend of Ochi (2025)
80%
“Written and directed by first-time feature filmmaker Isaiah Saxon, the film often comes across like a light version of Wes Anderson. ” –
CultureMap
Apr 25, 2025
Full Review
The Accountant 2 (2025)
78%
“Affleck’s career has been one of the most up-and-down ones of any supposed A-list actor, and The Accountant 2 marks another down moment for him. ” –
CultureMap
Apr 24, 2025
Full Review
Warfare (2025)
93%
“Warfare is not an overtly political film, and yet the politics of war are inextricable from the story it tells. ” –
CultureMap
Apr 11, 2025
Full Review
Drop (2025)
84%
“The filmmakers ramp up the tension expertly as Violet tries to figure out who is tormenting her.” –
CultureMap
Apr 10, 2025
Full Review
The Friend (2024)
84%
“The story is far from bereft of emotion, but a few tweaks here and there could have made it even more powerful.” –
CultureMap
Apr 4, 2025
Full Review
A Minecraft Movie (2025)
48%
“It’s a silly, fast-moving romp that works both as an homage to the game and as a stand-alone movie.” –
CultureMap
Apr 3, 2025
Full Review
The Penguin Lessons (2024)
80%
“It’s not designed to be an ultra-dramatic story, but when it chooses to go down that road, it’s equally effective in those moments as it is when it just wants to show viewers a cute penguin.” –
CultureMap
Apr 1, 2025
Full Review
Death of a Unicorn (2025)
53%
“There is lots of mayhem in Death of a Unicorn, but Scharfman seems content to let the violence be for violence’s sake instead of making us care about those being killed or the creatures doing the killing.” –
CultureMap
Mar 28, 2025
Full Review
Disney's Snow White (2025)
40%
“On the sliding scale of live-action Disney remakes, Snow White makes it on the positive side of the ledger, but not by much.” –
CultureMap
Mar 20, 2025
Full Review
Black Bag (2025)
96%
“Black Bag is an adult spy thriller, eschewing the typical pyrotechnics of the genre for a story that makes people simply talking seem riveting.” –
CultureMap
Mar 16, 2025
Full Review
Novocaine (2025)
81%
“Novocaine is much better than it probably had a right to be, with some solid storytelling, some intense action, and a fantastic lead performance by Quaid.” –
CultureMap
Mar 13, 2025
Full Review
Mickey 17 (2025)
77%
“Pattinson brings a verve to the film that the wild story needs; unfortunately, it never becomes as memorable as some of Bong’s previous work.” –
CultureMap
Mar 7, 2025
Full Review
My Dead Friend Zoe (2024)
95%
“Made by a former member of the military in dedication to people with which he served, it’s an impressive debut feature film for Hausmann-Stokes that brings a desire to see more from him, as well as the two main actors.” –
CultureMap
Feb 28, 2025
Full Review
The Monkey (2025)
79%
“Because of the disparity between the violent and non-violent parts of the film, the film never maintains any kind of momentum.” –
CultureMap
Feb 20, 2025
Full Review
Paddington in Peru (2024)
93%
“Paddington in Peru is the third best film in the series, but only because the first two films made it nearly impossible to measure up.” –
CultureMap
Feb 14, 2025
Full Review
Captain America: Brave New World (2025)
48%
“For the MCU to make it back to their previous standing atop the blockbuster landscape, they’re going to have to deliver much more interesting characters and stories than are present in Captain America: Brave New World. ” –
CultureMap
Feb 13, 2025
Full Review
Love Hurts (2025)
19%
“The Valentine’s theme of Love Hurts is not the only part of the film that feels tacked on.” –
CultureMap
Feb 6, 2025
Full Review
You're Cordially Invited (2025)
48%
“Stoller actually sets up the various quirks and tensions between the two groups well, but it's the execution of the subsequent scenes that is lacking. ” –
CultureMap
Feb 1, 2025
Full Review
Dog Man (2025)
80%
“The immaturity of the film and its content is precisely what makes it a success and highly watchable for anyone who’s grown up on the book series.” –
CultureMap
Jan 30, 2025
Full Review
Presence (2024)
88%
“The first-person perspective gives an intimacy to the film that is sometimes invasive, sometimes disorienting, but always engrossing. ” –
CultureMap
Jan 24, 2025
Full Review
Nickel Boys (2024)
91%
“The first-person perspective draws the viewer in, and then the story clobbers them with events that make the central characters indelible.” –
CultureMap
Jan 17, 2025
Full Review
Wolf Man (2025)
50%
“The film has about as slow of a build as you’ll find in a horror movie. ” –
CultureMap
Jan 16, 2025
Full Review
The Brutalist (2024)
93%
“Corbet, making only his third feature film, has an ambition with The Brutalist that is unmistakable. While there are elements of it that match his lofty goals, he too often veers off into territory that makes little storytelling sense. ” –
CultureMap
Jan 15, 2025
Full Review
September 5 (2024)
93%
“The film does an excellent job of demonstrating the eternal dilemma of journalists of how to report on tragic events.” –
CultureMap
Jan 10, 2025
Full Review
The Last Showgirl (2024)
83%
“If Coppola and Gersten are trying to show a different side of Anderson, they fail; having her play a character with little-to-no makeup and a dramatic arc does not make up for her poor acting skills and a high voice that borders on shrill.” –
CultureMap
Jan 9, 2025
Full Review
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