Pokémon Detective Pikachu (2019)
68%
“Pokémon Detective Pikachu, despite the unwieldy official title, is an accessible movie. It skews young, but it never condescends to any demographic.” –
Trespass
May 10, 2019
Full Review
Avengers: Endgame (2019)
94%
“It would be accurate to say that a lot of the film is designed for crowd-pleasing, but that is nowhere near saying that it panders to fans. The film celebrates and revels in the franchise without seeming self-indulgent.” –
Trespass
Apr 26, 2019
Full Review
Shazam! (2019)
90%
“The greatest element of Shazam! is that it doesn't fall into the trap of earnestness. It is not ashamed to embrace the more outré elements of the comic book universe.” –
Trespass
Apr 5, 2019
Full Review
Pet Sematary (2019)
57%
“Shored up by confident performances and mostly impressive production design, Pet Sematary is not afraid to be pessimistic without nihilism.” –
Trespass
Apr 5, 2019
Full Review
Us (2019)
93%
“Either viewing it on a surface level or tunnelling deep into its mythos, Us is a richly composed film that succeeds on every level. Even its more contentious elements are still a sign of the victory that Peele exerts over the cinema-goer.” –
Trespass
Mar 29, 2019
Full Review
Fighting With My Family (2019)
93%
“A buoyant, sunny movie, driven by performances from a cast unafraid of charming vulgarity.” –
Trespass
Mar 25, 2019
Full Review
Captain Marvel (2019)
79%
“It is unfortunate that Danvers can fly effortlessly and Samuel L. Jackson can almost recapture his younger self, but the movie cannot stretch itself to make computer-generated cables and flying cats seem natural.” –
Trespass
Mar 8, 2019
Full Review
If Beale Street Could Talk (2018)
95%
“If Beale Street Could Talk is an evergreen movie that focuses not solely on the injustice that its characters face, but on the love that suffuses them.” –
Trespass
Feb 21, 2019
Full Review
Happy Death Day 2U (2019)
72%
“Happy Death Day 2 U is the Super Mario Bros. 2 of movie sequels: it has many of the same elements, while adapting and changing enough to make a separate but still enjoyable experience.” –
Trespass
Feb 21, 2019
Full Review
The Hate U Give (2018)
97%
“The Hate U Give may never stop being relative, or it may one day be a quaint reminder of systematic injustice. Regardless of what the future holds, The Hate U Give stands for something worth considering.” –
Trespass
Feb 1, 2019
Full Review
Aquaman (2018)
66%
“With charismatic leads and some sublime visuals that overpower the ridiculous, Aquaman is DC's second good movie and first real statement piece since 2013.” –
Trespass
Dec 26, 2018
Full Review
Bumblebee (2018)
91%
“Though his hand on the musical cues is heavy, Knight's touch is light on the film as a whole, and Bumblebee breathes.” –
Trespass
Dec 20, 2018
Full Review
Spider-Man: Into the Spider-Verse (2018)
97%
“Showing a flawless understanding of the comic-book aesthetic and storytelling without sacrificing its cinematic qualities, Into the Spider-Verse is a deeply satisfying film for comic fans that has more than enough to offer everyone else.” –
Trespass
Dec 12, 2018
Full Review
Can You Ever Forgive Me? (2018)
98%
“McCarthy is a powerhouse who isn't afraid to teeter between being deeply sympathetic and completely repellent. It's a performance that brings out the essential ambivalence that Israel, as written, feels about herself.” –
Trespass
Dec 5, 2018
Full Review
Lean on Pete (2017)
90%
“This is realism almost too gritty to take, but with just enough light mixed in so that we keep looking to the horizon.” –
Trespass
Nov 29, 2018
Full Review
Love at Least (2018)
“A drama with many low points, but it allows room for hope. With a well-realised central performance that brings its lead a rare dimensionality, Love at Least is a relationship drama that makes the outlandish credible.” –
Trespass
Nov 26, 2018
Full Review
Ribâzu ejji (2018)
75%
“A two-hour drudgery that solves a mystery whose answer was never pressing with the silliest possible solution. There's a wide chasm between realism and misanthropy, and River's Edge falls on the wrong side of that gap.” –
Trespass
Nov 20, 2018
Full Review
One Cut of the Dead (2017)
100%
“If you want something fun and slightly cerebral to chew on while your own brains are being chewed on, One Cut of the Dead is the intelligent zombie movie you need.” –
Trespass
Nov 16, 2018
Full Review
The Old Man & the Gun (2018)
93%
“Redford has said that he wanted to go out on a fun note, and that is an accurate description of this movie.” –
Trespass
Nov 16, 2018
Full Review
Fantastic Beasts: The Crimes of Grindelwald (2018)
36%
“A strangely charmless and excessively dingy film. Too long and static for anyone but the most die hard, with neither a richness of tone nor colour, this is a film guaranteed to sell tickets at the cost of its own soul.” –
Trespass
Nov 14, 2018
Full Review
The Girl in the Spider's Web (2018)
38%
“The Girl in the Spider's Web is a frozen techno-thriller that makes sense of all of the movies that were never made before it.” –
Trespass
Nov 9, 2018
Full Review
A Star Is Born (2018)
90%
“A drama with credible songs in it that elevates an outré personality into a legitimate actress, a vanity project with none of the vanity.” –
Trespass
Oct 19, 2018
Full Review
Bad Times at the El Royale (2018)
75%
“An imperfect movie, and one impossible to pigeonhole, but it offers more delights than many bigger films.” –
Trespass
Oct 15, 2018
Full Review
A Simple Favor (2018)
84%
“Paul Feig saw the base elements of the mess that was A Simple Favour's original form and reassembled them into a stylish semi-thriller that places a high priority on entertainment, be it mild mystery and intrigue or intentional humour.” –
Trespass
Sep 17, 2018
Full Review
Crazy Rich Asians (2018)
91%
“You can celebrate Crazy Rich Asians for many reasons, and all of them are valid - it's an unambiguously well made and well intentioned movie that does not lead the viewer into hell.” –
Trespass
Sep 4, 2018
Full Review
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