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Alison Willmore

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
Havoc (2025) 67% “It’s too easy to drift away from Havoc, which is convoluted without being complex and busy without being interesting. ” – New York Magazine/Vulture Apr 25, 2025 Full Review The Amateur (2025) 61% “The movie dithers about the cost of killing and what it takes to shoot someone, a tedious question in this context to which it’s incapable of giving any emotional depth, despite Malek’s herculean efforts to approach it realistically.” – New York Magazine/Vulture Apr 8, 2025 Full Review Gazer (2024) 78% “If Gazer doesn’t pick up the momentum needed to match Frankie’s increasingly dire situation, it’s nevertheless a pleasure to watch.” – New York Magazine/Vulture Apr 7, 2025 Full Review Holland (2025) 21% “No one involved with Holland seems to understand what they’re up to at all...” – New York Magazine/Vulture Mar 31, 2025 Full Review Magazine Dreams (2023) 80% “Magazine Dreams is a something’s-wrong-with-men movie that doesn’t actually want to delve deeply into the pain its protagonist is experiencing, because it finds the external manifestations of his alienation more compelling. ” – New York Magazine/Vulture Mar 24, 2025 Full Review Disney's Snow White (2025) 40% “The most pragmatic aspect of Snow White is that with its plasticky set design and gift shop tacky costuming, it already looks like it takes place in a theme park — no adaptations necessary.” – New York Magazine/Vulture Mar 19, 2025 Full Review The Rivals of Amziah King (2025) 97% “The Rivals of Amziah King finds its way into some riotous diversions before taking a turn into what can only be described as an agricultural crime drama featuring Kurt Russell. ” – New York Magazine/Vulture Mar 13, 2025 Full Review Drop (2025) 84% “It’s a perfectly preposterous set-up for a thriller, but the core of Fahy’s agonizingly distracted performance is something real and recognizable. ” – New York Magazine/Vulture Mar 10, 2025 Full Review Chaos: The Manson Murders (2025) 56% “Chaos: The Manson Murders may only be 96 minutes long, but it feels padded, as though its existence is meant to serve as proof that even a documentary legend who helped establish the true-crime genre isn’t immune to the genre’s current streaming bloat. ” – New York Magazine/Vulture Mar 10, 2025 Full Review The Accountant 2 (2025) 78% “The new movie leans into comedy in ways that veer toward the cutesy, but the scenes of the brothers together are great, providing glimpses of the co-dependent boys they were before they grew into trauma-stunted men who regularly commit acts of bloodshed.” – New York Magazine/Vulture Mar 10, 2025 Full Review Mickey 17 (2025) 77% “By showing that even the most resigned of sci-fi doormats can decide to stand up for himself, Mickey 17 ends on a more hopeful note than the rest of Bong’s films. It’s more hopeful than we currently deserve.” – New York Magazine/Vulture Feb 15, 2025 Full Review Paddington in Peru (2024) 93% “The innate sweetness of the series carries it past figurative and literal rapids and into shenanigans involving bear carvings, a bear temple in the mountains, and a secret bear community. ” – New York Magazine/Vulture Feb 14, 2025 Full Review Bridget Jones: Mad About the Boy (2025) 88% “Where the film really shines is in reuniting Bridget with her faithful friend group, her withering gynecologist (Emma Thompson), and, of course, with Daniel Cleaver.” – New York Magazine/Vulture Feb 12, 2025 Full Review Heart Eyes (2025) 81% “The Heart Eyes Killer’s shtick isn’t always clear, but the inventiveness of its slaughter streak is. ” – New York Magazine/Vulture Feb 7, 2025 Full Review You're Cordially Invited (2025) 48% “You’re Cordially Invited is just much better moment to moment than it is when it needs to move the plot along.” – New York Magazine/Vulture Jan 31, 2025 Full Review Flight Risk (2025) 30% “Flight Risk is a dumb movie, which is not its primary sin. The problem is that it’s not the right kind of dumb -- the kind where everyone involved is committed to the innate silliness of what they’re doing. ” – New York Magazine/Vulture Jan 23, 2025 Full Review Companion (2025) 93% “It’s hard to bemoan a lack of depth when all the movie really wants to do is entertain. With its clever construction and comic timing, it’s a mean romp with an escalating death count and some nice quips. ” – New York Magazine/Vulture Jan 22, 2025 Full Review Grand Theft Hamlet (2024) 93% “Grand Theft Hamlet is not just a lark, but a savvy project from stalled-out creatives hoping to make something of all this spare time.” – New York Magazine/Vulture Jan 17, 2025 Full Review One of Them Days (2025) 94% “Even when the writing and pacing falls slack in this one, as it definitely does on occasion, [Palmer] wrings laughs out of scenes with screwball physicality and surprising line readings. ” – New York Magazine/Vulture Jan 15, 2025 Full Review Nosferatu (2024) 84% “There’s not enough life in Nosferatu — or undead afterlife either.” – New York Magazine/Vulture Dec 23, 2024 Full Review A Complete Unknown (2024) 82% “The wonder of A Complete Unknown isn’t just that it manages to be good anyway but that it finds an angle on Dylan as unexpectedly electric as that amplified Newport set. ” – New York Magazine/Vulture Dec 20, 2024 Full Review Kraven the Hunter (2024) 15% ““A movie no one asked for” isn’t criticism so much as it’s a clear-eyed assessment of Kraven the Hunter’s fundamental issue.” – New York Magazine/Vulture Dec 11, 2024 Full Review The Six Triple Eight (2024) 55% “This clunky excuse for a war movie ends up being more about what they endured than about what they accomplished.” – New York Magazine/Vulture Dec 6, 2024 Full Review Moana 2 (2024) 61% “A real movie would give its protagonist something to continue to wrestle with as she learns and grows, but Moana 2 isn’t a real movie.” – New York Magazine/Vulture Nov 26, 2024 Full Review Flow (2024) 97% “Finally, a feline-led film that really is about the perils of tribalism.” – New York Magazine/Vulture Nov 25, 2024 Full Review
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