Allan Ulrich
Allan Ulrich's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
I Think I Do (1997)
42%
2/4
“It begins promisingly but ultimately sinks by succumbing to the courage of its convictions. And convictions are the last thing anybody needs in these featherweight romantic romps.” –
San Francisco Examiner
Apr 17, 2024
Full Review
Sudden Impact (1983)
51%
2/4
“What it all comes down to is an exercise in manipulation for the Neanderthal sensibility. ” –
San Francisco Examiner
May 12, 2023
Full Review
Indiana Jones and the Temple of Doom (1984)
77%
3/4
“For mindless movie entertainment this summer, it is highly unlikely that you will do better than Steven Spielberg's certain mega-hit.” –
San Francisco Examiner
Apr 17, 2023
Full Review
Amadeus (1984)
90%
4/4
“It is a feast for the eye, caviar for the mind and pure balm for the spirit. It is a tribute to film craftsmanship at its loftiest. It is also a marvelously witty, provocative and touching story of souls in conflict.” –
San Francisco Examiner
Jul 8, 2022
Full Review
Poltergeist II (1986)
20%
1.5/4
“A movie lodged somewhere between life and death, between rip-off and invention, between exploitation and mordant wit.” –
San Francisco Examiner
Nov 3, 2021
Full Review
The Pope of Greenwich Village (1984)
77%
“Director Stuart Rosenberg, who hasn't made a really memorable movie since "Cool Hand Luke" in 1967, apparently believes that screaming and gesticulating can cover a multitude of plot lapses, needless digressions and hazy strokes of characterization.” –
San Francisco Examiner
Oct 30, 2021
Full Review
Sugar Cane Alley (1983)
100%
3/4
“[Sugar Cane Alley is] 1984's most delightful movie surprise. This one simply glows.” –
San Francisco Examiner
May 7, 2021
Full Review
Top Secret! (1984)
77%
3/4
“Abrahams-Zucker-Zucker scatter the jokes the way farmers scatter corn around a chicken house. They're shameless.” –
San Francisco Examiner
Apr 20, 2021
Full Review
First Position (2011)
93%
3/4
“Yes, it is possible to create a gripping documentary about the ballet world without resorting to "Black Swan" melodramatics.” –
San Francisco Chronicle
May 10, 2012
Full Review
Breath Made Visible (2009)
89%
3/4
“Finally, as she approaches her 90th birthday, San Rafael-based modern dance pioneer Anna Halprin is honored with a documentary that reflects her wide influence and eternally questing spirit.” –
San Francisco Chronicle
Apr 1, 2010
Full Review
Barb Wire (1996)
28%
1/4
“The hypocrisy level is annoying.” –
San Francisco Examiner
Jan 1, 2000
Full Review
Freeway (1996)
76%
“A hip, corrosive and often hilarious entertainment, the movie strikes another blow for the American independent film.” –
San Francisco Examiner
Jan 1, 2000
Full Review
Hilary and Jackie (1998)
88%
“What we never discover - and it is a fatal lapse in films like this - is why music has so seized Jackie, why it is important for her to be an artist, at the risk of her sanity.” –
San Francisco Examiner
Jan 1, 2000
Full Review
Flamenco, Flamenco (2010)
79%
“Flamenco is also Saura's purest effort at capturing dance on film, a triumph from first frame to last.” –
San Francisco Examiner
Jan 1, 2000
Full Review
The Faculty (1998)
57%
2/4
“In his quest for youth appeal, [Robert] Rodriguez only intermittently capitalizes on the satiric possibilities... The Faculty deserves a week of detention, not so much for missing the point as for blunting it.” –
San Francisco Examiner
Jan 1, 2000
Full Review
The Devil's Advocate (1997)
63%
“A muddled metaphysical thriller that takes a small eternity to engage the observer with its flimsy characters and its tired special effects.” –
San Francisco Examiner
Jan 1, 2000
Full Review
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