The President's Cake (2025)
“Hadi has an eye for detail, echoes and lyrical touches... He injects traditional elements with unpredictability that reminds us in the real world happy endings often come with a question mark.” –
Screen International
May 16, 2025
Full Review
Adam's Sake (2025)
“Wandel’s follow-up isn’t as morally complex and, given the steady flow of well polished hospital films and television dramas, also not as distinctive... Nevertheless, it remains an emotionally intelligent and taut entry in the field.” –
Screen International
May 15, 2025
Full Review
Black Box Diaries (2024)
99%
4/5
“Documentaries don’t get much more personal or intimate than this.” –
Eye for Film
May 6, 2025
Full Review
On Becoming a Guinea Fowl (2024)
100%
4/5
“Nyoni expertly controls her narrative so that it glides effortlessly between the reality of the funeral preparations to the more surreal psychological trauma Shula is working through.” –
Eye for Film
May 6, 2025
Full Review
The Seed of the Sacred Fig (2024)
97%
4/5
“If the final stage of the film falls back on familiar ‘women in peril’ scenarios, and leans heavily towards melodrama, it has the advantage of being rooted in the family dynamic that Rasoulof has carefully established before. ” –
Eye for Film
May 6, 2025
Full Review
Bogancloch (2025)
4/5
“If it wasn’t for the excellent, immersive sound design from Chu-Li Shewring, you could easily believe you were watching a piece of silent movie found footage.” –
Eye for Film
May 5, 2025
Full Review
Since Yesterday: The Untold Story of Scotland's Girl Bands (2024)
3.5/5
“What comes across, despite the hurdles, is the immense camaraderie and collectivism that has strengthened down the years.” –
Eye for Film
May 5, 2025
Full Review
Trans Memoria (2024)
3.5/5
“While Verseau talks about how crucial the surgery was to her mental health, the complexity of the emotions experienced afterwards is also made clear.” –
Eye for Film
May 5, 2025
Full Review
April (2024)
95%
4.5/5
“It’s not unusual to say that something cuts through the silence but in Dea Kulumbegashvili’s April it’s the silence that cuts through us.” –
Eye for Film
May 5, 2025
Full Review
River of Grass (2025)
4/5
“Although it begins with talk of the impact of Hurricane Ian, we’ll come to learn that it’s humans who are the architects of the area’s greatest problems.” –
Eye for Film
May 5, 2025
Full Review
On Falling (2024)
94%
4.5/5
“Carreira shows how quiet desperation can be eroding” –
Eye for Film
May 4, 2025
Full Review
We Live in Time (2024)
79%
3/5
“A perfect example of just how much the stars of a film can elevate mediocre material by the strength of their performances.” –
Eye for Film
May 4, 2025
Full Review
Pink Lady (2024)
4/5
“It’s the hopefulness at the heart of their tragedy that really kills you.” –
Eye for Film
May 2, 2025
Full Review
Zodiac Killer Project (2025)
86%
4/5
“A surprisingly droll deconstruction of crime reconstruction.” –
Eye for Film
Apr 27, 2025
Full Review
Paul (2025)
4/5
“In what is probably Côté's most straightforwardly observational film to date, the fictions come baked in” –
Eye for Film
Apr 25, 2025
Full Review
Emergent City (2024)
100%
4/5
“While there’s no doubt the directors have a sympathetic slant towards the community, this is a film that is interested in exploring all the angles.” –
Eye for Film
Apr 23, 2025
Full Review
¡Quba! (2025)
100%
3/5
“Anno, while acknowledging the history through the use of archive and via her interviewees, firmly accentuates the positives and the strides that have been made” –
Eye for Film
Apr 19, 2025
Full Review
The Return (2024)
78%
4/5
“Fiennes is lean in look and in performance, bringing an intensity that proves compelling.” –
Eye for Film
Apr 14, 2025
Full Review
Leila and the Wolves (1984)
4/5
“It’s also striking to think that when Leila is looking forward into the future, she is already, in some senses, looking at our recent past, which only reinforces the sense of the cyclical and ongoing nature of her themes.” –
Eye for Film
Mar 31, 2025
Full Review
The Problem of the Hero (2023)
95%
3.5/5
“The film, directed by feature debutant Shaun Dozier, retains the density of dialogue you might expect from a stage play but, by leaning into the theatrical nature of the proceedings, Dozier is in some ways able to make this into a virtue.” –
Eye for Film
Mar 30, 2025
Full Review
When Fall Is Coming (2024)
95%
4/5
“The delight of the drama stems from the well crafted characters, while its heft hinges on toxicity that may not be immediately obvious.” –
Eye for Film
Mar 30, 2025
Full Review
Tornado (2025)
82%
3/5
“The script is lean, the sword edges keen and the characters mean.” –
Eye for Film
Mar 20, 2025
Full Review
Monk in Pieces (2025)
“While there are points at which you wish the directors would dig a little deeper in their questioning of Monk... fans will welcome this up-close look at her. Their approach also makes it an accessible introduction for newcomers to Monk’s oeuvre.” –
Screen International
Mar 19, 2025
Full Review
Child of Dust (2025)
“Sombre but tenderly shot and heartfelt, Mliczewska’s quiet and intimate observational film brims with feeling. ” –
Screen International
Mar 18, 2025
Full Review
Free Leonard Peltier (2025)
“While Jesse Short Bull and David France’s film is firmly anchored in Peltier’s story, it also uses his experience as a springboard to highlight the oppression, institutional racism and abuse faced by Native Americans.” –
Screen International
Mar 17, 2025
Full Review
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