The Witcher: Sirens of the Deep (2025)
58%
“Sirens of the Deep is perhaps a touch more predictable than most Witcher stories...but there are enough tragic and heartfelt twists to keep things interesting.” –
The Verge
Feb 11, 2025
Full Review
Train Dreams (2025)
97%
“An understated portrait of a life, oscillating between heartbreaking tragedy and hopeful beauty.” –
The Verge
Feb 10, 2025
Full Review
Zodiac Killer Project (2025)
85%
“...a surprisingly compelling story on its own, but also one that serves as a clever deconstruction of true crime, and a very open look at the editorial decisions that shape the genre.” –
The Verge
Feb 10, 2025
Full Review
LUZ (2025)
44%
“It attempts to throw in some tension through other means...but ultimately Luz is too meandering to remain captivating for long.” –
The Verge
Feb 10, 2025
Full Review
Bubble & Squeak (2025)
35%
“The movie is, obviously, ridiculous...but it awkwardly tries to mash its humor with a more sincere tale of a couple facing their differences that never really comes together.” –
The Verge
Feb 10, 2025
Full Review
By Design (2025)
71%
“The movie can drag in moments, particularly because of its lengthy narration, but its strange vision is weirdly charming and eventually pushes towards a surprisingly intense climax.” –
The Verge
Feb 10, 2025
Full Review
Didn't Die (2025)
63%
“Didn’t Die starts out as mostly a comedy, with the scary bits serving as background, but...it becomes a touching –and tragic – story of family and loss, one that ends on a heartwarming and hopeful note.” –
The Verge
Feb 10, 2025
Full Review
The Legend of Ochi (2025)
80%
“The creature design is incredible, and there’s a lot of mystery to the post-apocalyptic seeming world. Ultimately, though, Ochi is a charming-yet-fairly-standard family-friendly adventure. ” –
The Verge
Feb 10, 2025
Full Review
We Live in Time (2024)
79%
“The film does a great job of balancing its heart-rending story with hilarious jokes, but the most notable thing is the way it deftly jumps around in time.” –
The Verge
Sep 16, 2024
Full Review
Megalopolis (2024)
45%
“For all of its good intentions, Megalopolis is a confusing, bloated disaster.” –
The Verge
Sep 16, 2024
Full Review
Heretic (2024)
91%
“This pathological need to be right is pushed to its extreme as Heretic moves along; it starts out a little silly and funny but eventually is just terrifying.” –
The Verge
Sep 11, 2024
Full Review
The Life of Chuck (2024)
86%
“The Life of Chuck indulges many of his worst tendencies, not only the lack of subtlety but also a penchant for lengthy monologues and schmaltz. Those elements can occasionally undermine his horror work, but they happen to suit The Life of Chuck perfectly.” –
The Verge
Sep 11, 2024
Full Review
The Wild Robot (2024)
96%
“The nods to Iron Giant and Castle in the Sky are pretty obvious, but even still Wild Robot carves out its own distinct vibe” –
The Verge
Sep 10, 2024
Full Review
All of You (2024)
83%
“All of You skillfully explores the mess, chaos, and pain inherent in love. I wish its sci-fi elements were more developed, but the rest hits hard.” –
The Verge
Sep 10, 2024
Full Review
Ick (2024)
71%
“It looks and sounds the part, but leaves itself stranded in the middle: not funny enough to be a spoof, and not scary enough to work as horror.” –
The Verge
Sep 9, 2024
Full Review
William Tell (2024)
56%
“Despite being a movie filled with blood and dirt, it’s all too clean, adhering to a strict formula of daring heroes, cartoonish villains, rousing speeches, and battles that, like the arrow hitting the apple, are never in doubt.” –
The Verge
Sep 9, 2024
Full Review
The End (2024)
56%
“Filled with dark humor and even darker revelations, the film also happens to be an uplifting musical, but those two sides never gel in a satisfying way. Instead, it ends up feeling bloated and, even worse, doesn’t have memorable songs.” –
The Verge
Sep 9, 2024
Full Review
Atlas (2024)
19%
“Atlas was a chance to take an urgent AI conversation and explore it in an approachable Hollywood package. It could've been fun and smart — instead, like a lot of AI right now, it's neither.” –
The Verge
May 24, 2024
Full Review
Mars Express (2023)
100%
“Mars Express isn’t the kind of revelatory experience that surpasses the film’s obvious inspirations, but it’s a welcome addition to the canon.” –
The Verge
May 3, 2024
Full Review
Spaceman (2024)
50%
“Spaceman starts out as a cute but weird buddy story but eventually morphs into a raw exploration of loneliness and coming to terms with our own personal failings.” –
The Verge
Mar 4, 2024
Full Review
Totally Killer (2023)
86%
“Totally Killer really understands the space it’s working in and has a lot of fun twisting — and slashing — that framework to its own devious ends.” –
The Verge
Oct 9, 2023
Full Review
Fingernails (2023)
60%
“It’s sweet and funny and occasionally grotesque — the rare romantic comedy that might make you wince.” –
The Verge
Oct 2, 2023
Full Review
No One Will Save You (2023)
83%
“No One Will Save You is a delightful surprise, and it comes just in time for spooky season. It’s a tight, focused thriller with a unique concept...” –
The Verge
Sep 25, 2023
Full Review
Biosphere (2022)
80%
“Biosphere doesn’t quite stick the landing — it tries to end on an open question, but it’s just a little too vague — but the journey there is well worth watching.” –
The Verge
Jul 3, 2023
Full Review
Paint (2023)
31%
“It’s not ridiculous enough to be funny and not charming enough to make you invested in what happens. Luckily, there are plenty of other places in the world to experience the joy of Bob Ross.” –
The Verge
Apr 4, 2023
Full Review
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