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April Wolfe

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
The Lair of the White Worm (1988) 69% “What's so wonderful about Russell's quintessential female villain is that she embodies a sense that evil has no gender. It has no feelings. It simply is, and it's quite fun to get to know it.” – Film Comment Magazine Sep 20, 2019 Full Review Perfect (2018) 21% “There's a lack of control and specificity in their themes and how they play out, so it's never quite clear why the filmmakers are telling this story and what they're trying to get across.” – TheWrap May 17, 2019 Full Review Be Natural: The Untold Story of Alice Guy-Blaché (2018) 96% “The breadth of detail about not just film and Guy-Blaché's body of work but also the actual process of how a woman's work gets erased is jaw-dropping, and Be Natural has the potential to completely upend the canon of international cinema.” – TheWrap Apr 20, 2019 Full Review Wild Nights With Emily (2018) 89% “With a tone evocative of Drunk History, the film approaches storytelling with a whimsical air, where period authenticity of every object and costume isn't necessarily the focus.” – TheWrap Apr 10, 2019 Full Review Captain Marvel (2019) 79% “Absolutely grounds itself in the '90s, even evoking a riot grrrl-adjacent feeling, buoyed by a soundtrack that features almost exclusively rock fronted by female voices - a reminder of an era that showed so much promise for brash, loud women.” – TheWrap Mar 5, 2019 Full Review Ruben Brandt, Collector (2018) 82% A- “What's so grand about Ruben Brandt isn't its story or the characters, which are both abstractions. It's the animation-the detailed artwork, so dense that it warrants repeat viewings.” – AV Club Feb 13, 2019 Full Review Isn't It Romantic (2019) 70% “One of those satires that wants to have its Valentine's chocolates and eat them too.” – TheWrap Feb 12, 2019 Full Review Stieg Larsson: The Man Who Played With Fire (2018) 88% “Though documentary re-enactments can come across slapdash, Georggson's attempt to create an authentic portrait of his subject with period-appropriate production design and costuming results in a mood not unlike a David Fincher film or a Larsson novel.” – TheWrap Jan 26, 2019 Full Review Egg (2018) 100% “It's nice to see Palka embracing the messiness of feminist theses as she progresses in her career, and if she continues delivering a movie a year, someday we'll likely be able to examine the full life of a woman through the entirety of her body of work.” – TheWrap Jan 17, 2019 Full Review Destroyer (2018) 74% “Despite the film's needlessly fractured structure and a relentlessly grim story, Kidman and Kusama seem to be speaking the same language, illuminating the faults of the protagonist and of every tragic hard-boiled detective in cinematic history.” – TheWrap Dec 19, 2018 Full Review Anna and the Apocalypse (2017) 77% B- “If it was popular in the horror/teen/musical canon, it's here. That's not to say McPhail doesn't impress with his technical execution.” – AV Club Nov 27, 2018 Full Review The Ballad of Buster Scruggs (2018) 89% “Maybe all these dutifully meaningless stories would have been easier to swallow spaced out into standalone episodes, as the directors had originally planned.” – Denver Westword Nov 15, 2018 Full Review Widows (2018) 91% “This thoughtful, textured story - though brutal at times - stands as one of the clearest depictions of turmoil, racism and nepotism in local politics that's ever been drawn onscreen.” – Denver Westword Nov 13, 2018 Full Review Bodied (2017) 89% B “Simultaneously entertaining, overwhelming, compelling, and grating, Bodied raises its hand and talks until words mean nothing and everything.” – AV Club Oct 30, 2018 Full Review Shirkers (2018) 99% “What we - and Tan - come to find is that how the director describes or sees herself in the past doesn't always match up to her collaborators' opinions of the time; this is also a story about the stories we tell ourselves.” – TheWrap Oct 25, 2018 Full Review Suspiria (2018) 65% “Like great dance, it becomes an expression of the soul.” – Denver Westword Oct 24, 2018 Full Review The Captain (2017) 83% “Hubacher's performance is a masterful physical feat.” – Village Voice Oct 22, 2018 Full Review The Sisters Brothers (2018) 87% “Ultimately a story about brotherhood, friendship and the insecurity of life in a violent place, the film injects a sweetness and innocence into the genre, mostly through one stellar performance by John C. Reilly.” – Denver Westword Oct 19, 2018 Full Review Halloween (2018) 79% “Too bad that Laurie's story is only one of this Halloween's two movies. Whoever made the decision to slash up some hot and horny teens to round out the movie has seriously undercut what might have been a horror achievement...” – Denver Westword Oct 19, 2018 Full Review Strike, Dear Mistress, and Cure His Heart (2018) 100% “The film is at its best when it's most unhinged. When Reece blocks his scenes like a theater director, some serious shades of R.W. Fassbinder's Chinese Roulette bleed through, and it's totally satisfying and electric.” – Syfy Wire Oct 19, 2018 Full Review A Star Is Born (2018) 90% “The A Star Is Born story construction has worked, again and again, because it's archetypal tragedy - nobody believes there's a happy ending in sight. But Cooper still earned every one of my tears.” – Houston Press Oct 18, 2018 Full Review Maximum Impact (2018) 9% “Hoo-boy, this movie has some pretty blatant intentions of specifically making the FSB (née KGB) look nice and not shady at all. But aside from the political implications, you'll find this film is also quite hateful of women, too. Goody!” – TheWrap Sep 26, 2018 Full Review Life Itself (2018) 13% “There is about as much honesty and genuine emotion in this film as you would find in a damage-control ExxonMobil commercial.” – Village Voice Sep 20, 2018 Full Review The Bleeding Edge (2018) 100% “Here's hoping The Bleeding Edge gets the right attention on a decidedly unsexy topic.” – Village Voice Sep 1, 2018 Full Review Let the Corpses Tan (2017) 74% “Even the carnage, here, is inspired...More times than I could count I had no idea what the hell was happening, and also just didn't care that I didn't know. Let the Corpses Tan is that strange and beautiful.” – Village Voice Aug 31, 2018 Full Review
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