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Beatrice Loayza

Beatrice Loayza's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
The Trouble with Jessica (2023) 56% “A critique about the hypocrisies of the righteous upper middle class unfolds halfheartedly, leaving us with performances that might’ve worked better in a sketch comedy scene.” – New York Times Apr 24, 2025 Full Review The President's Wife (2023) 87% “While Deneuve brings a wonderful blend of neuroses and feigned indifference to her character, the film’s pop-feminist through line dulls the comedy, creating a more conventionally celebratory portrait.” – New York Times Apr 17, 2025 Full Review G20 (2025) 58% “Intensions aside, “G20” plays well as a silly action movie. ” – New York Times Apr 10, 2025 Full Review Love Hotel (1985) “[Somai's] exquisite visual compositions (of lonely bedrooms, concrete piers, and nocturnal courtyards) infuse even the film’s racy images with a somber sense of longing and introspection, finding beauty and humanity in the midst of the macabre.” – New York Times Apr 3, 2025 Full Review Being Maria (2024) 62% “If the meandering nature of the film makes the psychic fallout seem tonally scattered, it nevertheless conveys the sense that she’s sleepwalking through life — and always fighting to snap out of it.” – New York Times Mar 25, 2025 Full Review Young Hearts (2024) 100% ““Young Hearts” is a more wholesome, and ultimately more cliché, endeavor. ” – New York Times Mar 13, 2025 Full Review There's Still Tomorrow (2023) 89% “This struggle is carried out with larger-than-life dramatics and touches of fantasy that make the film, for all its grim, real-life parallels, something of an escapist pleasure.” – New York Times Mar 6, 2025 Full Review Rats! (2024) 77% “Bizarre digressions...will leave you slack jawed, whether you vibe with the film’s particularly obscene style of deadpan absurdism or not. If anything, the onslaught of weirdness is hypnotizing. ” – New York Times Feb 28, 2025 Full Review Parthenope (2024) 45% “At least the hypnotizing Dalla Porta brings a strength and sadness to the role that underscores the film's most compelling argument.” – New York Times Feb 6, 2025 Full Review Night Call (2024) 81% “The film may be sticking to a familiar template, in which a regular Joe gets sucked into an underworld, but Blanchard’s snappy direction and the great mileage he gets out of the city’s nooks and crannies bumps it up the crime-action totem pole. ” – New York Times Jan 16, 2025 Full Review Endless Summer Syndrome (2024) 85% “None of these potentially intriguing avenues play out with much thought, diminishing the emotional effect of a tragedy that winds up seeming like an exercise in style.” – New York Times Dec 13, 2024 Full Review Super/Man: The Christopher Reeve Story (2024) 98% “The actor, who is best known for playing Superman in the original 1978 film (and the three sequels that followed in the 1980s), gets a suitably comprehensive tribute...” – New York Times Dec 9, 2024 Full Review Queens (Reinas) (2024) 88% “Seemingly inconsequential moments — like a cozy house party scene — shine with loving specificity, making the perpetual return to the Carlos drama feel dutiful.” – New York Times Dec 9, 2024 Full Review Witches (2024) 88% “If all women behaving badly can be summed up as witchy, then Sankey's documentary too often works like a game of associations.” – New York Times Nov 21, 2024 Full Review Anora (2024) 93% “In Sean Baker’s tragicomic film of a sex worker’s brush with wealth, he evokes auteurs of yore, who focused on the social realities of the country’s outcasts. ” – The Nation Nov 9, 2024 Full Review The Graduates (2023) 96% “Peterson’s script is frustratingly single-note and occasionally bends toward unearned sentimentality. Still, “The Graduates” feels true to its milieu.” – New York Times Nov 6, 2024 Full Review La Cocina (2024) 75% “Imagine such pressure — and, for many undocumented workers, the knowledge that you won’t be hired anywhere better. But Ruizpalacios diminishes these hard truths with flashy bids at profundity. ” – New York Times Oct 29, 2024 Full Review Smile 2 (2024) 86% “[Smile 2] is more thematically ambitious than the original, which also allows Finn to stage more satisfyingly ridiculous kills and ramp up its air of delirium. ” – New York Times Oct 17, 2024 Full Review The Universal Theory (2023) 70% “Though visually handsome, the film leaves the audience with the sense that, like a grad student, it is still working out its big ideas.” – New York Times Sep 27, 2024 Full Review Eureka (2023) 83% “Here, extra-long shots of wild splendor and oblique talk of dreams makes the film go from patient to listless. At this stage, it’s a challenging sit, but perhaps that’s the point considering where we started.” – New York Times Sep 19, 2024 Full Review Winner (2024) 54% ““Winner,” a sweeping biopic that presents [Reality] as something like an American Girl doll for the “I’m not like other girls” set.” – New York Times Sep 12, 2024 Full Review Red Rooms (2023) 96% “The film’s tension rides on the unknown, a paranoid vibe accented by Kelly-Anne’s shady online presence and Gariépy’s stark, sphinx-like performance. ” – New York Times Sep 5, 2024 Full Review The Wasp (2024) 75% “The Wasp is above all a dramatic showcase for its two actresses — that most of the action takes place in one setting, Heather’s living room, adds to this thespian powder keg. ” – New York Times Aug 29, 2024 Full Review I'll Be Your Mirror (2022) 46% “The meandering nature of the film creates a special kind of intimacy with Chloe, one that relies almost entirely on Juri’s subtly heartbreaking performance. ” – New York Times Aug 22, 2024 Full Review Kneecap (2024) 96% “Its lodestar in this regard is Trainspotting, though Kneecap feels forced by comparison. Good thing the Kneecap boys are genuinely unhinged and amusingly louche. They bring a nerve that offsets the film’s cringe attempts at badassery.” – New York Times Aug 1, 2024 Full Review
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