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Beth Hanna

Beth Hanna's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies 온라인카지노추천 Shows
The Immortalists (2014) 67% “[An] absorbing documentary.” – Thompson on Hollywood Nov 13, 2014 Full Review The Great Invisible (2014) 94% “Brown has chosen her subjects wisely, so we get a full-spectrum view of Deepwater Horizon.” – Thompson on Hollywood Oct 21, 2014 Full Review A Girl Walks Home Alone at Night (2014) 96% “By the film's conclusion, after many arresting sequences and just as many that drag, emotion hasn't built as effectively as it could if the film had been edited more mercilessly.” – Thompson on Hollywood May 2, 2014 Full Review Happy Christmas (2014) 76% “As Joe Swanberg matures as a filmmaker, he's looking at what happens to the Mumblecore generation once they get older.” – Thompson on Hollywood May 2, 2014 Full Review What We Do in the Shadows (2014) 96% “Taikia Waititi and Jemaine Clement's rollicking mockumentary "What We Do in the Shadows" shows us that bloodsuckers have banal problems, too -- like getting along with roommates.” – Thompson on Hollywood May 2, 2014 Full Review Frank (2014) 92% “Now, about Frank. Abrahamson has done something quite brilliant with the casting here, akin to Spike Jonze using Scarlett Johansson's voice in "Her."” – Thompson on Hollywood May 2, 2014 Full Review Nymphomaniac: Volume I (2014) 76% “The penultimate chapter with Slater is where the film shifts from comedy to tragedy, and von Trier somewhat salvages our emotional interest in Joe, though it does feel like too little too late.” – Thompson on Hollywood May 2, 2014 Full Review White Bird in a Blizzard (2014) 59% “The truest mark of Araki's success with this very good if flawed film may be that its finale, while completely telegraphed, is still moving -- tear-jerking, even.” – Thompson on Hollywood May 2, 2014 Full Review Obvious Child (2014) 90% “Hats off to Robespierre and Slate. They've managed to deliver a film with actual edge, which somehow retains the characteristics that any successful romantic comedy should have.” – Thompson on Hollywood May 2, 2014 Full Review Abuse of Weakness (2013) 86% “The title of the film may be "Abuse of Weakness," but Isabelle Huppert's performance as a filmmaker who suffers a stroke and then gets willingly conned by an ex-con is nothing but strong and steely-nerved.” – Thompson on Hollywood Apr 29, 2014 Full Review The German Doctor (2013) 75% “"The German Doctor" -- based on Puenzo's own novel which speculates on a murky six-month period Mengele spent in Argentina before escaping to Paraguay -- is a smart and many-layered film.” – Thompson on Hollywood Apr 22, 2014 Full Review Locke (2013) 91% “If you're going to make a film about a guy taking calls from his car -- and if half of those calls are about concrete -- then you sure as hell better cast a lead actor with command of the screen.” – Thompson on Hollywood Apr 15, 2014 Full Review The Galapagos Affair: Satan Came to Eden (2014) 83% “Constructing a true-crime film where all of the first-hand subjects are long gone is a tricky thing. Yet Geller and Goldfine rise to the challenge.” – Thompson on Hollywood Mar 31, 2014 Full Review The Retrieval (2013) 93% “The best-looking film I saw at last year's SXSW.” – Thompson on Hollywood Mar 31, 2014 Full Review It Felt Like Love (2013) 85% “First-time feature filmmaker Hittman, working with the talented DP Sean Porter, has a natural way with visuals that communicates the curiosity running rabid through the blood of summer-idle teenagers.” – Thompson on Hollywood Mar 27, 2014 Full Review Cheap Thrills (2013) 87% “Underneath the gore and giggles, it's a shrewd class critique.” – Thompson on Hollywood Mar 27, 2014 Full Review Blue Jasmine (2013) 90% “The film itself doesn't match Blanchett's stunning commitment -- which is a pity, because in various ways it is one of Allen's more unusual works in years.” – Thompson on Hollywood Mar 27, 2014 Full Review Breathe In (2013) 56% “The film boasts a solid visual style and strong performances to at first ignore the inevitable - and boring - other plot contrivances clearly at work. But they set in, alas.” – Thompson on Hollywood Mar 25, 2014 Full Review
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