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Brandon Yu

Brandon Yu's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Sacramento (2024) 87% “Angarano’s work stands capably in its own right; the central love-hate buddy dynamic is familiar, but it’s also imbued with a sweet and playful touch. ” – New York Times Apr 10, 2025 Full Review A Minecraft Movie (2025) 48% “There’s something almost refreshingly bold in the full-tilt inanity here... In a world of such factory-line adaptations, there’s more of an identity here, even if it’s a mindless one.” – New York Times Apr 2, 2025 Full Review Novocaine (2025) 81% “What keeps it from deflating into tiresome shtick (which it very nearly does) is Quaid with his gawky, boyish charisma, an actual tough guy who just doesn’t know how to act it.” – New York Times Mar 13, 2025 Full Review Captain America: Brave New World (2025) 48% “With its cheap action and garish visuals, it’s then that we enter yet another genre altogether: action-figure commercial.” – New York Times Feb 13, 2025 Full Review Parthenope (2024) 45% 1/4 “By the end, you can’t help but see Sorrentino as an earnest poet, but also one whose pretty-sounding, lushly filmed musings are for the sake of hearing his own voice rather than for creating coherent, earned meaning.” – San Francisco Chronicle Feb 8, 2025 Full Review Young Werther (2024) 71% “Booth and Pill make for a pair worth rooting for, but it’s Booth in particular, just barely but believably not of this world, who lends the film its winning sensibility. ” – New York Times Dec 13, 2024 Full Review Lake George (2024) 96% “It’s Coon’s charming performance of the eccentric victim-to-be that brings the film, written and directed by Jeffrey Reiner, into fuller focus as a crime comedy. ” – New York Times Dec 9, 2024 Full Review The Order (2024) 92% 3/4 “ “The Order,” directed by Justin Kurzel, has less interest in sermonizing about the evergreen cycles of racism in this country than in tracking a series of explosive events as a well-crafted thriller. ” – San Francisco Chronicle Dec 7, 2024 Full Review The Black Sea (2024) 92% “Moselle and Harden work with a subtle naturalistic touch that makes for a quietly sweet movie about unlikely redemption. ” – New York Times Nov 21, 2024 Full Review Red One (2024) 30% ““Red One,” a film that has the courage to ask: What if the Santa Claus story was like a Marvel movie?” – New York Times Nov 21, 2024 Full Review Meet Me Next Christmas (2024) 69% “Their adventures play out with little charm, and the writing is often baffling, including the nonstop references to Pentatonix, who are also awkwardly featured in scenes throughout.” – New York Times Nov 7, 2024 Full Review Brothers (2024) 44% “Brolin and Dinklage might seem like a magnetic pair of bickering twins — and they are what is keeping this ship from sinking — but mostly it’s dismaying to see such strong dramatic actors stifled in such a sedate comedy.” – New York Times Oct 17, 2024 Full Review Bad Genius (2024) 72% “"Bad Genius” doesn’t actually have the political bite to back its bark. For all of its declarations meant to be scathing indictments of a rigged system, it is glaringly resistant to ever saying the word “white.” ” – New York Times Oct 11, 2024 Full Review Killer Heat (2024) 18% “The twists and pedestrian dramatics are a stiff slog to get to, and Gordon-Levitt’s once innate charisma has vanished altogether here; his cheap P.I. outfit itself seems to be wearing him more than the other way around. ” – New York Times Sep 26, 2024 Full Review Transformers One (2024) 89% “Cooley’s film makes a good spinoff suddenly seem simple: Sometimes all you need is the imagination for heroes and villains, betrayal and glory — and heaps of plastic to smash together.” – New York Times Sep 19, 2024 Full Review Slingshot (2024) 38% “... A film that attempts to graft tropes of the genre onto the inescapable corners of a spaceship, but can’t find the actual parts to make the transfer.” – New York Times Aug 29, 2024 Full Review The Crow (2024) 21% “But ultimately what this version, directed by Rupert Sanders, is spiritually derived from is neither the film nor the comic, but rather the flattened popular image that the film produced — a Hot Topic-style version of alternative consciousness. ” – New York Times Aug 23, 2024 Full Review The Imaginary (2023) 91% “The movie falters periodically under the weight of its own dream logic, which can be hard to follow or flimsily constructed as the story gains momentum. But it’s mostly easy to move past those flaws in a work of such rich magical realism and heart.” – New York Times Jul 8, 2024 Full Review Despicable Me 4 (2024) 56% ““Despicable Me 4,” the latest, messily passable iteration of the deliriously successful franchise that follows the adventures of the reformed supervillain Gru.” – New York Times Jul 8, 2024 Full Review Fancy Dance (2023) 96% “Tremblay’s film is not always graceful — the dialogue and acting can be stilted, and one hopes for a little more formal rigor — but it’s a strong debut undergirded by a palpably real emotional core and an un-showy sense of the reality of reservation life.” – New York Times Jun 27, 2024 Full Review The Garfield Movie (2024) 37% “In all his indolence, even Garfield would have dragged himself up to change the channel.” – New York Times May 24, 2024 Full Review In Our Day (2023) 100% “As warm and wise as it is simple and languid...” – New York Times May 16, 2024 Full Review Wildcat (2023) 59% “Half-sketched and sometimes hard to follow, the stories glimpsed here ultimately fail to produce a fully legible or consistently engaging arc of what must be a roiling inner world.” – New York Times May 2, 2024 Full Review The First Omen (2024) 83% “The film revels in mashing up familiar genres: the monster movie, body horror and the Gothic church thriller. But it injects a revitalizing juice into the franchise — smartly edited and well paced, with a good cinematic eye.” – New York Times Apr 4, 2024 Full Review Cobweb (2023) 74% ““Cobweb” falls victim, ironically, to its own punchline — becoming a movie that is too obsessed with itself.” – New York Times Feb 8, 2024 Full Review
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