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Brian Tallerico

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
The Great Arch (2025) “A dramatic film about architecture is an inherently risky proposition and “The Great Arch” gets lost in the details that Von Spreckelsen considered so important.” – RogerEbert.com May 17, 2025 Full Review A Pale View of Hills (2025) “The misdirection and melodrama morph into something that’s truly difficult to see.” – RogerEbert.com May 17, 2025 Full Review Dossier 137 (2025) 100% “A study of police violence and corruption that writes itself into a corner and then, brilliantly, forces us to sit there.” – RogerEbert.com May 17, 2025 Full Review Amrum (2025) “The root of the problem is that Akin shoots his coming-of-age tale with lush compositions that undermine any potential veracity.” – RogerEbert.com May 17, 2025 Full Review The Mysterious Gaze of the Flamingo (2025) “It’s a bit repetitive, often feeling like a better short pulled to feature length. But Céspedes definitely has a voice worth hearing and an eye worth seeing.” – RogerEbert.com May 17, 2025 Full Review The Plague (2025) “Charlie Polinger dives into familiar waters with confident direction of young performers and an ability to wring tension even with a story that is on a relatively predictable rail.” – RogerEbert.com May 17, 2025 Full Review Eddington (2025) 65% 2.5/4 “It’s not just about the divisiveness of 2020; it’s designed to be divisive itself in 2025. To that end, even if you hate it, it’s kind of done its job.” – RogerEbert.com May 17, 2025 Full Review Reedland (2025) “Confidently made, Bresser’s film sometimes gets stuck in pregnant pauses that push through realism into affectation, but it’s an interesting production” – RogerEbert.com May 16, 2025 Full Review Mission: Impossible - The Final Reckoning (2025) 81% 2.5/4 “By taking itself so seriously, “Final Reckoning” loses the cheeky ingredient in the recipe. It’s less fun, and that’s truly disappointing for a series that has given us some of the most exhilarating setpieces in action history.” – RogerEbert.com May 15, 2025 Full Review Thunderbolts* (2025) 88% 2.5/4 “An odd duck of a superhero flick, one that almost leans into the skid of the MCU, and, by doing so, might actually straighten it out.” – RogerEbert.com Apr 29, 2025 Full Review On Swift Horses (2024) 51% 3/4 ““On Swift Horses” stumbles a little bit on its way around what feels like an extremely rushed final lap, but this is still a winner.” – RogerEbert.com Apr 25, 2025 Full Review Until Dawn (2025) 53% 1.5/4 “They actually came up with a really clever idea … and then did almost nothing with it.” – RogerEbert.com Apr 25, 2025 Full Review A Minecraft Movie (2025) 48% 2.5/4 “ “A Minecraft Movie” is quirky and goofy enough to make one wish it held together better overall, but it’s also a likable venture.” – RogerEbert.com Apr 14, 2025 Full Review Zero (2024) 44% 2.5/4 “This is an admirable effort, an action thriller that somehow feels both familiar and fresh at the same time.” – RogerEbert.com Apr 11, 2025 Full Review The Amateur (2025) 60% 1.5/4 “Malek and director James Hawes never put us in Heller’s shoes, keeping us at a distance through every choice they make, from Malek’s quirky performance to a color palette so depressingly underlit that it made me want to scream. ” – RogerEbert.com Apr 8, 2025 Full Review 825 Forest Road (2025) 36% 1/4 “Cognetti’s skill with found footage does him no favors here, as this flick is laden with awful dialogue, worse performances, dumb plotting, and a truly inane ending. Set your horror GPS to a different location.” – RogerEbert.com Apr 4, 2025 Full Review Screamboat (2025) 53% 2/4 “It almost works enough to recommend even to those not clamoring to see it. It could be funnier. It could be a lot smarter. It could look better. But it also could have been significantly worse.” – RogerEbert.com Apr 2, 2025 Full Review Locked (2025) 66% 1.5/4 ““Locked” starts promisingly, and then almost refuses to really go anywhere, trapped by its own concept and unwillingness to do anything thematically richer than “wealthy people be crazy.”” – RogerEbert.com Mar 21, 2025 Full Review The Surrender (2025) 83% “Max has some intriguing ideas, but she’s too willing to verbalize them with dialogue that sounds unnaturally intent on conveying theme instead of building character.” – RogerEbert.com Mar 16, 2025 Full Review Descendent (2025) 90% “Cilella keeps the plates spinning enough to make one curious about his follow-up. ” – RogerEbert.com Mar 16, 2025 Full Review Redux Redux (2025) 96% “It’s smart, terrifying, and the best indie genre film I saw at SXSW this year.” – RogerEbert.com Mar 16, 2025 Full Review Brother Verses Brother (2025) 100% “It’s a sweet, smart movie that’s not only unlike anything I saw at SXSW this year, but anything I’ll see anywhere all year.” – RogerEbert.com Mar 14, 2025 Full Review Fantasy Life (2025) “A comedy that doesn’t just give Amanda Peet a comeback role but might feature her best screen work to date.” – RogerEbert.com Mar 14, 2025 Full Review Nirvanna the Band the Show the Movie (2025) 100% “It’s consistently funny, smart, and even sweet, a nice reflection of what makes Johnson a special filmmaker.” – RogerEbert.com Mar 14, 2025 Full Review The Actor (2025) 79% 2.5/4 “An undeniably haunting piece of work, a story that’s out of place and time in a world that’s like our own but not quite. Rod Serling would have dug it.” – RogerEbert.com Mar 14, 2025 Full Review
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