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Brianna Zigler

Brianna Zigler's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
April (2024) 96% 7.5/10 “April is overall equal parts disturbing and enthralling, arresting and miserable; a gorgeous slow-burn pressure cooker that culminates in a quiet condemnation of the powers complicit in women’s suffering while offering no catharsis.” – Paste Magazine Apr 25, 2025 Full Review Eric LaRue (2023) 69% C+ “Though carried by a subtle and strenuous performance from Greer, Eric LaRue's intentionally unanswered questions do less to provoke than render the film a collage of well-meaning, half-finished sentiments.” – AV Club Apr 2, 2025 Full Review Warfare (2025) 93% B+ “In the events recalled for this film, Warfare offers a sobering glimpse into the pointless butchery of human life, and the indifference bred towards it, in the name of blind nationalism.” – AV Club Mar 28, 2025 Full Review A Working Man (2025) 49% D “A Working Man is a largely tiresome action flick that can’t overcome the pedestrian trappings of its filmmakers’ own banality.” – AV Club Mar 26, 2025 Full Review Opus (2025) 41% C “The many ideas of Opus congeal together into a colorless mass, like saliva pooling on a hunk of shared bread.” – AV Club Mar 13, 2025 Full Review Seven Veils (2023) 77% C “Yet in spite of the script’s disinterest in nuance, where it ends up is annoyingly vague and thematically imprecise.” – AV Club Mar 7, 2025 Full Review Last Breath (2025) 79% B- “A pulse-pounding, high concept bio-drama, Last Breath is a commendable technical feat, though its melodrama falls short.” – AV Club Feb 28, 2025 Full Review Old Guy (2024) 27% D “Old Guy is as boilerplate as its title, which, on the surface, evokes a playful irony that is nowhere to be found in the final product.” – AV Club Feb 21, 2025 Full Review The Gorge (2025) 63% C “Handled with this journeyman approach, without any original spark, The Gorge stands as a collage of familiarity that breeds not contempt but resignation.” – AV Club Feb 13, 2025 Full Review A Complete Unknown (2024) 82% 4.5/10 “In the end, A Complete Unknown neither meaningfully conveys Dylan’s mythology nor exposes him as human. There’s more fulfillment to be gained from listening to “The Very Best of Bob Dylan.”” – Paste Magazine Dec 21, 2024 Full Review The Last Showgirl (2024) 83% B- “It’s Pamela Anderson’s deceptively fragile performance that shoulders The Last Showgirl, her breathy, girlish rasp the perfect match for Shelly’s fluttery chatterbox personality.” – AV Club Dec 13, 2024 Full Review Y2K (2024) 42% C- “ Y2K comes across as the result of the most banal instincts of an artist who fell victim to nostalgia trends of his own: trying to recapture something that worked in the past instead of trying something new.” – AV Club Dec 5, 2024 Full Review Elevation (2024) 55% D “It’s odd and impersonal, and produces a film that feels just as detached from its visual style as it does from its characters.” – AV Club Nov 9, 2024 Full Review Small Things Like These (2024) 94% B “Functions as a reminder that everyone within them has the power to do good—even if it feels inconsequential, and especially if it feels like a risk.” – AV Club Nov 6, 2024 Full Review We Live in Time (2024) 79% D+ “We Live In Time’s worst sin is making its thin characters so damn boring.” – AV Club Oct 10, 2024 Full Review The Shrouds (2024) 75% 7.0/10 “The Shrouds might not be Cronenberg’s most accessible or cohesive film, but it’s just as muddled as the process of coping with mortality in a world where we are pulled steadily further from what makes us human.” – Paste Magazine Oct 9, 2024 Full Review Eephus (2024) 100% 7.6/10 “A sweet, simple film, but its simplicity should not be taken for a lack of profundity. Carson Lund and co. have crafted more than a “baseball movie,” an elegy for these fleeting things in life that bring people together. ” – Paste Magazine Oct 3, 2024 Full Review Maria (2024) 75% C+ “Saddled with the pasts of two world-renowned stars, Maria is more like an emblem of the burden of fame than a dissection of the humanity at its core.” – AV Club Oct 3, 2024 Full Review The Brutalist (2024) 93% B “The Brutalist is impressive, but like the technically brilliant construction at its core, never feels wholly worthy of the suffering put into it.” – AV Club Oct 1, 2024 Full Review A Real Pain (2024) 96% B- “It’s much heavier subject material, but Eisenberg tackles it with a light, if not particularly ambitious touch, working in familiar territory until concluding on a refreshingly ambiguous note. ” – AV Club Oct 1, 2024 Full Review Apartment 7A (2024) 43% 3.5/10 “The recognizable beats are hit, beats which play out much better in a film from 56 years ago, which is just as available on streaming as Apartment 7A.” – Paste Magazine Sep 26, 2024 Full Review Look Into My Eyes (2024) 91% B+ “Lana Wilson’s documentary about psychics in New York City is a simple film: it interviews and follows a group of psychics, while recording psychic readings with their real-life clients.” – AV Club Sep 9, 2024 Full Review His Three Daughters (2023) 98% B “His Three Daughters is a sentimental, sweet, and very “actorly” film, and feels more like a stage play despite being written for the screen.” – AV Club Sep 6, 2024 Full Review Blink Twice (2024) 75% B “Blink Twice comes from a place of ambition, one somewhat defiant of the modern mainstream. ” – AV Club Aug 22, 2024 Full Review Skincare (2024) 69% C- “It’s a film about the costs of selling your own superficiality to the world only ends up just as superficial.” – AV Club Aug 15, 2024 Full Review
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