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Cameron Meier

Tomatometer-approved critic
Biography:

Cameron Meier is a Florida-based critic whose reviews and articles appear regularly in The Orlando Weekly and on MeierMovies.com. His writing has also been featured in The San Antonio Current, The Detroit Metro Times and the Jacksonville Folio Weekly. Cameron also serves as vice president of Paul Meier Dialect Services and executive editor of the International Dialects of English Archive (IDEA).

Critics' Group:

Reviews

Movies 온라인카지노추천 Shows
Mr. K (2024) 80% 2/5 “I applaud your imagination, Ms. Schwab, but next time spend more time channeling Rod Serling. For while Mr. K’s dimension has plenty of sight and sound, it doesn’t have enough mind.” – MeierMovies.com Apr 22, 2025 Full Review Stolen Kingdom (2025) 3/5 “"Stolen Kingdom" is an entertaining, comical, disturbing and downright tragic look at what was once supposed to be a cultural utopia. ” – Orlando Weekly Apr 9, 2025 Full Review Here (2024) 37% 2.25/5 “The film is filled with fascinating ideas and the best premise of any 2024 movie. But thanks to heavy-handed dialogue, ham-fisted directing, on-the-nose messaging and overly broad acting, it’s one of the most disappointing movies of the year.” – MeierMovies.com Jan 31, 2025 Full Review A Complete Unknown (2024) 82% 4/5 “"A Complete Unknown" [is] the perfect title for [Dylan's] bio-pic, as it seems the answer to the age-old question “Who is Bob Dylan?” is still blowin’ in the wind.” – MeierMovies.com Dec 11, 2024 Full Review Nightbitch (2024) 59% 1.75/5 “It’s a mongrel: a film only a mother could love.” – MeierMovies.com Dec 6, 2024 Full Review Shoshana (2023) 71% 2.75/5 “The love affair feels sandwiched in and forgotten at times, while the entire narrative is occasionally jumbled and rushed. Nevertheless, the film is an important reminder that the Middle East has been blowing itself apart for well over a century. ” – Orlando Weekly Nov 2, 2024 Full Review All About the Levkoviches (2024) 3.25/5 “[The lead character's] son might not understand his pain, but director Adam Breier does, and he mines that pain to produce a fine film.” – Orlando Weekly Nov 2, 2024 Full Review Stay with Us (2022) 83% 3.5/5 “The genre-bending movie is the fest's best and most original thanks to its many nuggets of wisdom, such as a rabbi's advice to "never ask directions from someone who knows the way, or you will never be able to get lost. ... You're fortunate to be lost."” – Orlando Weekly Nov 2, 2024 Full Review Girls Will Be Girls (2024) 100% 3.25/5 “Assured, tender, well-acted, naturalistic and surprisingly complicated, the coming-of-age film has a lot to say about girls, and women.” – Orlando Weekly Oct 3, 2024 Full Review The Red Suitcase (2023) 3.75/5 “Rod Serling would be proud.” – Orlando Weekly Oct 3, 2024 Full Review Joker: Folie à Deux (2024) 31% 3.25/5 “An eclectic and original vision from Phillips, who again co-wrote the script with Scott Silver (based, of course, on DC Comics characters), the film both embraces and transcends its weirdness.” – MeierMovies.com Oct 3, 2024 Full Review The Critic (2023) 52% 2.5/5 “In the end, it’s not about much of anything at all.” – MeierMovies.com Sep 9, 2024 Full Review Beetlejuice Beetlejuice (2024) 75% 3/5 “The story is a mess, but that matters little if the mood is right, and it mostly is thanks to a totally beetle-shit-crazy Burton, who is entirely in his element. ... [The film] represents a healthy dose of pure insanity.” – MeierMovies.com Sep 6, 2024 Full Review Widow Clicquot (2023) 80% 3/5 “Despite sumptuous art direction, costumes and cinematography, "Widow Clicquot" would be rather pedestrian ... if not for Haley Bennett, who, in the title role, successfully balances vulnerability and power, while projecting her trademark radiance. ” – MeierMovies.com Jul 17, 2024 Full Review Le chêne (2022) 4/5 “This stunning French nature documentary, in just 80 narration-less minutes, rids your mind of the problems of the modern world, replacing them with an oak tree and the creatures great and small living in and around it. ” – MeierMovies.com Jul 9, 2024 Full Review Daddio (2023) 76% 2.5/5 “Cleverly executed visuals, sharp editing and well-meaning performances aren’t quite enough for "Daddio." It’s often engaging, ... but just like all the taxi rides I’ve taken in my life, I forgot this one as soon as the cab door slammed shut.” – MeierMovies.com Jun 30, 2024 Full Review Kinds of Kindness (2024) 71% 3.25/5 “"Kinds of Kindness" is less than the sum of its parts. But the parts are spasmodically fantastic and, when allowed to simmer in the film’s Louisiana kitchen, produce the strangest three-course meal of the year. Dig in.” – MeierMovies.com Jun 26, 2024 Full Review Pignorant (2024) 4/5 “Do a few minutes of taste enjoyment override the right of sentient beings to exist? If you eat pork ... that is the question you must ask yourself. And if you either refuse to answer or have no interest in "Pignorant," you just might be a sociopath.” – MeierMovies.com May 30, 2024 Full Review The Dead Don't Hurt (2023) 86% 2.25/5 “"The dead don’t hurt.” But the missed opportunities of a promising story, memorable ambience and two good lead performances ache excruciatingly.” – MeierMovies.com May 20, 2024 Full Review Unfrosted (2024) 40% 1.75/5 “"Unfrosted" might be the best commercial ever made, but it’s not much of a movie.” – MeierMovies.com May 10, 2024 Full Review Wildcat (2023) 59% 2.5/5 “The film might mean more to those familiar with the author’s short stories and novels, as the script repeatedly adopts an “embedded narrative” that blurs the line between O’Connor’s life and her characters’.” – MeierMovies.com Apr 23, 2024 Full Review Tuesday (2023) 76% 3.25/5 “I hope you love it to death.” – MeierMovies.com Apr 17, 2024 Full Review The Way We Speak (2024) 94% 1.75/5 “What could have been a fascinating examination of one man’s pomposity, a discourse on religion and a socio-political dialogue – "My Dinner with Andre" meets "Inherit the Wind" – instead gets mired in tedium. ” – MeierMovies.com Apr 16, 2024 Full Review Ghostlight (2024) 99% 3.5/5 “[Dan] identifies with the characters in such a way as to stretch believability – if not for the well-placed ambiguities and subtle reveals of Kelly O’Sullivan’s sensitive script.” – MeierMovies.com Apr 16, 2024 Full Review The Beast (2023) 86% 4/5 “One can almost hear Elise McKenna asking Richard Collier, “Is it you?” Yes, it is he, and in both "Somewhere in Time" and "La Bête," as William Fawcett Robison predicted, he came to destroy her, again and again.” – MeierMovies.com Apr 16, 2024 Full Review
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