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Chad Byrnes

Chad Byrnes's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Death of a Unicorn (2025) 54% “The action sequences are surprisingly intense, violent, funny, and deftly handled.” – LA Weekly/Village Voice Mar 31, 2025 Full Review Becoming Led Zeppelin (2025) 83% “Thankfully, MacMahon’s profile of the band is so seamlessly crafted and engaging that you might not miss the dirty details of the band’s personal lives, instead surrendering to the film’s primary subject: the music. ” – LA Weekly/Village Voice Feb 12, 2025 Full Review A Complete Unknown (2024) 82% “Although the film lacks the dramatic thrust and discernible character arc of Mangold's other biopic, Walk the Line, it's still an engrossing examination of talent and the pitfalls of fame. ” – LA Weekly/Village Voice Jan 4, 2025 Full Review Babygirl (2024) 76% “Reijn has a way of playing off-key notes with precision, shedding light on moments where awkwardness and intention share the same troublesome space. ” – LA Weekly/Village Voice Jan 4, 2025 Full Review A Real Pain (2024) 96% “Although Benji’s slight characterization keeps the movie from reaching any kind of transcendence, it’s still a crisply paced and ultimately embracing journey into history, pain, and how we contextualize those things in our daily existence.” – LA Weekly/Village Voice Nov 5, 2024 Full Review We Live in Time (2024) 79% “Still, warts and all, Crowley has crafted an endearing movie that is happy to be an unabashed, crowd-pleasing homage to love, life, and, ultimately, death.” – LA Weekly/Village Voice Oct 14, 2024 Full Review Megalopolis (2024) 45% “ It’s painful on a truly impressive level.” – LA Weekly/Village Voice Sep 27, 2024 Full Review The Bikeriders (2023) 80% “The movie’s real surprise is Jodie Comer, who practically steals all the thunder from the boys. ” – LA Weekly/Village Voice Jun 20, 2024 Full Review Furiosa: A Mad Max Saga (2024) 90% “Ultimately, there are just enough cool set pieces, enthralling action sequences, and moments of cruel humor to help us build a vehicle that might be a little clunky but will still get us to a post-apocalyptic nirvana. ” – LA Weekly/Village Voice May 28, 2024 Full Review Civil War (2024) 81% “Civil War is not only a tightly paced thriller but a passionate defense of journalism. ” – LA Weekly/Village Voice Apr 12, 2024 Full Review Miller's Girl (2024) 30% “Bartlett’s debut is definitely affected, absurd and at times clownish, but it’s never dull. And, if you’re willing to bathe in this Tennessee swamp instead of sprinting to the showers, you’ll find that Bartlett actually has a point of view.” – LA Weekly/Village Voice Jan 26, 2024 Full Review I.S.S. (2023) 61% “It looks great, thanks to cinematographer Nick Remy Matthews, and the performances are tense, realistic and gritty.” – LA Weekly/Village Voice Jan 22, 2024 Full Review The Iron Claw (2023) 89% “Thanks to Durkin’s uncanny filmmaking, the story takes on several gradations, working as both an intimate portrait of a family in crisis and a searing indictment on good ol’ American ambition.” – LA Weekly/Village Voice Dec 26, 2023 Full Review Poor Things (2023) 93% “Poor Things is an audaciously alive and wicked affair whose success mostly rests on the shoulders of its heroine. Emma Stone’s performance is so outlandishly brash but deceptively internal, it will be remembered for years.” – LA Weekly/Village Voice Dec 12, 2023 Full Review The Holdovers (2023) 97% “In his latest film, Payne foregoes some of his trademark cynicism and goes straight for the heart, resulting in a touching seasonal film for people who aren’t that jazzed about the holidays.” – LA Weekly/Village Voice Nov 10, 2023 Full Review The Passenger (2023) 88% “There are simply too many scenes with Benson pointing a gun at people and yelling, “Shut the f— up!” After a while, it feels rote and rehashed in a movie that was anything but up to that point. Even with the road bumps, it’s a thrilling ride overall.” – LA Weekly/Village Voice Aug 18, 2023 Full Review King on Screen (2022) 65% “Ultimately, King on Screen is an amusing profile of an American treasure, but it’s simply not as intricate or intense as it should be. The man himself will surely be charmed by the film as it features his colleagues and friends paying homage.” – LA Weekly/Village Voice Aug 18, 2023 Full Review No Hard Feelings (2023) 70% “No Hard Feelings has a breezy, pleasurable quality, regardless. And let’s not forget Jennifer Lawrence, who’s as fiery as ever, bringing grit and sass to every vacillating emotion.” – LA Weekly/Village Voice Jul 8, 2023 Full Review Desperate Souls, Dark City and the Legend of Midnight Cowboy (2022) 91% “ As more and more disenfranchised people are being silenced by the majority in this country, this movie is a reminder that film is not only a powerful chronicle of a time in history, but a valuable weapon to fight back.” – LA Weekly/Village Voice Jul 8, 2023 Full Review Beau Is Afraid (2023) 68% “There’s a lot to admire here, regardless. The performances are incredible, particularly Phoenix, who’s able to peek through Beau’s docile reserve to reveal a genuinely suffering soul. He injects the movie with the compassion the screenplay lacks. ” – LA Weekly/Village Voice May 29, 2023 Full Review Air (2023) 93% “Watching a bunch of frumpy dudes in beige offices isn’t the cinematic equivalent of Lawrence of Arabia. But these are the same reasons the movie works; it sets itself up for failure, then ends up a real slamdunk” – LA Weekly/Village Voice May 29, 2023 Full Review A Good Person (2023) 57% “There are some undeniably foreboding moments, but thankfully, it wades into darker territory without quickly brightening everything with a cute scenario.” – LA Weekly/Village Voice May 29, 2023 Full Review Champions (2023) 59% “ If Farrelly held back on extolling his magnanimity and took a more objective approach to the story and main character, the end result would’ve been as brave as the kids it portrays.” – LA Weekly/Village Voice May 29, 2023 Full Review Somebody I Used To Know (2023) 70% “There’s no doubt that Somebody I Used to Know (which references the Gotye song in title only) is an intelligent and sweet romp. Brie is an undeniable talent as are Ellis and Clemons, who all exude an infectious humanity.” – LA Weekly/Village Voice Feb 23, 2023 Full Review Seriously Red (2021) 55% “Messy or not, there’s still enough here to recommend a blasé Sunday morning watch. Even if it’s not that funny, the movie still exudes an innocent, warm glow.” – LA Weekly/Village Voice Feb 23, 2023 Full Review
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