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Clara Miranda Scherffig

Clara Miranda Scherffig's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies 온라인카지노추천 Shows
Wasp Network (2019) 40% “It's too bad for the stellar cast, who are sacrificed for the film's admirable but undeveloped entry points: entertain telling a lesser-known story and draw parallels with todays' global migration debates.” – Cinema Scope Sep 16, 2019 Full Review Ema (2019) 88% “Like her new relatives, we observe with awed, questioning eyes.” – Cinema Scope Sep 10, 2019 Full Review Sun (2019) 100% “Sole is a reserved film, its rhythm controlled by silent, hyper-composed, mostly still shots, ut the otherwise flat narrative is stirred by several nearly imperceptible movements.” – Cinema Scope Sep 10, 2019 Full Review Marriage Story (2019) 95% “Marriage Story doesn't want you to take sides-if you do, it may be that you've chosen the performer, or their performance of their part.” – Cinema Scope Sep 5, 2019 Full Review The Souvenir (2019) 90% “Joanna Hogg's The Souvenir is a memorable cinematic lesson, so rich and articulated as to be better described as lived rather than seen.” – Reverse Shot May 17, 2019 Full Review American Dharma (2018) 61% “Understanding becomes the preliminary, if not foundational, weapon to exercise opposition. Although not entirely successful, American Dharma is a first step in that direction.” – Cinema Scope Sep 11, 2018 Full Review The Sisters Brothers (2018) 87% “What may at first glance seem to be detours from the main narrative are in fact crucial, and update the genre while providing a bridge between the foundation of West(ern) culture and its contemporary repercussions.” – Cinema Scope Sep 6, 2018 Full Review A Star Is Born (2018) 90% “A Star is Born is devoid of depth. It feels like a missed opportunity, since its core subject offers many cues to tell a contemporary story.” – Cinema Scope Sep 6, 2018 Full Review Ned Rifle (2015) 78% “What I feared could be a denatured film, revealing signs of outdated views or style, appears to be proof of inspiring wholeness instead. This is what I long for in cinema.” – Berlin Film Journal Aug 6, 2018 Full Review Queen of Earth (2015) 93% “It leaves us puzzled, insomuch as we struggle to understand whether the characters share their disorienting and desperate feelings with us, or they just played us, fooled us with the oldest tricks of cinema.” – Berlin Film Journal Aug 6, 2018 Full Review Victory Day (2018) 75% “Loznitsa's gaze appears to be charmed by human figures, thus losing control over the space, a temporary infatuation with public demonstration of cultural identity that briefly allows us to relax and enjoy the view.” – Reverse Shot Mar 1, 2018 Full Review The Beautiful Days of Aranjuez (2016) 30% “It seems that Wim Wenders has found his special medium, and, for better or worse, he will keep experimenting with it.” – Cinema Scope Oct 3, 2017 Full Review Arrival (2016) 94% “... Villeneuve cleverly uses the oldest means at his disposal-montage and storytelling-to produce a film that, in however modest a way, represents a valid chapter in science fiction's cinematic evolution.” – Cinema Scope Oct 3, 2017 Full Review
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