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Clarisse Loughrey

Tomatometer-approved critic

Reviews

Movies 온라인카지노추천 Shows
The Accountant 2 (2025) 78% 2/5 “A sequel whose only move is to amp up everything that was ridiculous about its predecessor.” – Independent (UK) Apr 25, 2025 Full Review The Penguin Lessons (2024) 80% 2/5 “Sure, penguins can do an impressive amount. But, despite what The Penguins Lessons implies, that does not extend to singlehandedly defeating fascism.” – Independent (UK) Apr 18, 2025 Full Review The Return (2024) 78% 2/5 “Certainly, The Return shows us the drudgery of a life in stasis. But those are measly returns on stripping the life out of a literary titan.” – Independent (UK) Apr 11, 2025 Full Review Sinners (2025) 98% 4/5 “If cinema weren’t in such a sickly state, Sinners’s electric fusion of genres would be a guaranteed box office sensation... One can only hope audiences recognise its bounty of riches.” – Independent (UK) Apr 10, 2025 Full Review The Amateur (2025) 61% 3/5 “We’ve seen all this before, but at least The Amateur finds its own way to get the job done.” – Independent (UK) Apr 8, 2025 Full Review Death of a Unicorn (2025) 54% 2/5 “Death of a Unicorn might have been better if it were made for much less -- let’s say, somewhere between a million dollars and the spare change found at the back of the sofa. The extra fanfare feels unnecessary.” – Independent (UK) Apr 4, 2025 Full Review A Minecraft Movie (2025) 48% 2/5 “There’s a through line, buried in here somewhere, about how it’s harder to be creative, easier to destroy. Unfortunately, A Minecraft Movie proves its own point. Creativity took too much effort. Easier to destroy the spirit of the video game instead.” – Independent (UK) Apr 2, 2025 Full Review Holland (2025) 21% 2/5 “Andrew Sodorski’s script, which has bounced around Hollywood for a decade, has come out a half-baked mess. Cave’s role is to toss a layer of visual irony over it all and hope no one notices. ” – Independent (UK) Apr 1, 2025 Full Review The End (2024) 56% 4/5 “It’s funny, in a deeply grotesque way. No line is ever directly played for laughs by Shannon, Swinton, or McKay, their selfish myopia reading naturally as true to life. But, as they say, you have to laugh or else you’ll cry.” – Independent (UK) Apr 1, 2025 Full Review Warfare (2025) 93% 3/5 “Alex Garland has now constructed what could be called his trilogy of violence... Warfare, at least, is the most successful of the three, because its myopia is a crucial part of its structure.” – Independent (UK) Mar 28, 2025 Full Review Flow (2024) 97% 4/5 “It’s proof there’s not only one direction to take, and that Hollywood’s fixation on photorealism and A-list voice actors isn’t absolute.” – Independent (UK) Mar 22, 2025 Full Review Disney's Snow White (2025) 40% 1/5 “With Snow White, they’ve finessed their formula -- do the bare minimum to make a film, then simply slap a bunch of cutesy CGI animals all over it and hope no one notices.” – Independent (UK) Mar 19, 2025 Full Review The Alto Knights (2025) 40% 2/5 “Pileggi's screenplay and Levinson's scattershot direction, like De Niro, make little out of the clash of ideologies at the film's center.” – Independent (UK) Mar 19, 2025 Full Review Opus (2025) 41% 2/5 “It has the “salient themes”: celebrity worship, the media, the rise in cult-like behaviours. But this is all superficial stuff. There’s not much about Opus, really, that fully convinces.” – Independent (UK) Mar 15, 2025 Full Review The Electric State (2025) 15% 1/5 “The Electric State contains the most baffling call-to-arms in recent cinema. This is a story, in short, about how all those damn kids should put their phones down and go hug the nearest corporate mascot. ” – Independent (UK) Mar 7, 2025 Full Review One of Them Days (2025) 94% 4/5 “One of Them Days is funny as hell, but it also speaks to something sharply honest when Dreux sighs and mutters, “It shouldn’t have to be this hard.”” – Independent (UK) Mar 7, 2025 Full Review Black Bag (2025) 96% 5/5 “While the supporting cast are impeccable across the board, it’s really Blanchett and Fassbender’s film to command, with performances that drip with old-school star power. ” – Independent (UK) Mar 6, 2025 Full Review The Last Showgirl (2024) 83% 4/5 “The director shows great empathy for the pull of self-romanticisation, even when it wounds the dreamer.” – Independent (UK) Feb 28, 2025 Full Review I'm Still Here (2024) 97% 4/5 “Torres, in her masterfully controlled performance, offers up all we could possibly require.” – Independent (UK) Feb 22, 2025 Full Review The Monkey (2025) 79% 3/5 “It’s a diabolically fun premise, but it needed somebody Cage-ier to sell it.” – Independent (UK) Feb 22, 2025 Full Review Mickey 17 (2025) 77% 5/5 “This is Pattinson at his best, holding his movie star charisma hostage in order to pursue loveable weirdos in all kinds of shades. He’s fully liberated here, consistently finding the most unexpected and delightful ways to deliver a line.” – Independent (UK) Feb 15, 2025 Full Review Bridget Jones: Mad About the Boy (2025) 88% 4/5 “When it comes to Mad About the Boy, it’s less that Bridget Jones has finally matured, and more that she’s shown us how human she really is.” – Independent (UK) Feb 12, 2025 Full Review Bring Them Down (2024) 90% 4/5 “Shaped like a crime thriller, yet has the sharp ache of tragedy. It unfurls across a landscape beautifully lensed by cinematographer Nick Cooke, yet feels claustrophobic, as if that landscape might suddenly snap its jaws shut and swallow everyone whole.” – Independent (UK) Feb 6, 2025 Full Review September 5 (2024) 93% 2/5 “The idea that it serves a film like September 5 to tell its story through an apolitical lens isn’t just wrong: it’s laughable.” – Independent (UK) Feb 6, 2025 Full Review The Fire Inside (2024) 93% 4/5 “The Fire Inside is a sports biopic with the nerve to ask, “What happens after the win?” It’s a simple shift in emphasis, but an unexpectedly transformative one.” – Independent (UK) Feb 6, 2025 Full Review
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