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Courtney Duckworth

Courtney Duckworth's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies 온라인카지노추천 Shows
Stars at Noon (2022) 62% “Stars at Noon suggests a scrambled firmament where once-fixed waymarks falter, winking hazily in the wrong light.” – Screen Slate Oct 2, 2022 Full Review The Calming (2020) 90% “Buried within The Calming is an observation, if not a Jia-style critique, of how modern atomization ruptures a sense of community.” – Cinema Scope Jul 12, 2021 Full Review Never Rarely Sometimes Always (2020) 99% “This pressurization and sense of purpose makes Never Rarely very different from Hittman's other work...” – Cinema Scope Sep 17, 2020 Full Review Nobadi (2019) 60% “While it at first feels welcome that the film doesn't slide into the easy grooves of a "common-ground" story that doesn't reflect lived realities, Makovics has only replaced that rote narrative with a litany of empty hatred.” – Cinema Scope Sep 7, 2019 Full Review Too Late to Die Young (2018) 96% “"As in the films of Lucrecia Martel, it is hard to pin down who belongs to who, but the muddled relationships only heighten the sense of a sprawling utopia."” – Screen Slate May 31, 2019 Full Review High Life (2018) 83% 4/5 “Denis sidesteps the genre's blood-curdling tensions (Alien) and atmospheric grandeur (2001: A Space Odyssey), instead focusing on beautifully hypnotic sequences that owe a clear debt to Andrei Tarkovsky's dreamlike Solaris.” – Time Out Apr 5, 2019 Full Review An Elephant Sitting Still (2018) 94% “Traces of Béla Tarr (2011's The Turin Horse), who mentored [director] Hu Bo, imbue some of these camera movements too, but Hu's is ultimately a singular vision: less pendular and severe than kinetic, curious.” – Artforum Mar 14, 2019 Full Review The Favourite (2018) 93% “Often accused of ham-fisted endings, Lanthimos triumphs here.” – Cinema Scope Jan 24, 2019 Full Review At Eternity's Gate (2018) 79% “At Eternity's Gate is more tactile and spare. Schnabel seeks his elusive subject, by proxy, through the lucid textures around him: monumental stalks of dried sunflowers, wheat blue in the dusk, pink petals unfurling from a vase...” – Reverse Shot Dec 6, 2018 Full Review Grass (2018) 92% “Hong at his trickster best.” – Reverse Shot Oct 12, 2018 Full Review Hotel by the River (2018) 96% “Hotel by the River... finds Hong in a melancholy mood. He avoids the puckish pirouettes in time and the structural games of last year's films for something more subtle and spare.” – Reverse Shot Oct 12, 2018 Full Review Some Girl(s) (2013) 53% “The weight of dull clichs only makes the stilted dialogue harder to stomach.” – Film Comment Magazine Nov 4, 2013 Full Review Lovelace (2013) 53% “By aiming for the audience's sympathy, Lovelace tidies and ultimately silences the star it tries to redeem.” – Film Comment Magazine Nov 4, 2013 Full Review
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