Craig J. Clark
Craig J. Clark's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Meet Me in Montenegro (2014)
50%
3/5
“Holdridge and Saasen should get credit for making sure the obstacles to their happiness aren't romance-movie contrivances, but rather the sorts of things that happen to people while they're busy making other plans.” –
The Dissolve
Jul 9, 2015
Full Review
Dog Soldiers (2002)
82%
4/5
“Dog Soldiers remains Marshall's most potent distillation of taut action, unrelenting horror, and gallows humor.” –
The Dissolve
Jul 6, 2015
Full Review
Les tribulations d'un Chinois en Chine (Up to His Ears) (2013)
2.5/5
“The breakneck pace becomes wearying, though, as the action rarely pauses long enough for the characters or the audience to catch their breath.” –
The Dissolve
Jul 1, 2015
Full Review
That Man From Rio (1964)
79%
3.5/5
“It's a picturesque adventure filled with a logic-bending plot and death-defying stunts.” –
The Dissolve
Jul 1, 2015
Full Review
Desperate Hours (1990)
29%
2.5/5
“It's an overblown remake of William Wyler's 1955 film The Desperate Hours.” –
The Dissolve
Jun 17, 2015
Full Review
The Pope of Greenwich Village (1984)
77%
3/5
“The Pope Of Greenwich Village benefits immensely from Rosenberg's decision to film on location in Little Italy, which gives every scene a lived-in feel.” –
The Dissolve
Jun 17, 2015
Full Review
Jamaica Inn (1939)
54%
3.5/5
“It could have come across as strictly a work-for-hire gig, but it displays enough Hitchcockery to show he wasn't as disengaged from the material as he would later claim he was.” –
The Dissolve
May 18, 2015
Full Review
Cooley High (1975)
89%
4/5
“There's a specificity to screenwriter Eric Monte's memories of growing up on the Near North Side in the early 1960s that transcends mere imitation.” –
The Dissolve
Apr 27, 2015
Full Review
Broken Horses (2015)
25%
1/5
“Broken Horses lays on the heavy-handed symbolism so thick that every action is freighted with significance that the flimsy cardboard cutouts populating it can't support.” –
The Dissolve
Apr 9, 2015
Full Review
The Beat Generation (1959)
1.5/5
“What hurts The Beat Generation more than anything else is Charles Haas' failure to maintain a consistent directorial tone.” –
The Dissolve
Apr 6, 2015
Full Review
What Did You Do in the War, Daddy? (1966)
50%
4/5
“It's a well-honed farce that gave Edwards and his cast a solid framework in which to improvise, which they did to superlative effect.” –
The Dissolve
Apr 6, 2015
Full Review
White Commanche (1968)
2/5
“White Comanche is a would-be cult item, albeit one with a weak pulse, since the Shatner character who gets the most screen time, isn't endowed with much personality.” –
The Dissolve
Mar 4, 2015
Full Review
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