Brett Goldstein: The Second Best Night Of Your Life (2025)
3/5
“Goldstein undercuts his hard nut persona with wry gags and absurd philosophical leaps. The tone can be uneven, but the concept is solid.” –
The Age (Australia)
May 1, 2025
Full Review
Becoming Led Zeppelin (2025)
83%
3.5/5
“Very informative, very clean-cut. Nothing sordid here, except the music.” –
The Age (Australia)
May 1, 2025
Full Review
Havoc (2025)
67%
3.5/5
“...the fight choreography is unflinching and exact, the mayhem sublimely staged.” –
The Age (Australia)
May 1, 2025
Full Review
Sons of Ecstasy (2025)
“This is mostly a potted family history, complete with lurid imagery and a lack of moral judgment.” –
The Age (Australia)
Jan 23, 2025
Full Review
Made in England: The Films of Powell and Pressburger (2024)
99%
“The documentary works as both a detailed primer on the duo’s partnership and a celebration of Scorsese’s love for the cinema.” –
The Age (Australia)
Jan 16, 2025
Full Review
Unstoppable (2024)
76%
“The movie is keyed in to struggle and triumph, and on those narrow terms it’s a success.” –
The Age (Australia)
Jan 16, 2025
Full Review
Cunk on Life (2025)
100%
3.5/5
“Some of the diversions work better than others (shout-out to the puppetry team), but there are still just enough gags that transcend stupidity for subversive insight. ” –
Sydney Morning Herald
Jan 13, 2025
Full Review
Your Friend, Nate Bargatze (2024)
“"Your Friend" uses observational humour, has no interest in culture wars, and is about clean as a contemporary comedian can be in 2024 -- it’s also consistently funny. Expect a slew of imitators in the next few years.” –
The Age (Australia)
Jan 3, 2025
Full Review
Wallace & Gromit: Vengeance Most Fowl (2024)
100%
4/5
“Not quite on the level of the one previous Wallace and Gromit feature, the 2005 masterpiece The Curse of the Were-Rabbit, but as an unexpected late addition to this far from Hollywood franchise it’s a welcome encapsulation of the project’s pillars.” –
The Age (Australia)
Jan 3, 2025
Full Review
Fly Me to the Moon (2024)
65%
“Fans of the genre will appreciate the chemistry between the stars, and the skill with which the plot connects them personally and tests them professionally.” –
The Age (Australia)
Jan 3, 2025
Full Review
Carry-On (2024)
88%
3/5
“Carry-On does everything a decent Hollywood genre movie should: concise on the plotting, tense when time gets tight, and a showcase for star Taron Egerton.” –
The Age (Australia)
Jan 3, 2025
Full Review
Beatles '64 (2024)
95%
“It’s episodic and somewhat jumbled... but it’s difficult to deny the energy and engagement that emerges from David Tedeschi’s documentary. ” –
The Age (Australia)
Dec 13, 2024
Full Review
Bread & Roses (2023)
100%
“Recordings by the women, somewhat unevenly edited together, show the reality of conservative theological repression: no schooling for girls, no jobs for women, no public voice. The film plays as an act of resistance.” –
The Age (Australia)
Dec 3, 2024
Full Review
Nugget Is Dead? A Christmas Story (2024)
“The humour is snappy and accumulative, but also genuine.” –
The Age (Australia)
Nov 22, 2024
Full Review
Martha (2024)
89%
4/5
““I never look the other way,” she says, and thankfully neither does Cutler’s documentary.” –
The Age (Australia)
Nov 15, 2024
Full Review
Road Diary: Bruce Springsteen and The E Street Band (2024)
90%
“Bruce Springsteen’s director of choice, Thom Zimny, does a capable job on this tour documentary, which charts rock & roll’s abiding spirit returning to stadiums with his backing band after a six-year absence. ” –
The Age (Australia)
Oct 30, 2024
Full Review
Ali Wong: Single Lady (2024)
86%
“She doesn’t name names, but the details are vivid and the punchlines smart. It’s tightly assembled and comes with some reassuring guardrails.” –
The Age (Australia)
Oct 17, 2024
Full Review
Occupied City (2023)
72%
“The feature is more about repetition than testimony. Narrator Melanie Hyams’ recounting of individual lives aims for an accumulative force.” –
The Age (Australia)
Oct 11, 2024
Full Review
Will & Harper (2024)
99%
“The presence of Ferrell and director Josh Greenbaum’s documentary crew is obviously a safety net, but nonetheless this is mostly a feel-good affirmation.” –
The Age (Australia)
Oct 11, 2024
Full Review
Killer Heat (2024)
18%
“Adapted from a short story by Jo Nesbo, this sun-drenched Mediterranean noir pushes hard-boiled menace and private eye diffidence to a tiring degree, but it lacks for a decent plot and even a hint of intrigue. ” –
The Age (Australia)
Oct 3, 2024
Full Review
His Three Daughters (2023)
98%
4/5
“The storytelling is never schematic. The divide between the three women, and the uncertain bridging, feels lodged in the granular. That makes for an actor’s showcase, and all three leads deliver exceptional performances that are linked.” –
The Age (Australia)
Sep 20, 2024
Full Review
Joe Rogan: Burn the Boats (2024)
0%
“Rogan cycles through all the predictable targets -- wokeness! gender! -- but his gags are neither illuminating nor original. His stage persona is of the bro happily talking nonsense that you shouldn’t take seriously. That he gets right.” –
The Age (Australia)
Aug 23, 2024
Full Review
Jackpot! (2024)
31%
2/5
“An action-comedy that lacks intoxicating fight scenes and genuine punchlines, this feature is less than the sum of its parts even as it turns Los Angeles’ make-or-break culture into a dystopian murder game. ” –
The Age (Australia)
Aug 23, 2024
Full Review
Late Night with the Devil (2023)
97%
“Assured in their craft, the Cairnes brothers deliver fulsome ratings satire and sharp scares.” –
The Age (Australia)
Aug 8, 2024
Full Review
Strange Way of Life (2023)
78%
“The half-hour running time feels right -- there wasn’t a feature in this mix of the arch and the melancholic, but the short suffices.” –
The Age (Australia)
Aug 8, 2024
Full Review
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