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Dan Callahan

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Movies 온라인카지노추천 Shows
The Blue Caftan (2022) 96% “Every scene and every close-up of a stitch in “The Blue Caftan” feels like an eternity.” – TheWrap Feb 10, 2023 Full Review Rotting in the Sun (2023) 82% “So lost in Silva’s solipsistic and wishy-washy negativity that nothing gets shaped. If you’re going to be as negative as Silva is being in this movie, then you need to go all the way with it and be extremely negative and specific. ” – TheWrap Jan 23, 2023 Full Review Cassandro (2023) 91% “A triumph for Bernal and for Williams and all his collaborators, a film that takes on very fresh territory and suffuses all of its frames with love for all of the people in it.” – TheWrap Jan 21, 2023 Full Review Indigo Girls: It's Only Life After All (2023) 93% “The most serious flaw of “It’s Only Life After All” is that Bombach has us spend so much time with these women, yet we learn so little about them.” – TheWrap Jan 20, 2023 Full Review In from the Side (2022) 54% “So padded out at 134 minutes with both rugby games and sex scenes that the final effect is numbing, and writer-director Matt Carter doesn’t bother much with either plot or character to fill out his narrative.” – TheWrap Jan 17, 2023 Full Review Beautiful Beings (2022) 82% “Guðmundsson shows us Addi embracing Konni and stroking his hair without a trace of self-consciousness. But where the film eventually goes with this strand of the narrative feels evasive and confusing, as if Guðmundsson doesn’t want to deal with it fully.” – TheWrap Jan 11, 2023 Full Review The Quiet Girl (2022) 97% “Marks the first narrative feature from director Colm Bairéad, who concentrates for long stretches on visual effects with light that soon start to feel repetitive and pictorial rather than illuminating of character or story.” – TheWrap Dec 15, 2022 Full Review "Sr." (2022) 97% “Offers touching father-son scenes predicated on forgiveness and love.” – TheWrap Dec 1, 2022 Full Review Spoiler Alert (2022) 87% “Many of the scenes here seem to have been shot in a spirit of tense desperation; the comedy doesn’t land, the romance takes too long to get going, and the tearjerking scenes are spoiled by a meta framework that makes Showalter’s job even more difficult.” – TheWrap Nov 28, 2022 Full Review The Independent (2022) 35% “Parter's basic structure is fairly solid and his characters are well chosen, but all of his dialogue consists of the sort of hyperbolized declarations of plot exposition that only gets by on guilty-pleasure 온라인카지노추천 shows.” – TheWrap Nov 1, 2022 Full Review Is That Black Enough for You?!? (2022) 100% “There is a sense of celebration and discovery that lets us see a whole world of lesser-known films just waiting to be viewed, re-viewed and appreciated in new ways.” – TheWrap Oct 10, 2022 Full Review Sidney (2022) 90% “It leans far more towards one-dimensional inspiration than insight. Important questions are sometimes raised here by the interview subjects, but they are almost always evasively dropped.” – TheWrap Sep 22, 2022 Full Review Catherine Called Birdy (2022) 89% “This film adaptation of the book retains the setting but filters everything through Dunham’s very narrow modern sensibility. The result is listless, plodding and self-congratulatory.” – TheWrap Sep 11, 2022 Full Review Private Desert (2021) 91% “Enters the dangerous realm of fantasy and wish-fulfillment, revealing that the makers of this film are as recklessly naïve and morally questionable as their protagonists.” – TheWrap Sep 8, 2022 Full Review See How They Run (2022) 75% “Proves far too complicated to execute for director Tom George and writer Mark Chappell, who resort to clumsy flashbacks and pointless split-screen sequences without ever finding the right tone for their movie.” – TheWrap Sep 7, 2022 Full Review When the Waves Are Gone (2022) 88% “Has enough memorable images to make it an imperfect but haunting experience.” – TheWrap Sep 5, 2022 Full Review Monica (2022) 84% “Pallaoro trusts that we can read between the lines and that Lysette can carry many silent scenes where Monica is existing in closed spaces and trying to find some kind of peace.” – TheWrap Sep 3, 2022 Full Review Peter von Kant (2022) 76% “But filmmaking for Fassbinder was always a matter of life and death; there was a sense that he would kill himself to finish a movie. Ozon too often treats moviemaking like a hastily planned party he’s giving with a starry guest list.” – TheWrap Sep 2, 2022 Full Review They/Them (2022) 33% “What makes Logan’s writing so effective in “They/Them” is that he gives the villains such persuasive-sounding dialogue, which cannot easily be shrugged off.” – TheWrap Aug 2, 2022 Full Review Anything's Possible (2022) 87% “If only “Anything’s Possible” had been content to depict this relationship in all its newness onscreen without burdening these two appealing characters with a pile-on of issues more suited to a newspaper editorial than a narrative feature.” – TheWrap Jul 15, 2022 Full Review Marx Can Wait (2021) 100% “A crucial and profound addition to the filmography of one of the greatest living filmmakers, and it ends with a loving reconciliation with the past that is so moving and so convincing because it is so hard-won.” – TheWrap Jul 14, 2022 Full Review All Man: The International Male Story (2022) 95% “Manages to cover a lot of territory in a compact 83-minute running time, while striking the same balance between sexy and peculiar that makes the catalog such a hard-to-parse artifact of its era.” – TheWrap Jun 13, 2022 Full Review God Save the Queens (2022) 90% “Filled with unearned dramatic posturing and no comic sense whatsoever.” – TheWrap Jun 11, 2022 Full Review Halftime (2022) 82% “Even if you are not a particular fan of Lopez, she is likely to win you over in “Halftime,” which suggests that she has it in her to become an elder stateswoman like one of her idols, Rita Moreno.” – TheWrap Jun 10, 2022 Full Review 18 1/2 (2021) 80% “Attempts to be part cloak-and-dagger thriller, part romantic comedy, part screwball comedy, and part mood piece, and its plotting is slapdash, to say the least.” – TheWrap May 26, 2022 Full Review
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