David Phelps
David Phelps's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Celine and Julie Go Boating (1974)
80%
“Céline and Julie Go Boating is a do it yourself guide to rediscovering the delights of the street outside, and of the idiots all around you.
” –
MUBI
Mar 2, 2023
Full Review
You Ain't Seen Nothin' Yet (2012)
86%
“Among other things, the movie serves as a kind of rehearsal for an elegy, enacted in various permutations not because of memory's regenerative warp and woof after the fact, but because of imagination's possibilities before anything has ever happened.” –
MUBI
Oct 26, 2018
Full Review
Norte, the End of History (2013)
93%
“Diaz's embrace of a mobile camera and exploitation stories suggests that "contemplative" cinema has probably never really been a reproof to Hollywood spectacle and suspense, so much as it's been an extension of spectacle by other means.” –
MUBI
Oct 26, 2018
Full Review
Socialism (2010)
58%
“As Godard shows again and again himself, History, like Hollywood, will churn out the same stories again and again when revenge cycle of "chosen peoples" go unvanquished.” –
MUBI
Oct 26, 2018
Full Review
Zero Dark Thirty (2012)
91%
“Zero Dark Thirty's outward apolitics ensures there can never be a right reading of it, that it will remain critical silly-putty for the self-righteous, a calculatingly ambiguous object for unambiguous perspectives.” –
MUBI
Oct 26, 2018
Full Review
Holy Motors (2012)
92%
“Instead of reality underwriting the fiction, the fiction simply loops in its endless operation.” –
MUBI
Oct 26, 2018
Full Review
As Tears Go By (1988)
85%
“...so reckless that once it starts it never stops to breathe.” –
MUBI
Dec 1, 2017
Full Review
Shuga (Chouga) (2007)
60%
3.5/4
“Perhaps no director since Hitchcock has been quite this obsessed with glimpses and gazes.” –
Slant Magazine
Oct 9, 2008
Full Review
Tulpan (2008)
96%
3/4
“A folk tale disguised as a documentary, Sergei Dvortsevoy's Tulpan appears something like actual reality, half-planned and half-found.” –
Slant Magazine
Oct 5, 2008
Full Review
Northern Land (2008)
1.5/4
“Something like a bad Oliveira forgery.” –
Slant Magazine
Sep 29, 2008
Full Review
The Class (2008)
95%
2/4
“At best, The Class is great reality 온라인카지노추천.” –
Slant Magazine
Sep 23, 2008
Full Review
Wonderful Town (2007)
87%
.5/4
“Contemplative cinema with nothing to contemplate.” –
Slant Magazine
Jul 13, 2008
Full Review
Momma's Man (2008)
91%
3.5/4
“Momma's Man, completely unshakeable, is implicitly nostalgic, about a nostalgic man, but only because it has such an unsentimental commitment to the gap between past and present.” –
Slant Magazine
Mar 22, 2008
Full Review
This Is My Body (2001)
2/4
“Eat stupidly elides Fleischer's rationalist approach to the most fervently unreasonable impulses.” –
Slant Magazine
Mar 20, 2008
Full Review
Boarding Gate (2007)
33%
3.5/4
“Boarding Gate, B-movie heir to Phil Karlson and Ingmar Bergman, screws any pretence of naturalism for hallucinatory confrontations.” –
Slant Magazine
Mar 19, 2008
Full Review
Foster Child (1987)
3/4
“Like Cristian Mungiu did in 4 Months, 3 Weeks and 2 Days, Brillante Mendoza attempts to take the camera from the opening shot of Touch of Evil to quotidian life in the slums.” –
Slant Magazine
Mar 13, 2008
Full Review
The Silence Before Bach (2008)
84%
2/4
“Twaddle pitched somewhere between a music appreciation class and a modernist experiment attesting to art's ability to ennoble the quotidian.” –
Slant Magazine
Jan 23, 2008
Full Review
Arranged (2007)
64%
1/4
“At least Arranged understands that its message is directed at nave children.” –
Slant Magazine
Nov 26, 2007
Full Review
Otoshiana (1962)
100%
“Once the premise is up, it's never as uninteresting as it should be.” –
Stylus Magazine
Nov 5, 2007
Full Review
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