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Debbie Lynn Elias

Tomatometer-approved critic
Biography:

Debbie Lynn Elias has been a published film critic for over 30 years with weekly reviews and interviews carried in publications in print and online around the globe. (Her first published review was in January 1977 covering "Network".) She is also creator and host of the weekly radio show, "Behind The Lens" on Adrenaline Radio. An award-winning producer and writer, she spent years honing her technical and creative skills in tv and film production, as well as journalism and film criticism, and uses that training, education, and experience to bring unique and interesting perspectives to her film reviews and interviews. A longtime advocate and supporter of independent film and first-time filmmakers, Debbie is still active in film production, often serving as a consultant providing a critical eye to filmmakers during post-production, and focuses much of her attention and analysis on the indie film world. She also moderates, hosts premieres, post-screening Q&As, in-depth panel discussions, and more. Long a champion of film and television preservation efforts, she is a member of the prestigious Broadcast Pioneers of Philadelphia.

Publications:

Reviews

Movies 온라인카지노추천 Shows
Grace Point (2023) “A wonderful surprise! A smart and smartly written script...celebrates the twists and turns and traumas of life with poignant thoughtfulness.” – Behind The Lens Mar 23, 2025 Full Review The Shade (2023) 70% 3/5 “Writer/Director Tyler Chipman wastes no time in drawing us into the darkness of THE SHADE...setting the stage for difficult themes of mental illness, suicide, abandonment, grief, and more.” – Behind The Lens Oct 21, 2024 Full Review Amber Alert (2024) 63% “A taut, nail-biting, edge-of-your-seat thriller with a fresh spin on rideshare stories with the integration of a child abduction as a plot driver.” – Behind The Lens Oct 4, 2024 Full Review Coup! (2023) 81% “Dark, twisted, wry, hilarity punctuated with touches of whimsy, delivering socio-political commentary on every level. ” – Behind The Lens Sep 6, 2024 Full Review The Thicket (2024) 79% “There is a captivating brutal, visceral beauty to the Western thriller THE THICKET... an attention to visuals while balancing that with performance and story...[Juliette] Lewis is award-worthy. ” – Behind The Lens Sep 6, 2024 Full Review Joe Crist (2024) “An easy breezy and fun meld of faith, comedy, and the Old West.” – Behind The Lens Jul 22, 2024 Full Review The Imaginary (2023) 91% “Eye-popping, heartfelt storytelling that is pure enchantment.” – Behind The Lens Jun 15, 2024 Full Review East Bay (2022) 78% “A very thoughtful and purposeful film that beautifully utilizes mixed visual grammar and musical composition to metaphorically elevate and engage an already solid story and outstanding performances.” – Behind The Lens May 24, 2024 Full Review Art of Deception (2019) 3.0/5 “It may be a bumpy ride from start to finish but it’s worth a watch just for the third act and Jackie Nova’s performance.” – Behind The Lens Feb 19, 2024 Full Review ClearMind (2024) 100% “A fresh and unique approach to storytelling blending various genres into a darkly comedic yet suspenseful and thought-provoking commentary on grief, reality, and revenge-fueled fantasy.” – Behind The Lens Jan 1, 2024 Full Review Lost Cos (2020) “A visually expressive and engaging film [that] takes us into the world of cosplay, comics, and burlesque...with everything from comic book heroes and villains to two-bit neighborhood hoods and old-school trope detectives.” – Behind The Lens Dec 8, 2023 Full Review Wild Boys (2023) 100% “Get ready for a wild ride thanks to the fun, friendship, and quirkiness of Wild Boys!” – Behind The Lens Dec 2, 2023 Full Review The Drive to Sing (2022) “Showcase[s] human ingenuity, creativity, and the desire for connection...a joyful noise worthy of a watch and a listen by all.” – Behind The Lens Dec 1, 2023 Full Review That's a Wrap (2023) 30% “A campy visually stimulating love letter to Hollywood and horror films... [with] an award-worthy performance by Monique Parent, and a script by Joe Knetter and Robert L. Lucas that is to die for.” – Behind The Lens Aug 24, 2023 Full Review Mermaids' Lament (2023) 100% “Mermaids' Lament weaves its spell upon you from beginning to end.” – Behind The Lens Aug 2, 2023 Full Review Cocaine Shark (2023) “A feeding frenzy of hilarious lo-budget B-movie camp!” – Behind The Lens Jul 22, 2023 Full Review Inside (2023) 62% “Allegorical. Existential. Riveting ... An enthralling and fascinating film” – Behind The Lens Mar 22, 2023 Full Review Creed III (2023) 89% 2.5/5 “It's a split decision on Creed III... [It's] a good first directorial effort by Michael B. Jordan, and definitely worth a shot with viewing, but it doesn’t go the distance.” – Behind The Lens Feb 27, 2023 Full Review Guns of Eden (2022) 2/5 “A film that comes out guns blazing, literally and figuratively...then woefully falls apart thanks to ridiculously hokey dialogue and extremely bad acting on the part of the supporting players.” – Behind The Lens Dec 4, 2022 Full Review Call Jane (2022) 82% “Under Phyllis Nagy’s assured direction..."Call Jane" is a call to action for our times” – Behind The Lens Oct 26, 2022 Full Review Match (2022) “Original, timely, and topical delving into the good, the bad, and the ugly of online dating.” – Behind The Lens Sep 21, 2022 Full Review Scrap (2022) 98% “"Scrap" is a scrappy little film, purposeful in its messages, boasts beautiful cinematography, and strong performances, and is more than worth a look.” – Behind The Lens Sep 5, 2022 Full Review 88 (2022) 50% “A high-concept political thriller, writer/director Eromose’s 88 is filled with twists and turns that fuel the suspense and jaw-dropping intrigue as we see the inner workings of a political campaign unfold with horrifying revelations.” – Behind The Lens Jun 27, 2022 Full Review Cat Daddies (2021) 85% “"Cat Daddies" is the cat's meow!” – Behind The Lens Apr 24, 2022 Full Review Maybe Someday (2022) 100% “Michelle Ehlen has a great grasp on the cinematic elements of storytelling and uses them to excellent advantage to bring this story to life, starting with the story itself.” – Behind The Lens Mar 27, 2022 Full Review
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