Eloise Ross
Eloise Ross's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Olivia (1951)
100%
“Audry's film manages to explore complexities and subtleties in how women act in their relationships and in their professional spaces, precisely by allowing them an unresolvable ambiguity.” –
Senses of Cinema
Aug 27, 2019
Full Review
Looking for Grace (2015)
44%
3/5
“Looking For Grace has a touching dnouement, moving but unsentimental - one of Brooks's specialties - but it comes too late after the uneven dialogue and the flat humour.” –
Australian Book Review
Jul 10, 2018
Full Review
Women He's Undressed (2015)
91%
4/5
“Women He's Undressed is a wonderful documentary, with Armstrong revealing some real gems about a man we should all be proud to call Australian.” –
Australian Book Review
Jul 9, 2018
Full Review
The One I Love (2014)
83%
3.5/5
“This is the film's final strength and a knowing twist on the title, adverting to the film's core concern: how well can you really know the one you love?” –
Australian Book Review
Jul 9, 2018
Full Review
Call Me by Your Name (2017)
95%
“This is not simply a story of an introvert and an extrovert finding love with one another, but a portrait of desire, told with Guadagnino's unique and detailed attention to place.” –
4:3
Dec 28, 2017
Full Review
Columbus (2017)
96%
Highly Recommended
“Columbus doles out information in a restrained manner, building rich characters without falling back on exposition, leaving spaces for viewers to fill with their own thoughts.” –
4:3
Dec 27, 2017
Full Review
Notes on Blindness (2016)
95%
“Notes on Blindness traces a distinctive path, but it is hard to say whether an experimental film like this will attract audiences not already familiar with Hull's work.” –
Seventh Row
Jul 14, 2017
Full Review
Keeping Up With the Joneses (2016)
20%
Not Recommended
“...everything in Keeping Up With the Joneses is pretty, but that's just about all it is.” –
4:3
Nov 11, 2016
Full Review
The Fits (2015)
96%
Recommended
“A sophisticated exploration of sound, image, and rhythm, where movement and music are combined to make the film dance.” –
4:3
Jun 14, 2016
Full Review
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