Gavia Baker-Whitelaw
Gavia Baker-Whitelaw's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Bullet Train Explosion (2025)
73%
“Its ideas obviously aren’t breaking new ground in the disaster genre, but there's something to be said for a self-aware action movie that prioritizes everyday heroes, in a scenario where cops and soldiers are functionally irrelevant.” –
Inverse
Apr 23, 2025
Full Review
Control Freak (2025)
64%
“Ngo definitely has the juice as a director of hide-your-eyes horror setpieces. But while Control Freak benefits from plenty of worthwhile ingredients, it still isn’t fully cooked, making it a mid-range effort in the realm of straight-to-streaming horror.” –
Inverse
Mar 31, 2025
Full Review
I'm Still Here (2024)
97%
3/5
“This drama is a little too sedate to make its mark, but director Walter Salles delivers a sensitive portrait of Eunice Paiva's family life during a period of traumatic upheaval.” –
Empire Magazine
Feb 21, 2025
Full Review
Back in Action (2025)
28%
3.8/10
“So lightweight it's practically nonexistent, Back in Action is full of phoned-in performances and forgettable action, stringing together a formulaic plot with limp jokes about parenthood and generational divides.” –
온라인카지노추천 Guide
Jan 17, 2025
Full Review
All We Imagine as Light (2024)
100%
4/5
“Payal Kapadia delivers a memorable and compassionate slice-of-life drama, making a clear statement about the constraints faced by working-class women in India. ” –
Empire Magazine
Dec 10, 2024
Full Review
Uglies (2024)
16%
3.0/10
“Strung together with threadbare exposition, Uglies fails to deliver any decent action, emotional weight, or thoughtful social commentary.” –
온라인카지노추천 Guide
Sep 13, 2024
Full Review
Hit Man (2023)
95%
6.7/10
“Linklater understands that the best rom-com protagonists have strong personalities — the weirder the better — and Arjona and Powell are happy to play their assigned roles to the hilt.” –
온라인카지노추천 Guide
May 23, 2024
Full Review
Spaceman (2024)
50%
5.2/10
“Lingering on the protagonist's woes about his failing marriage, Spaceman is a rather pedestrian indie drama wrapped in the trappings of science fiction.” –
온라인카지노추천 Guide
Feb 29, 2024
Full Review
The Flash (2023)
63%
3/5
“Peppered with fanservice cameos, this amusing DC franchise crossover arrives several years too late to make an impact.” –
The Daily Dot
Jun 7, 2023
Full Review
The Little Mermaid (2023)
67%
2.5/5
“Adding 50 minutes of new material to the 1989 Disney classic, this live-action remake still feels like a pale imitation, exchanging stylish animation for uncanny CGI and poorly-shot musical numbers.” –
The Daily Dot
May 26, 2023
Full Review
Guardians of the Galaxy Vol. 3 (2023)
82%
3/5
“The latest GotG team-up delivers plenty of visual spectacle and spacefaring hijinks, but the script leaves much to be desired. ” –
The Daily Dot
May 3, 2023
Full Review
Ghosted (2023)
25%
1.5/5
“Despite the A-list casting, Ghosted painfully bland, failing to deliver any laughs or make us care about the central romance.” –
The Daily Dot
Apr 21, 2023
Full Review
Renfield (2023)
58%
3.5/5
“It’s easy viewing, which isn’t something you can say of many films involving this much gore and severed limbs.” –
The Daily Dot
Apr 12, 2023
Full Review
Attachment (2022)
95%
4.5/5
“Rooted in Jewish folklore, this queer horror-comedy sees a woman unexpectedly move in with her girlfriend’s mother – an eccentric and overbearing figure who seems oddly obsessed with supernatural threats.” –
The Daily Dot
Apr 6, 2023
Full Review
Glass Onion: A Knives Out Mystery (2022)
91%
3.5/5
“This hilarious and intricately-plotted ‘Knives Out’ sequel is just as fun as the original —even if some of the characters and social satire don’t pack quite the same punch.
” –
The Daily Dot
Feb 20, 2023
Full Review
Black Panther: Wakanda Forever (2022)
84%
3.5/5
“The sheer volume of subplots makes the finished product rather unwieldy, struggling to maintain the tight thematic focus of ‘Black Panther.’” –
The Daily Dot
Feb 20, 2023
Full Review
The Wonder (2022)
85%
3.5/5
“Oddly though, the contemporary framing device feels even more superfluous when it returns for the final shot. ” –
The Daily Dot
Feb 20, 2023
Full Review
Triangle of Sadness (2022)
72%
4.5/5
“Set on a luxury cruise, this dark comedy feels like a psychological experiment crossed with the gross-out humor of 'Jackass.'” –
The Daily Dot
Feb 20, 2023
Full Review
Nanny (2022)
90%
3.5/5
“Anna Diop stars as a nanny in this Sundance award-winning horror thriller, blending supernatural elements with race and class tensions in a Manhattan household.” –
The Daily Dot
Feb 20, 2023
Full Review
Huesera: The Bone Woman (2022)
97%
4/5
“Building on the genre defined by Rosemary’s Baby in the 1960s, director Michelle Garza Cervera blends feminist commentary with folkloric horror. ” –
The Daily Dot
Feb 20, 2023
Full Review
Ant-Man and The Wasp: Quantumania (2023)
46%
2/5
“Mostly it exists as connective tissue between different eras of the MCU, displaying embarrassingly little interest in its own main characters.” –
The Daily Dot
Feb 14, 2023
Full Review
The Batman (2022)
85%
3.5/5
“Pattinson is one of the premier weirdos of his generation, yet The Batman restrains him and his co-stars into generic crime drama roles.” –
The Daily Dot
Mar 7, 2022
Full Review
Eternals (2021)
47%
2/5
“The story is bloated and underdeveloped, featuring too many characters and a clumsy plot.” –
The Daily Dot
Nov 3, 2021
Full Review
Last Night in Soho (2021)
75%
3/5
“The script barely engages with something that should be a central theme: The contrast between real 1960s London and Eloise's idealized view.” –
The Daily Dot
Oct 28, 2021
Full Review
Chaos Walking (2021)
21%
3/5
“If you like the sound of some not-too-schlocky thrills featuring well-chosen roles for Daisy Ridley and Tom Holland, it's worth checking out.” –
The Daily Dot
Mar 5, 2021
Full Review
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