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Geoff Berkshire

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Reviews

Movies 온라인카지노추천 Shows
Confess, Fletch (2022) 86% “Sometimes you just want a good time, and with “Fletch,” Hamm, Mottola and company know exactly how to deliver.” – Los Angeles Times Sep 23, 2022 Full Review The Good Boss (2021) 92% “Bardem’s mischievous turn anchors the slickly executed action, but little of substance lingers from the surface dip into corporate life.” – Los Angeles Times Aug 28, 2022 Full Review Out of the Blue (2022) 20% “A great femme fatale can elevate any noir, but the talented Kruger isn’t given much to work with here.” – Los Angeles Times Aug 26, 2022 Full Review Relic (2020) 91% “For most of its running time, "Relic" feels more like a chamber piece than a full-fledged horror outing, but a nail-biting third act ups the ante.” – Los Angeles Times Jul 11, 2020 Full Review The Wretched (2019) 74% “Equally indebted to Alfred Hitchcock, Steven Spielberg and a mishmash of '80s horror films only the directors themselves could comprehensively name-check, "The Wretched" is a fresh horror film built out of familiar parts.” – Los Angeles Times May 1, 2020 Full Review Daniel Isn't Real (2019) 84% “Pitched somewhere between "Fight Club" and a Clive Barker creature feature, "Daniel Isn't Real" is a wild ride worth taking to be in the company of its promising young stars.” – Los Angeles Times Dec 6, 2019 Full Review Greener Grass (2019) 83% “"Greener Grass" is a movie that's not only immediately destined for cult status - it's the rare movie that truly earns it.” – Los Angeles Times Oct 18, 2019 Full Review Burn Your Maps (2016) 67% “Director Jordan Roberts, who also adapted the screenplay from a short story by Robyn Joy Leff, takes an affectionate but formulaic approach, mixing earnest emotional beats with requisite comedic notes to counterbalance the melodrama.” – Los Angeles Times Jun 21, 2019 Full Review Tell It to the Bees (2018) 49% “Paquin... and especially Grainger shoulder the film's dramatic burdens with grace and ease... But the unassumingly square and overly familiar film simply isn't the buzzworthy vehicle their work deserves.” – Los Angeles Times May 2, 2019 Full Review Don't Leave Home (2018) 70% “Horror buffs can do a lot worse and thanks to the rise of video on demand, the title perfectly describes the ideal viewing experience.” – Los Angeles Times Sep 14, 2018 Full Review Patient Zero (2018) 11% “A post-apocalyptic pandemic movie that's more grade-Z than "World War Z."” – Los Angeles Times Sep 13, 2018 Full Review Blood Fest (2018) 50% “The generally likable performers do what they can with thinly drawn characters whose traits are limited to "virgin" and "ditz," but it's hard to care much about what happens to them even as generic archetypes.” – Los Angeles Times Aug 30, 2018 Full Review Bending the Arc (2017) 100% “For anyone who wants to believe in the promise of Martin Luther King Jr.'s quote "the arc of the moral universe bends toward justice," a film like "Bending the Arc" is downright inspiring.” – Variety Apr 24, 2017 Full Review All Nighter (2017) 14% “The part may be tailor-made for Simmons' no-nonsense persona, and his performance reliably rock solid, but the bland execution of director Gavin Wiesen and the uninspired scripting of Seth Owen have no comic zing. It's a night all too easy to forget.” – Variety Mar 17, 2017 Full Review The Big Sick (2017) 98% “Comedian and actor Kumail Nanjiani and writer Emily V. Gordon mine their personal history for laughs, heartache, and hard-earned insight in The Big Sick, a film that's by turns romantic, rueful, and hilarious.” – Variety Jan 30, 2017 Full Review Columbus (2017) 96% “Lovely and tender, marking Kogonada as an auteur to watch.” – Variety Jan 30, 2017 Full Review The Vanishing of Sidney Hall (2017) 12% “There are few things more frustrating than a mystery without a satisfying conclusion, unless it's a mystery that didn't need to be a mystery in the first place.” – Variety Jan 26, 2017 Full Review Brigsby Bear (2017) 83% “Rather than milking the outre premise for broad comedy, everyone involved strives to keep the characters and situations grounded and warm.” – Variety Jan 24, 2017 Full Review Bushwick (2017) 49% “Even if the low budget execution is uneven at times, there's enough snap to the filmmaking, and enough raw power in the premise, to make for solid B-movie excitement.” – Variety Jan 23, 2017 Full Review It Happened in L.A. (2017) 65% “The relationship view Morgan appears to be working toward - nobody's perfect, so appreciate what you have - winds up a little pat for the self-inflicted wounds her characters keep trying to emotionally bandage.” – Variety Jan 22, 2017 Full Review Step (2017) 96% “This ebullient chronicle of a Baltimore girls step team's senior year matches a fascinating, worthy subject with unabashedly joyful filmmaking.” – Variety Jan 22, 2017 Full Review The Workers Cup (2017) 82% “What emerges is a nuanced, if somewhat undernourished, portrait of the poorest inhabitants of the richest country in the world.” – Variety Jan 20, 2017 Full Review The Incredible Jessica James (2017) 88% “Some people are born to be movie stars, and "The Incredible Jessica James" successfully makes that case for leading lady Jessica Williams.” – Variety Jan 20, 2017 Full Review The Comedian (2016) 24% “There's a fundamental miscalculation to the casting that drags down an already lumpy shaggy dog dramedy.” – Variety Nov 12, 2016 Full Review Ouija: Origin of Evil (2016) 83% “The rare horror sequel made with considerably more wit, craft, and imagination than its predecessor, "Ouija: Origin of Evil" feels less like the continuation of a budding franchise than an apology for what went wrong the first time.” – Variety Oct 18, 2016 Full Review
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